From Publishers Weekly
In the manner of Sade, though with neither the reach of his genius nor the edge of his madness, Bills (Consider This Home, 1994) explores, in a sexually charged novel set in Southern California, the philosophical and erotic aspects of sadomasochism and bondage. When recent design-school graduate Peter Keith, gay and 25, moves next door to Chaz and Muriel Lambent, he finds himself enmeshed in their bizarre psychosexual world. Soon voyeuristic curiosity leads to mutual seduction. What subsequently unfolds is a tale that is, as narrator Peter puts it, "violent, lurid, and baroque." Graphic sex scenes mix and match bodies, sex acts (including a full-body shave) and appurtenances such as olive oil, leather masks and silk-sheathed chains. Peter rebels against his neighbors' domination when he uncovers their penchant for animal and human sacrifice. Interspersed with this main story line is Muriel's Scheherazade-like "Tale of the Angel and His Bride," told to Peter, and Chaz's claim that he and Muriel are "The Blond Ones," products of German genetic engineering. A bloody scene of mayhem and disaster caps the action in clear fashion, but what Peter finally discovers about himself and his relationships remains opaque. He hopes, as the novel closes, to "learn what kind of life might persist after a heart's illicit union with the celestial"-not to mention after a body has been spoon-fed with wrists and ankles shackled and a black rubber hood pulled over its eyes.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
Fans of erotic fiction in the style of Josephine Hart's Damage (LJ 2/15/91) will appreciate this tale of sexual obsession by the author of Consider This Home (LJ 2/1/94). When Peter Keith meets his new Southern California neighbors, Chaz and Muriel Lambert, he is instantly attracted by their physical beauty and charm. Like poisonous spiders weaving an impossible-to-resist silken web, the Lamberts gradually ensnare Peter in an initially dazzling and later frightening world of sexual games that veer menacingly toward a violent end. Bills effectively ratchets up the level of tension as Peter's sexual need for both the Lamberts begins to conflict with his growing belief that something is sickeningly wrong. As all attempts to end the relationship fail, Peter must confront the darkness at the heart of the Lamberts' lives. Bills occasionally overwrites, so that Peter sounds both hopelessly naive and insufferably pretentious. Although the publisher is positioning this novel as a "literary" erotic thriller, not all readers will call it such. For large popular collections.?Nancy Pearl, Washington Ctr. for the Book, Seattle
Copyright 1996 Reed Business Information, Inc.