The Fashion Book [Hardcover]

Editors of Phaidon Press (Author)

Book Description

Publication Date: January 10, 1998

Following the format of "The Art Book", this volume looks at the fashion world and the people who created and inspired it. The book contains an A-Z guide to the 500 most important names in fashion since the 1860s, including clothes and accessory designers, photographers, models and iconic individuals who instigated or symbolize a fashion movement. Designers represented include Paul Poiret, Christian Dior, Balenciaga, John Galliano, Coco Chanel, Pierre Balmain, Alexander McQueen, Stella McCartney, Jeanne Lanvin and Issey Miyake. The book provides a survey of fashion photography with work from Cecil Beaton, David Bailey, Guy Bourdin, Irving Penn, Steven Meisel, Nan Goldin, Eve Arnold, Craig McDean, Richard Avedon and Helmut Newton. The book is arranged alphabetically, and a cross-reference system and glossary explain collaborations and techniques used in fashion.

Editorial Reviews

Amazon.com Review

James Abbe, a 1920s fashion photographer, and Zoran, the designer whose simple, monochromatic clothes were extremely popular in the 1970s, anchor the 500 entries in this massive encyclopedia of fashion. Each designer, photographer, model, or icon gets a page with a large photo and informative but short caption. This has the wonderful effect of weighting each entry equally, thereby devoting the same amount of space to Charles Revson, creator of the Revlon cosmetics empire and relative makeup newcomer François Nars, pioneering clothing designer Mariano Fortuny and contemporary favorite Tom Ford.

Clearly, a good set of eyes edited this book. It's a tall order to choose just one image to define the many facets of a designer, model, or photographer. The choices made here are excellent and often surprising. The indomitable Coco Chanel demonstrates the ease of movement her designs afforded women by briskly swinging her arm out to one side, while Kate Moss is shown at the height of her waifdom, likely the mode in which she will best be remembered. Model Linda Evangelista is pictured with curly locks of hair. It's obvious, too, that the editors employed the haphazard juxtaposition created by the alphabetical organization. Facing entries, no matter how seemingly incongruous, are united by a visual theme, to spectacular effect. The ovals made by the either screaming or yawning mouths of Kurt Cobain and his infant daughter are mirrored in a 1937 Jean Cocteau illustration of an Elsa Schiaparelli design. A model in a 1930s outfit by John-Frederics faces a portrait of post-punk design queen Betsey Johnson, whose floral outfit echoes the flowery silhouette behind the model. A troika of Robert Lee Morris bracelets matches the arcs of a bombed-out London building in a 1941 Beaton photo of a Digby Morton design. The vibrant prints of Emilio Pucci and Lilly Pulitzer fall together naturally.

The reams of fabulous images and the inventive design alone make The Fashion Book a treat at any cost, but the low price-to-size ratio (like its cousins The Art Book and The Photography Book) makes it a real steal.

From Library Journal

This highly illustrated coffee-table book celebrates 20th-century fashion in style. It is a virtual cavalcade of the most successful names in the fashion industry and highlights a host of designers, models, illustrators, photographers, milliners, tailors, cosmetics and makeup artists, hairdressers, publishers and editors, and fashion icons, including Armani, Avedon, Cartier, Ferragamo, Gucci, Twiggy, Vreeland, and James Dean, to name a few. Alphabetical entries cite contributions to the industry. The biographical information is kept to a bare minimum, and there is no traditional subject index linking similar entries together, although this is partly accomplished by guides at the end of each entry. The book concludes with a glossary of movements, genres, and technical terms, as well as a directory of museums and galleries. This lightweight treatment is reluctantly recommended as a popular culture item.?Stephen Allan Patrick, East Tennessee State Univ. Lib., Johnson City
Copyright 1998 Reed Business Information, Inc.

See all Editorial Reviews

Product Details

• Hardcover: 512 pages
• Publisher: Phaidon Press (January 10, 1998)
• Language: English
• ISBN-10: 071483808X
• ISBN-13: 978-0714838083
• Product Dimensions: 11.8 x 10.2 x 1.8 inches
• Shipping Weight: 6.8 pounds
• Average Customer Review: 4.6 out of 5 stars  See all reviews (26 customer reviews)
• Amazon Best Sellers Rank: #173,408 in Books (See Top 100 in Books)
  • #6 in Books > Arts & Photography > Fashion > Commercial
  • #50 in Books > Arts & Photography > Photography > Equipment, Techniques & Reference > Professional
  • #74 in Books > Arts & Photography > Fashion > Designers

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Most Helpful Customer Reviews

14 of 14 people found the following review helpful

5.0 out of 5 stars The Best Fashion Book July 28, 2000

By A Customer

Format:Hardcover

This is without a doubt the best fashion book ever written. Not only are designers in this book, but also fashion illustrators, editors, and icons. The work and time put into this book must have been unbelievable, and to charge such a low price. The book is definately worth the price, and much much more. I would recommend this book to anyone interested in fashion, at any level.

12 of 12 people found the following review helpful

5.0 out of 5 stars one of the best fashion books i've seen in years March 18, 2000

By fashion book reader/looker

Format:Hardcover

a fabulous book!brilliantly done from the past to the present,reconmended to all that love fashion. the pictures are clear and creative. well proportioned to each designer, little description yet just enough, if you like getting books with tons of great imagages this the book you want.*

26 of 30 people found the following review helpful

4.0 out of 5 stars The Most Ambitious Fashion Summary Ever November 4, 2000

By Donald Mitchell HALL OF FAMETOP 100 REVIEWERVINE™ VOICE

Format:Hardcover

This is the Reader's Digest Condensed version of the history of fashion over the last 150 years. Unlike Reader's Digest, this book succeeds in capturing the essence in amazing kernals of elegance, curve, design, and motion. Everyone who loves fashion should have this book. There is simply no substitute for it, and you will have many hours of pleasure looking at its exciting images and reading the descriptions. The book is a great value for its price, as well, which will help make it available to more people.

The book is in a novel format, one page each for 500 icons, models, fashion and accessory designers, make-up artists, hairdressers, retailers, illustrators, and photographers done in alphabetical order. Each page typically has one person (a few have two), with one image, and one brief textual summary of the person's work.

It is an amazing challenge to capture all of a person's work in one image, and some great successes occurred. Some of my favorites were Madonna, the Duke and Duchess of Windsor, Harry Winston, Naomi Campbell, Coco Chanel, Noel Coward, and Rudi Gernreich.

On the other hand, some of the old black and white images did not reproduce well. Some of the worst examples are Antoine (a hairdresser with a photograph of Josephine Baker's hair), Maria-Louise Bruyere (a designer), Christian Dior, Max Factor, Barbara Goalen (a model), Gucci, and Hermes. In many cases, these choices appear to have been influenced by the desire to have the facing pages converse with one another. So you will see echoes of design, line, and style in these ways. I appreciate that effort (which is often quite eloquent), but it should not slight the individual whose work is being portrayed. I graded the book down one star for the compromises made here not working well in too many cases.

After you have finished reading and enjoying this book many times, I suggest that you think about where else it would be helpful to have a similar work in your life. Perhaps a scrapbook containing photographs of all of your friends who have something in common would be a possibility. You could write a brief text about each. This could greatly add to your pleasure in remembering these friends, and perhaps expand their interaction when they see how you have put them together.

Keep to the essence, but be bold!