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Fear X


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Fear X + Pusher Trilogy + Valhalla Rising [Blu-ray]
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Product Details

  • Actors: John Turturro, James Remar
  • Format: Multiple Formats, Closed-captioned, Color, Dolby, NTSC, Subtitled, Widescreen
  • Language: English
  • Subtitles: English, Spanish
  • Dubbed: French, Spanish
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 2.35:1
  • Number of discs: 1
  • Rated: NR (Not Rated)
  • Studio: Lions Gate
  • DVD Release Date: March 8, 2005
  • Run Time: 91 minutes
  • Average Customer Review: 2.5 out of 5 stars  See all reviews (23 customer reviews)
  • ASIN: B00079HZQQ
  • Amazon Best Sellers Rank: #157,370 in Movies & TV (See Top 100 in Movies & TV)

Special Features

None.

Editorial Reviews

When his wife is killed in a seemingly random incident, Harry, prompted by mysterious visions, journeys to discover the true circumstances surrounding her murder

Customer Reviews

Fear X is a slow attempt at film noir.
chicoer2003
If anything, it starts out with nothing happening, and then as the movie goes on, MORE nothing happens.
The Bus
If you look at the movie in that aspect, it could be very interesting.
Mark

Most Helpful Customer Reviews

24 of 25 people found the following review helpful By Gavin B. on May 26, 2005
Format: DVD
Danish director Nicholas Winding Refn, third film "Fear X" may baffle or frustrate his viewers with his non-linear plot line and it's leisurely pacing. Indeed Refn falls short on adhering to the protocols of commercial filmaking, but he is aiming, almost entirely, for effect, rather than aiming for commerce, in "Fear X."

In this case, "Fear X" was written by renowned novelist Hurbert Selby Jr. Selby's script has minimal dialogue and it's left to John Turturro's considerable acting skills to convey the obsessive quest of a mall security guard to find out the truth behind the seemingly random shooting of his wife.

You are never completely certain, if the action on the screen is actually unfolding, or whether it's all happening in the mind of Harry Cain, Turturro's character. He frequently sees the mute ghost of his murdered wife, leading him to a sinister looking vacant house directly across the street from his own house. He eventually breaks into the house and finds a strip of photo negatives, which he believes to be the smoking gun left by his wife's murderer.

It's clear that Harry Cain is obsessed, but we wonder if he's being good detective, or if he's a delusional madman whose paranoia leads him on a groundless quixotic investigation. Cain's co-workers are concerned about his erratic behavior in the wake of his wife's death.

Perhaps the entire film is a surreal parable about moving from the first "denial stage" to fifth and final "acceptance stage" in the 5 Stages of Grief upon losing a loved one. Harry Cain exhibits all the five ritualized stages of grief and by the end of the film it's clear that he has accepted his wife's death and is ready to move on with his life.
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8 of 9 people found the following review helpful By bob crane on May 6, 2005
Format: DVD
This is not a film for everyone. It is quietly and methodically paced and is actually an interior (psychological) drama. It is absolutely beautiful to look at, shot by cinematographer Larry Smith who was also one of the cinematographers (secondary I believe) on Eyes Wide Shut by Kubrick and it shows. I don't understand why I haven't heard of this film before. Cinephiles should definitely find it fascinating. I bought this used on a whim as a fan of Turturro and watched it with bated breath, wasn't sure at first but came out intrigued. Upon second viewing I think it is a fascinating and exceptional film, feeling more like a Scandinavian film than American. Obvious visual overtures are made to Kubrick's The Shining and the pacing and camerawork are reminiscent of Eyes Wide Shut. If you like contemplative, (dare I say) existential filmmaking and are patient and allow for introspection and participation in watching film, check it out. It's well worth it. This should get more attention by folks who love fine film-making. If you want a traditional thriller/drama look elsewhere, you're not going to find that here. But, if you want exceptional introspective performances, beautiful editing and cinematography and a quietly paced (almost sculpted) drama on death, murder and moral culpability and understanding you'll find this a fascinating piece. Couldn't decide on 4 or 5 stars and gave it only 4 because of the standards the film sets for itself, which are incredibly high. It may, upon a third viewing, be changed to 5 stars.
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5 of 6 people found the following review helpful By LGwriter on March 28, 2006
Format: DVD
At first viewing, this film seems, to be blunt, somewhat lame. Then you think about it. And then you realize it's absolutely not lame at all. It requires some serious mental input, but the rewards are there, definitely.

This is not a trickathon flick like Memento. It's a much more subtle work that digs into you once you get what's really going on. The core of the film is, Is what we experience "real" or is it what we THINK is real?

While it may appear initially that this question only applies to the protagonist, Harry Caine (John Turturro in an excellent performance), that's definitely not the case. The "bad guy", played by James Remar, a cop, is--if you think about it hard enough and pick up the clues--definitely experiencing the same mindset as Turturro's character. You have to put the pieces together. When you do, it's fascinating.

Harry Caine has been experiencing tremendous grief after his wife's murder. Understandably. Part--a big part--of that grief is hallucinating her presence standing next to him in the bathroom, standing just outside his house, comforting him in the bedroom. He is absolutely obsessed with finding her killer.

There is something--we don't exactly see what initially--about his next door neighbor--another cop (i.e., not James Remar's character) that leads him to break into the man's house when the owner is not there, where he finds what he thinks is a clue to his wife's death. He pursues that clue and ultimately runs into the James Remar character who may or may not have been responsible.

The viewer has to pay very careful attention to the details here; details is what this film's all about. The ending scene itself is, when you think about it, a fitting piece of the puzzle (no, I'm not giving away the ending here).
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