A year or two ago, when I heard that the rights to FARSCAPE had been sold and would be rereleased on the A&E imprint, I was delighted. I bought the entirety of the series on the way-too-expensive Starburst edition, which was, as expensive as it was, vastly cheaper than the original DVDs. FARSCAPE as originally released was one of the most expensive series ever sold on DVD. I've lent my DVDs out to several people as part of an effort to help more people learn about this wonder series. Now I can recommend that people buy it.
FARSCAPE is, after only BATTLESTAR GALACTICA and FIREFLY, my all time favorite Sci-fi series. It is unique in that women tend to love it as much as men (or perhaps I should say younger male viewers, who usually form a huge percentage of the Sci-fi demographic), largely because of the great character development that occurs on the show, and the main romance, which I honestly think is as grand and epic as any romance on any mainstream or nongenre series. To this day, when TV Guide or Entertainment Weekly or other such mainstream publications do lists of the great TV romances of all time, people who do not know FARSCAPE are surprised and baffled to see John and Aeryn make the list.
In a way, it is amazing that I love this show so much. It contains many of the things I most detest about Sci-fi series, such as aliens (in fact, the aliens in FARSCAPE are more extreme than usual because it was produced by the Jim Henson Company as a platform for putting some of its more extreme puppet creations before the public eye), pulse weapons, shields ("Shields down to 20%"), and what I call "magic science," where something extraordinary takes place that beggars the laws of physics and some equally extraordinary scientific solution is proffered to set things right. I hate these things! But I forgave them in FARSCAPE because it got so many other things right. Like what? Well, primarily character development. My complaint with all of the STAR WAR franchise series is that on all of them (with some exceptions like 7 of 9 or some of the characters in ST:DS9) there is no character development. I love Jean-Luc Picard, but he is pretty close to the same character on the final episode as on the first. Contrast that, say, with BUFFY, where every character has undergone an astonishing journey of transformation (e.g., just look atCordelia Chase in Season One, then where she was in Season Three, and then where she ended up in Season Three of ANGEL -- we'll just ignore Season Four of the latter). D'Argo may be a huge alien with tentacles hanging from his head, but he becomes a rich, wonderfully nuanced character. Aeryn Sun -- one of the great female heroes that TV has produced -- stars off as essentially a space nazi, but ends a complex, caring, passionate (despite herself) human being. Scorpius is one of the great, most complex villains that television has produced, original in ways that only a few character in television have ever managed to be. Moreover, the show tells a great story over the course of its four seasons. The first two seasons it stays close to a standalone format, even while developing a longer term arc, but Seasons Three and Four develop a great long story arc.
Season Three. What can you say about it? On the Internet you often see lists of the greatest seasons of shows in TV history. Season Three of FARSCAPE almost always makes such lists. I don't want to give anything away by explaining why it is so great, since much of the joy is in the way the wonderfully original plot twists, but beginning with the wonderful resolution of the great cliffhanger ending Season Two through the heartbreaking twists and plot shockers from the middle of the season, to the new cliffhanger that ended the season, it was a season for the ages. I've told friend that even if you don't like the first two seasons of FARSCAPE, it is worth watching just for Season Three. Definitely one of the great seasons I've ever seen.
A lot of people did not give the series a shot because they were repulsed by the use of two animatronic puppets in the show. I can understand this feeling, but it is not supported by an actual viewing of the show. I never came to enjoy the smaller of the two main Muppets in the show, Rygel. He was actually the more complex of the two Muppets, largely because his face was more expressive. But I personally vastly preferred Pilot, a staggering huge puppet who nonetheless is enormously endearing in a way the small, unhuggable Rygel is not. There are a few other animatronic puppets on the show, but these tow are the main ones. I won't say everyone who gives the show will come to like Rygel, but I do think that Pilot is different, and I don't think even Rygel will alter how one feels about the show overall. In other words, if you don't like this show, the Muppets won't be a factor.
One other thing that I very much love about this series is that it, like FIREFLY, features a nonmilitary ship. All other space operas focus on military vessels or military installations. The Star Treks, BABYLON 5, BATTLESTAR GALACTICA (both the brilliant new version and the stinky old one), the Stargate franchise, SPACE: ABOVE AND BEYOND, and many others, even RED DWARF. Ka D'Argo is former military and even towards the end of the series Aeryn Sun comes across like a military officer, but the structure of the crew is that of civilians.
The main ship on the show, Moya, is one of the most delightful ships ever in Sci-fi. A living ship who is symbiotically bonded with Pilot, she often has a mind of her own. She is also as depicted on the show one of the most beautiful ships we've seen on TV, with the interiors of a gorgeous organic appearance. The series was perhaps the first to benefit from advanced CGI. Previous series such as BABYLON 5 had used CGI, but it was low resolution with flat surfaces and simply not very impressive. In the second episode of FARSCAPE we see Moya rise from a lake to fly off into space, and it was, at that point, without question the most breathtaking use of CGI up to that point. The show did not have an unlimited budget, but they managed to make the most of the show they had. Filmed entirely in Australia, it is unquestionably the finest Sci-fi series ever made outside Hollywood or Vancouver. And being set in Australia, they use a host of Australian actors not seen in many American productions, though they are seen in films and TV series made in Australia and New Zealand. The result is a string of unfamiliar actors and filming locations. Sometimes the wretched American accents of some of the actors will wear on you, but by and large the whole series has a great feel to the cast and guest stars.
If you love quality television, you really need to see this series. If you love Sci-fi, you need to see it several times. And if you just love a great romance, you can't do better than this. And luckily you can now own this great series without having to take out a mortgage on your house or condo.