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Fashioning Kimono: Dress and Modernity in Early Twentieth-Century Japan
 
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Fashioning Kimono: Dress and Modernity in Early Twentieth-Century Japan [Paperback]

Reiko Mochinaga Brandon (Author), Akiko Fukai (Author), Anna Jackson (Author), Elise Kurashige Tipton (Author), Annie Van Assche (Editor)
4.7 out of 5 stars  See all reviews (6 customer reviews)

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Book Description

September 25, 2005
Fashioning Kimono focuses on 150 Japanese garments dating from the late 19th to the early 20th centuries, taken from the renowned Montgomery Collection, which includes informal kimonos for both women and men, haori jackets, under-garments, ceremonial and formal clothes, and children's robes. Some of the designs reflect historical continuity, but many others demonstrate a radical break from the traditional. Themes and designs from Western art predominate over historical Japanese references, illustrating the modernization and Westernization of Japan at this time.

The range of the collection represents one of the most dynamic periods in Japan's national costume. It encompasses the final phase of the living kimono, when the kimono was still the daily wear of most Japanese people. After Japan's defeat in the Pacific War and the destruction of virtually all its major urban centres, Western clothes quickly came to replace the kimono, being considered more affordable and conducive to the new post-war lifestyle. It eventually took on a purely ceremonial or formal role, and today, except for the few fashionably daring, the kimono is worn mainly for the tea ceremony, funerals, and weddings.


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Fashioning Kimono: Dress and Modernity in Early Twentieth-Century Japan + Kimono and the Colors of Japan: The Kimono Collection of Katsumi Yumioka (Japanese and English Edition) + Japanese Kimono Designs (Dover Fashion and Costumes)
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Editorial Reviews

About the Author

Annie M. Van Assche is an art historian specializing in Japanese textiles.

Product Details

  • Paperback: 332 pages
  • Publisher: 5 Continents (September 25, 2005)
  • Language: English
  • ISBN-10: 8874392710
  • ISBN-13: 978-8874392711
  • Product Dimensions: 11.6 x 9.6 x 1.2 inches
  • Shipping Weight: 4.6 pounds (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #409,003 in Books (See Top 100 in Books)

 

Customer Reviews

6 Reviews
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Average Customer Review
4.7 out of 5 stars (6 customer reviews)
 
 
 
 
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29 of 31 people found the following review helpful:
5.0 out of 5 stars A VIRTUAL PANOPLY OF COLOR, ART, AND HISTORY, November 15, 2005
This review is from: Fashioning Kimono: Dress and Modernity in Early Twentieth-Century Japan (Paperback)
"Fashioning Kimono" is a virtual panoply of color, art, and history focusing on kimono from the vast collection of Jeffrey Montgomery. Among the 1200 rare objects in Montgomery's enviable collection are these 150 kimono dating from the late nineteenth to the mid twentieth centuries. It is an array comprehensive in scope with kimono and haori jackets worn by men, women and children.

The almost 200 photographs of the textiles by Stefano Ember are stunning - bold, aresting in hue, delicate as a butterfly's wing in design. Publication of this volume accompanies an exhibition of the same name at the Victoria and Albert Museum in London, which runs from mid October of this year through May 1, 2006.

Annie Van Assche, the editor and primary author, presents a history of the kimono, while additional essays include such topics as new styles based on Art Nouveau and Art Deco designs, the kimono's influence on Parisian fashion, and the fascinating memoir of a Japanese girl growing up in the 1930s and 1940s.

As Van Assche notes silk is at the very heart of the Japanese kimono culture. It's strength, sheen and adaptability to dyes make it the ideal material. The inspired use of color, we learn, may be due in part to the fact that in ancient times the Japanese believed "color imbued a garment with special powers."

All with an interest in fashion, design and the Japanese culture will find "Fashioning Kimono" an indispensable addition to a personal library.

- Gail Cooke
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22 of 23 people found the following review helpful:
5.0 out of 5 stars flowering of the Japanese kimono in its last years, November 14, 2005
This review is from: Fashioning Kimono: Dress and Modernity in Early Twentieth-Century Japan (Paperback)
The early decades of the 1900s were the final flowering for the Japanese kimono, the standard clothing for men and women going back for centuries. This was literally so for many kimonos; for they have bright, sometimes lavish, flower patterns and images from the influences of the Western art styles of art nouveau and even art deco. The growing modernization and Westernization of Japan at this time was seen in the changing patterns in the kimono. The stylistic innovations came to an end with the turn to Western clothing after Japan's defeat in WWII and the destruction of the country's industry. One hundred and fifty modern kimono from about the 1890s to the 1930s from the collection of Jeffrey Montgomery are shown in color photographs with close-ups of the details of a few. The photos are full-page on the right with notes on the facing page. The book is done in conjunction with an exhibition of the collection at the Victoria and Albert Museum through May 2006. The beginning essay by editor and contributor Annie Van Assche--textile artisan, Japanese art historian, and one-time curator of education for the Japan Society Gallery in New York--is an outstanding brief course on the artistic aspects, manufacture, and types and eras of kimono while serving as a lead-in to the following four essays taking up different topics regarding its final, modern, period.
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11 of 11 people found the following review helpful:
4.0 out of 5 stars Wanting more, April 10, 2007
By 
Christine Lin (San Francisco, California United States) - See all my reviews
(REAL NAME)   
This review is from: Fashioning Kimono: Dress and Modernity in Early Twentieth-Century Japan (Paperback)
The first fourth of the book contains a lot of valuable information about styles and techniques, then the rest is page after page of photos. Beautiful photos, but I wish there was more discussion about cultural significance of the designs depicted.
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