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Fateless [Paperback]

Imre Kertesz (Author), Christopher Wilson (Author), Katharina Wilson (Author)
4.6 out of 5 stars  See all reviews (53 customer reviews)


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Book Description

October 21, 1996
One of Publishers Weekly's Fifty Best Books of 1992

Fateless is a moving and disturbing novel about a Hungarian Jewish boy’s experiences in German concentration camps and his attempts to reconcile himself to those experiences after the war. Upon his return to his native Budapest still clad in his striped prison clothes, fourteen-year-old George Koves senses the indifference, even hostility, of people on the street. His former neighbors and friends urge him to put the ordeal out of his mind, while a sympathetic journalist refers to the camps as "the lowest circle of hell." The boy can relate to neither cliche and is left to ponder the meaning of his experience alone.

George's response to his experience is curiously ambivalent. In the camps he tries to adjust to his ever-worsening situation by imputing human motives to his inhumane captors. By imposing his logic--that of a bright, sensitive, though in many ways ordinary teenager - he maintains a precarious semblance of normalcy. Once freed, he must contend with the "banality of evil" to which he has become accustomed: when asked why he uses words like "naturally," "undeniably," and "without question" to describe the most horrendous of experiences, he responds, "In the concentration camp it was natural." Without emotional or spiritual ties to his Jewish heritage and rejected by his country, he ultimately comes to the conclusion that neither his Hungarianness nor his Jewishness was really at the heart of his fate: rather, there are only "given situations, and within these, further givens."


Editorial Reviews

From Publishers Weekly

Kertesz ( Kaddish for an Unborn Child ), who, as a youth, spent a year as a prisoner in Auschwitz, has crafted a superb, haunting novel that follows Gyorgy Koves, a 14-year old Hungarian Jew, during the year he is imprisoned in Auschwitz and Buchenwald. Fighting to retain his equilibrium when his world turns upside down, Gyorgy rationalizes that certain events are "probably natural" or "probably a mistake." Gradual starvation and what he experiences as grinding boredom become a way of life for him, yet Gyorgy describes both Buchenwald and its guards as "beautiful"; as he asks "who can judge what is possible or believable in a concentration camp?" Gyorgy also comes to a sense of himself as a Jew. At first, he experiences a strong distaste for the Jewish-looking prisoners; he doesn't know Hebrew (for talking to God) or Yiddish (for talking to other Jews). Fellow inmates even claim Gyorgy is "no Jew," and make him feel he isn't "entirely okay." Kertesz's spare, understated prose and the almost ironic perspective of Gyorgy, limited both by his youth and his inability to perceive the enormity of what he is caught up in, give the novel an intensity that will make it difficult to forget. One learns something of concentration camp life here, even while becoming convinced that one cannot understand that life at all--not the way Kertesz does.
Copyright 1992 Reed Business Information, Inc. --This text refers to the Hardcover edition.

Review

"[A] superb, haunting novel." Publisher's Weekly
-- Review

Product Details

  • Paperback: 191 pages
  • Publisher: Hydra Books (October 21, 1996)
  • Language: English
  • ISBN-10: 0810110490
  • ISBN-13: 978-0810110496
  • Product Dimensions: 7.9 x 5.1 x 0.6 inches
  • Shipping Weight: 7.8 ounces
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (53 customer reviews)
  • Amazon Best Sellers Rank: #865,007 in Books (See Top 100 in Books)

More About the Author

IMRE KERTÉSZ was born in Budapest in 1929. At age fifteen he was deported to Auschwitz, then Buchenwald, and finally to a subcamp at Zeitz, to labor in a factory where Nazi scientists were trying to convert coal into motor fuel. Upon liberation in 1945 he worked as a journalist before being fired for not adhering to the Communist party doctrine. After a brief service in the Hungarian Army, he devoted himself to writing, although as a dissident he was forced to live under Spartan circumstances. Nonetheless he stayed in Hungary after the failed 1956 uprising, continuing to write plays and fiction in near-anonymity and supporting himself by translating from the German writers such as Joseph Roth, Freud, Nietzsche, and Wittgenstein. He remained little-known until 1975, when he published his first book, Fatelesseness, a novel about a teenage boy sent to a concentration camp. It became the first book of a trilogy that eventually included The Failure and Kaddish for an Unborn Child. Subsequent titles include Liquidation, The Pathseeker, Union Jack, and, a memoir, The File on K. In 2002, Kertész was awarded the Nobel Prize for Literature. He lives in Budapest and Berlin.

 

Customer Reviews

53 Reviews
5 star:
 (41)
4 star:
 (8)
3 star:
 (1)
2 star:
 (2)
1 star:
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Average Customer Review
4.6 out of 5 stars (53 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

122 of 130 people found the following review helpful:
5.0 out of 5 stars Unique view of the Holocaust, August 17, 2000
This review is from: Fateless (Paperback)
This is the most shocking book about the Holocaust I know. What makes the book so unique is the narrator, a 15-year-old Hungarian Jew whose language reminded me of Salinger in the beginning. The perspective of this naive boy allows Kertesz to describe the narrator's and his father's deportation without any idea of what's going to happen next. - Kertesz experienced much of this in his own life, and yet he had enormous trouble getting the book published. It was regarded as a scandal that the hero says that even in the concentration camps he experienced moments of happiness. This does not mean, however, that Kertesz makes it appear to be fairly harmless in the manner of "Life is Beautiful". No, his perspective, which is free from any hindsight makes us see the Shoa in all its horror for the first time.
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54 of 55 people found the following review helpful:
5.0 out of 5 stars Of Freedom and of Life he Only is Deserving, January 7, 2005
This review is from: Fatelessness (Paperback)
Who every day must conquer them anew.

These words of Goethe provide the emotional context within which I experienced Imre Kertész' masterful novel Fateless.

Kertesz was an assimilated Hungarian-Jew living in relative comfort in Budapest. In the summer of 1944 he was picked up and shipped to Auschwitz. He was fourteen years old. He was transferred from Auschwitz to Buchenwald, from Buchenwald to Zeitz (a lesser-known concentration camp) and then back to Buchenwald. He was liberated a year later and returned to Budapest.

The life of György (George) Köves, the protagonist of Fateless, tracks the experiences of Kertesz. The novel is written in George's voice and we see the world through his recollection of events. (Kertesz has indicated in interviews that although Fateless takes the form of an autobiographical novel it is not an autobiography but a work of fiction.) George is a relatively care free, naive 14 year old leading a middle class life with his family. As the story opens, the family is preparing to say goodbye to George's father who is being sent to a labor camp. I was struck immediately by George's detachment as these early events unfold. George obtains a job at a factory. This provides him with a pass out of his neighborhood although he is still required to wear a yellow star identifying him as Jewish. One morning, on the way to work, he is swept up along with thousands of others and is sent on his journey into the seven layers of hell known as concentration camps. The rest of novel details George's experiences in the camps, his gradual physical deterioration that leaves him near death, the chain of events that kept him alive, his liberation and his eventual return to Budapest.

I expected that any book that had the Holocaust as a central theme would be filled with vivid descriptions of the horrors found there and the emotional turmoil that any prisoner experienced. In fact, the opposite was the case. George's narrative is, until the very end, devoid of emotion. It consists of a spare, narrative recitation of events. I think the book was all the more chilling and had a greater emotional impact as a result. No words can adequately describe the horrors and misery and Kertesz does not really try. Rather, the emotion is inferred from the factual context. At one point, George finds a mirror and looks at his image. He sees in himself the gaunt vision of shuffling prisoners that met him on his arrival at the camps. He doesn't complain, he simply observes. The observation is stunning not for its emotional content but for the very fact of it.

I was also struck by the irony expressed in many of Kertesz' passages. George, like Kertesz, was not particularly religious nor did he speak the lingua franca of many European Jews, Yiddish. Despite his presence in the camp he was rejected by many of his fellow prisoners because he was not, in their eyes, sufficiently Jewish. He didn't know Yiddish nor did he know enough Hebrew to recite the Kaddish, a prayer for the dead. George's camp experience was one of double isolation.

George's emotions only rise to the surface upon his return to Budapest after liberation. He is on a trolley, filthy and malnourished. He can feel the scorn and snickering of his fellow passengers and seethes with anger, an emotion seemingly permitted to enter into his life now that his freedom is assured. He returns to his family apartment only to find that it has been appropriated by another family. His family and friends tell him to put the camps into his past, but he can't, it is an experience that will never be `in the past'. Kertesz, in his Nobel Prize lecture sums it up thusly: "By which I mean that nothing has happened since Auschwitz that could reverse or refute Auschwitz. In my writings the Holocaust could never be present in the past tense."

The novel ends with George pondering the meaning of life and fate. He posits that those that accept fate can never be free and those seeking freedom cannot do so if the live by the axiom "it is written". The closing puts George's whole camp experience in a new perspective. Some struggle outwardly for freedom. George's struggle was completely internalized. His struggle for life itself was a struggle to be free. As the Russian novelist Vasily Grossman asserted in his book Forever Flowing, "there remained alive and growing one genuine force alone, consisting of one element only - freedom. To live meant to be a free human being."

The story of George Koves is the story of a young boy who struggled every Day for freedom and for life and conquered them anew. It is a powerful book and one that I cannot recommend too highly.
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39 of 40 people found the following review helpful:
5.0 out of 5 stars A different perspective, October 11, 2002
By 
Marcell Orosz (London, United Kingdom) - See all my reviews
(REAL NAME)   
This review is from: Fateless (Paperback)
This year's Nobel prize winner Imre Kertesz's book about the Holocaust is one of the most powerful and touching books ever writen about this theme. Kertesz was a surprise Nobel-prize winner but after reading this book you'll probably see it was a well-earned prize for a very talented and gifted writer.

At the time the story is going on, it is 1944 and a Jewish boy is departed to a Nazi concentration camp along with his father. The book gives a different perspective of the horror, because it is written in an "I" form. As a reviewer mentioned before, this is not a "Life Is Beautiful" story. This is a "Life Is Horrible" story and it is a shocking experience you will never forget. Though the book is not about the writer himself, Kertesz experienced much of the story.

The book is never boring and makes you going on with the things to come - most of them unexpected and even more horrible than the ones before. Imre Kertesz survived this mayhem and he is the living proof of fate, even though this book's title is Fateless. It could only be fate that saved him and the survivors of the darkest times of the 20th century.

The only shame: he is not well known in his home country. Many Hungarian writers say: Hungary is a "language island" with a language barrier that can't be put down. I hope Kertesz's success shows every writer in the world that language can't be a barrier. Good stories make a writer. And if they're true - as this is case with Fateless - they can make very good writers. I recommend this book everyone with a heart and soul.

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