Customer Reviews

Fear Without Frontiers: Horror Cinema Across the Globe

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Horror is the only true international genre. The fear of evil knows no borders. Mr. Schneider my be the only true international horror expert around. He's constantly digging up old films from the past from the tiniest country to find what kind of fear factor they might have had. This specific book is a grand collection of significant horror films from almost every major country. It speaks volumes about the different insecurities that lie between different nations. There is a wealth of grisly photos for the serious horror buff but also an abundance of educational information for the intellectual horror fan. If you want to know what the horror genre truly means and stands for, this is the book to get.

Everyone is afraid of something. No matter where they are in the world, no matter what culture, people know that there is something lurking around the shadows, creeping under the bed. Every culture's creative expression is ripe with these specific horrors, including painting, novels, poetry, plays and, of course, film. If a civilization has access to a movie camera, they will make a horror flick.

"Fear Without Frontiers" is a guided tour of this world horror-fest. Traveling from Spain to Hong Kong to France to Singapore to Japan to India to Italy to...well, pretty much everywhere, the various authors showcase the horror-film culture and history of these respective countries. Your tour guides through this atrocity exhibition are an elite group of film scholars, professors of film studies, film historians and other academic film professionals. This is no fan book.

Sometimes focusing on an individual creator, such as Brazil's Jose Mojica Marins ("Coffin Joe") or Hong Kong's Anthony Wong ("The Untold Story,") and sometimes a phenomenon, such as Singapore's Pontianak films and Italy's Zombie obsession, each entry is an incredibly well-researched and intelligent exposition of the subject matter. Each article is footnoted and referenced, leading the way to other books and journal articles on the same subject matter. The amount of information is truly staggering, and I would have never have guessed that there was an expert on Indonesian snake-woman films.

While each country gets a fair showing, Japan gets a special "case study," with three articles on different aspects of Japanese horror cinema. There is an article/interview with Miike Takashi ("Ichi the Killer," "Audition,") an exploration of two popular horror cycles, the "Ring" films and the "Eko Eko Azarak" series, and a look at the modern shocker "Suicide Circle" along with an interview with director Sion Sono.

What is missing from "Fear Without Frontiers" is a cross-examination of the various world horror-cultures. Although the Vampire film is fairly universal, there is no comparison of a Turkish vampire film with an Italian or French vampire film. Each entry is an isolated event, having no relation to previous entries.

This one flaw accounted for, "Fear Without Frontiers" is an amazing book, of great interest to anyone interested in horror films and/or world cinema. The sheer variety of things-that-go-bump-in-the-night is fascinating, as are the laws and censors that shape how these fears can be expressed on film.