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Fearless is the 2008 sophomore album from Taylor Swift, the young Country singer/songwriter who charmed the hearts and charts of America beginning with her debut single 'Tim McGraw'. Her triple-platinum self-titled debut release has scanned over 3.4 million units and spent more weeks at #1 than any other Country album this year: 24 weeks! Taylor is the only Country female artist to have five Top 10 singles from a debut album and the only Country female vocalist this decade to reach the Top 5 on Billboard's Hot 100 Chart. Needless to say, she's a sensation that has only just begun to show what she is capable of. 13 tracks including the single 'Love Story' and 'Change', first heard during the 2008 Summer Olympics. --This text refers to the Audio CD edition.


3 1/2 STARS

Ah, young love. Country sensation Taylor Swift, 18, chronicles her formative years' romantic highs and lows on this stellar follow-up to her triple-platinum self-titled debut. Writing and coproducing all 13 cuts, the recent high school grad from Hendersonville, Tennessee - who just split from teen hunk Joe Jonas, 19 - tells the story of her freshman year on the sweet, midtempo "Fifteen" and ruminates on a deteriorating relationship (hello, Joe!) on the mature "Forever & Always." -- Us Weekly, October 31, 2008

Berks County native Taylor Swift's new CD highlights new music releases by John A. Zukowski

Taylor Swift's new CD "Fearless" comes out today. Other new releases include Enya, T-Pain, Tracy Chapman and David Archuleta. Taylor Swift is just 18 years old. But for me she's done something really important for mainstream country music: she's put some feeling and soul back into country.

Swift writes her own songs (unusual for a country singer). And a lot of her songs are about her hopes and her experiences. So it doesn't matter that she's just 18. It sounds real. And that honesty is what makes the best country music. And she makes other country singers older than her seem phony in comparison -- even someone not so old like Carrie Underwood.

Swift's second album "Fearless" comes out today. She played the title song from it on "The Late Show" with David Letterman last night and it sounded great. The lyrics were really heartfelt and direct. She really could have been a punk rocker if she wasn't a country singer. I really like how she's shaken things up in the mainstream country music genre. -- Lehigh Valley Express Times, November 11, 2008

By Kevin Amorim

Those who thought Taylor Swift was a big deal after the release of her first record should be prepared: She's about to get way bigger.

Although they're written by a teenager, Swift's songs have broad appeal, and therein lies the genius and accessibility of her second effort, "Fearless" (Big Machine).

The insightful "Fifteen" ("In your life you'll do greater things than dating a boy on the football team") will connect with teens looking for hope and with adult women looking back, while the sparse "White Horse" will appeal to anyone who's experienced love lost, which is to say, everyone. "Hey Stephen" ("All those other girls, they're beautiful but would they write a song for you") displays Swift's confident sense of humor, and "Breathe" (written with Colbie Caillat, who sings on the track) is a love-gone-wrong song suitable for women of all ages. - Billboard.


BOTTOM LINE Wise beyond her years. --, November 11, 2008

By Rashod D. Ollison Seemingly out of nowhere in 2006, Taylor Swift did what is becoming almost impossible to do in today's crumbling music industry: She sold more than 3 million copies of her first album. And the country-pop star did it all rather quietly, garnering a Grammy nomination for best new artist along the way.

Svelte and blond with a sculptured face the camera adores, the 16- year-old singer wasn't a teen dream manufactured by the Disney machine. She also wasn't packaged as a vampish pop tart, wailing suggestive songs that belied her years.

Her earnest but girlish vocals were ensconced in sympathetic arrangements that were more pop than country. But it was Swift's gift as a songwriter that pushed her ahead of the pack. She wrote about her bad luck with boys in detailed, sometimes touching lyrics that never felt too precious. In fact, Swift's songs are sturdy and universal enough to work in any musical context.

On Fearless, her hotly anticipated sophomore album, she basically sticks with what worked on the debut. She's 18 now. And although her maturation on the album is deliberately pitched to the country-pop crossover crowd, Swift's songs remain tightly crafted. The melodies may not always be immediate, but the tunes still worm their way into your head.

Lyrically, Swift is still boy-crazy. She achingly pines for the dreamy ones ("Love Story," "You Belong With Me," and the breezy title track) and dismisses the empty-headed ones ("Tell Me Why" and "White Horse"). She refreshingly eschews the role of diva wannabe and remains the down-to-earth girlfriend next door.

"The Best Day," an affecting ballad, is a lovely valentine to her family. Simple and understated, it's sure to be a hit with fans. -- Baltimore Sun, November 11, 2008

Swift Fearless, taking the spotlight away from Rose BY WERNER TRIESCHMANN

This is so old-school pop star.

Three days before Christmas and a stop at west Little Rock's Best Buy to snag Taylor Swift's Fearless turns up empty - that's right, not a single copy to be had in the whole store. Boxes of Guitar Hero and gleaming iNanos were still waiting to be bought. Then there were the well-stocked displays for a certain new album by Guns 'N Roses.

Taylor Alison Swift, who turned 19 on Dec. 19, was only 4 years old when Axl Rose started working on Chinese Democracy. Today, however, Swift, the cat-eyed, curly-haired singersongwriter, is the most popular music act in the country. Miley Cyrus and the Jonas Brothers have the power of the 'tween marketplace and the mighty Disney behind them, but only two full-length albums into her career, Swift is challenging the rule that nobody makes rock stars anymore.

Swift is, of course, slotted as a country act and her first big hit, "Tim McGraw," reinforced that label. Among the many things that Fearless confirms, the foremost might be that the Pennsylvania-native Swift is navigating the broad waters of pop music. There's a banjo and fiddle here and there on Fearless, but the symphonic strings and general guitar uplift dominate.

You already know what Fearless is about - or maybe your favorite/closest teenager informed you in a breathless text message filled with exclamation points and all caps. Romance! Doomed romance! Being 15 and being crazy in love with Romeo even though of course it can't work out because he's a vampire - oh wait, that's something else.

Maybe you also already know that Swift's name is on all of these songs and that there are only five or so where the teenager shares credit with John Rich (of Big & Rich fame) and others. Maybe you've already decided that you love or hate this young, beautiful and now-rich singer-songwriter because of what you already know.

It's not likely that even Swift's biggest fans could tell from her low-key, mostly-acoustic, happy-to-be-here debut that the girl has a gift that translates to a bigger stage. That is to say, Fearless is about as tightly constructed and as hook-heavy as any pop record could be. The hits are certainly going to keep on coming after "Love Story" has its run on the charts.

While most of the early praise for the record has focused on Swift's sharp eye for detail (the nervous anticipation that comes with the first day of high school and the insanity that comes with young love), few have spoken about her voice. Although you can take it to the bank that Nashville's most expensive machines were applied to smooth out the edges, Swift is still able to convey the passion - the fragile feelings - that drives so many of these songs.

Taken as a whole, the great sweep of the production elevates Fearless, makes it more than a heartsick diary typed on perfumed resume paper. That's not to say that Swift's obsession over the fickle ways of young men doesn't start to wear.

The last song - the abstract, gospel-ish "Change" - isn't enough of a curve to break up the feel that too many of the tunes here are about the same thing with the same kind of tempo.

But even at 19 years old, Swift is smart enough to play to her strengths and her strengths are enough to make Fearless rich and satisfying in ways that few albums can match. Eat your heart out, Axl Rose. -- Arkansas Democrat Gazette, December 28, 2008

Taylor Swift hits all the right words on 'Fearless' * * * (out of four)


For the past decade, the term singer/songwriter has been liberally applied to hot young artists who rely on more experienced collaborators to hone their tunes, and to provide the savvy production that usually upstages the melody and lyrics anyway. But Swift cut her creative teeth in Nashville, where storytelling still matters; and for her sophomore album, Fearless, she wrote more than half the songs independently, and clearly had a big hand in the rest.

You just can't fake the kind of innocence and wonder that ring through the glowing title track and the moonstruck single Love Story, or the guileless urgency and unmannered precociousness marking more bittersweet songs such as Fifteen and White Horse.

Swift's grainy-sweet vocals have a similar freshness, even on the less memorable cuts. It's a pleasure to hear a gifted teenager who sounds like a gifted teenager, rather than a mouthpiece for a bunch of older pros' collective notion of adolescent yearning. -- Elysa Gardner -- USA Today, November 11, 2008

Taylor Swift, 'Fearless'

Nashville's hottest young star lives up the hype

By Andy Hermann Critic's Rating: 4 1/2 stars out of 5

The buzz: All Taylor Swift did with her self-titled debut album was sell three million copies, produce a pair of chart-topping singles ("Our Song" and "Should've Said No"), get nominated for a Best New Artist Grammy and win virtually every country music award a newcomer can get. Two years later, Nashville's teen phenom is now all of 18 and ready to show that her debut was no fluke.

The verdict: Swift is already a superstar in country music circles, but "Fearless" should catapult her to the top of the pop heap, as well. It's very nearly a flawless record, full of big-hearted anthems with catchy melodies, chiming, pop-radio guitars (and the occasional fiddle and banjo, as if to say, "Don't worry, I'm still a Nashville girl at heart") and disarmingly frank lyrics about being an average American kid with real-life hopes, dreams and dramas. On "Fifteen," she captures the wide-eyed excitement of dating older boys in high school, singing "he's got a car!" like it's the most exciting thing imaginable. "Hey Stephen" is an irresistibly sunny come-on of a love song; "The Best Day" miraculously manages to portray a happy childhood without getting cloying or sentimental; even lead single "Love Story," with its corny "Romeo and Juliet" references, is infused with so much sweetness and precocious wit that it's impossible not to get swept up in the song's surging chorus. Right from the get-go, it appeared that Swift's talent ran deep; on this record, she proves it, and then some.

Did you know? On the CMT show "Crossroads," Swift teamed up British pop-metal veterans Def Leppard to perform songs like "Photograph" and "Pour Some Sugar on Me." (The pairing is less odd than it sounds; the producer behind those classic `80s Def Leppard albums, John "Mutt" Lange, also produced hits for one of Swift's biggest influences, Shania Twain.) -- Metromix, November 10, 2008

Those who thought Taylor Swift was a big deal after the release of her first record should be prepared: She's about to get way bigger. Though they're written by a teenager, Swift's songs have broad appeal, and therein lies the genius and accessibility of her second effort. The insightful "Fifteen" ("In your life you'll do greater things than dating a boy on the football team") will connect with teens looking for hope and with adult women looking back, while the sparse "White Horse" will appeal to anyone who's experienced love lost, which is to say, everyone. "Hey Stephen" ("All those other girls, they're beautiful but would they write a song for you") displays Swift's confident sense of humor, and "Breathe" (written with Colbie Caillat, who sings on the track) is a love-gone-wrong song suitable for women of all ages. -- Billboard Magazine, November 7, 2008

Twang Banger: Nashville blonde belts 13 more hits about driving around small towns with boys by Rob sheffield


Boys, boys! Won't you leave Taylor Swift alone? Can't you see the poor girl already has too many teardrops on her guitar? Too late--all over her fantastic second album, the country phenom gets bedeviled by the boyfolk, making the thrills and spills of a two-week teen romance sound as torchy as one of Patsy Cline's marriages. She is put together to fall apart, the kind of gal who applies her mascara with great care because she plans to cry it all off in the parking lot. In "Fearless," she wails about getting caught in the rain "in my best dress"--like she'd wear anything else to go ride around in a storm. This girl likes to make a scene.

Since she's only 18 and has been a hard-working full-time country megastar for the past two years, it's a marvel she has so much romantic roadkill under her wheels. But Swift has the personality and poise to make these songs hit as hard as gems like "Tim McGraw" and "Our Song" from her smash debut, and, once again, she wrote or cowrote them all. The music drives hard enough to keep up with her tingling pheromones--when she slows down for the drippy piano ballad "You're Not Sorry," she reminds you what a smart job she normally does of keeping the tempo jumping.

As for her boys--oh, the carnage. She makes mincemeat out of these hapless critters. She wipes her boots with boys who treat her kind and, uch, "talk business with my father" but don't get her hot ("That's the Way I Loved You"), and with boys who get her hot but don't treat her kind ("White Horse"). She even meets a boy who falls in love with a different girl ("She wears short skirts, I wear T-shirts/She's cheer captain, and I'm on the bleachers"), but rest assured, that doesn't happen often. "15" takes a big-sisterly tone to advise younger girls not to get hung up on marrying their freshman-year boyfriends, but that's as much adult restraint as Swift allows. In "Hey Stephen," she coos, "All those other girls, well they're beautiful/But would they write a song for you?" Not as good as these songs, that's for sure. -- Blender Magazine, December 2008

Why we care: There's never been a more cynical time in pop music, at least from a critic's point of view. Not only do we assume most Top 40 tartlets aren't doing their own singing -- we've accepted it, grading on cultural impact, art and integrity be damned. The 18-year-old Swift's pop-country pirouettes have all the weight of a dandelion crown, but she can sing and write a bit and flash a genuine smile. Ultimately, though, the Pennsylvania gal is one of the hottest things in music more for what she's not. Why we like it: With feet-on-dashboard beats and innocent guitar strums, Swift's sophomore helping of country fluff (see first single Love Story) details the kind of drama and heartbreak crescendo that can devastate a least until after recess. Her voice is strong when it has to be, wispy and lilty in those quiet times. She knows catchy, that's for sure.

Reminds us of: The star pupil at Faith Hill's Camp for Exceptional Blonds

Grade: B -- St. Petersburg Times, November 2008

by Chelsea Rae

Rarely today do you find such care taken in creating a full fledged album but Taylor has done just that. From album cover to final note every entity is Taylor. Fearless is an ambiance of sounds, symbols and colors all metonymic of Swift from her carefully chosen cover shot, heart shaped hand print on the CD itself and most of all the tantalizing lyrics everyone begs for more of. The digital diary begins with the album track "Fearless," a song about the best first date Taylor says she's never had. Swift has out done herself on the melodies backing this track as well as through out, you could play each song without the lyrics and still receive her message. Swift shows maturing in her writing and vocals but the subject line still remains the same, relationships. Not just with boys but those who are close to h er. On the second track Taylor sings about what it's like to be a freshman in high school in "Fifteen," the writing is so descriptive it takes you back to your own first day of high school. You feel yourself go through the rollercoaster of emotions you had once before all inside the 4:55 story. Best friend Abigail makes a lyrical cameo appearance in the line "...Sat down next to a red head named Abigail and soon enough we were best friends." The third track belongs to current #1 single "Love Story," this song is followed by a slew of ear candy and potential singles with, "Hey Stephen," "White Horse," and "You Belong With Me." "Hey Stephen," is as addicting as former smash hit "Our Song." If you aren't listening to it in the car you'll find yourself singing it to yourself constantly. "White Horse," has already received recognition on the season opening of Grey's Anatomy and has ideal soundtrack appeal. "You Belong With Me," is incredibly catchy a song that pokes fun at that "other gir l." Kansas fan Nickie Yardley 23, references the lyrics in saying "Her writing is so relatable cause I'm that t-shirt and sneaker wearing girl." The album makes a transition midway when the songs shift into lyrics of hurt and let down. Swift's seventh track "Breathe," was a collaborative effort with Grammy nominated Colbie Caillat whose vocals are also featured throughout. ITunes overnight success, "You're Not Sorry," suffices as Swift's darkest track to date as she calls out a former relationship. You can hear the hurt in her voice while she slides through the hook. The angst continues with songs "The Way I Loved You," and "Forever and Always," a dig at ex Joe Jonas. The album shifts gears once again on track twelve "The Best Day," This song is the most tender lyric and vocal on the entire record, a morsel of Taylor's childhood. Kentucky fan Allison Scott 18, could not have put it any better in saying "'The Best Day" is a heartfelt and touching ballad, that really pulls on my hear t as a daughter who adores her mother, when I listen to Swift's dulcet voice and the sound and tempo of the music." The song ties the album together, as it takes you through each fragment of Swift's life. The album comes full circle when it ends on "Change." This record is filled with lyrical genius Taylor created 8 of the 13 tracks all on her own a rarity by industry standard. "Fearless" has complete universal appeal, pigeon holing her into just Country does not do her craft justice, there is no genre just-Taylor. -- Today's Country Magazine

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Product Details

  • Audio CD (November 11, 2008)
  • Original Release Date: 2008
  • Number of Discs: 1
  • Format: Enhanced
  • Label: Big Machine
  • Run Time: 58.92 minutes
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (500 customer reviews)
  • Amazon Best Sellers Rank: #195 in Music (See Top 100 in Music)

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Customer Reviews

Most Helpful Customer Reviews

66 of 74 people found the following review helpful By Antoine D. Reid VINE VOICE on October 26, 2009
Format: Audio CD
After the success of Fearless, Taylor Swift and her label decided to re-release it. With some re-releases, you get shoddy remixes or re-toolings of the big hits, perhaps an acoustic version or two and a live track. Not so with the platinum edition. This is more of an extended version of the original album than the simple run-of-the-mill repackaged original version. The platinum edition has five entirely new tracks, plus a piano/acoustic version of the original release's "Forever and Always". What makes the new tracks and re-release worth purchasing is that you're definitely getting an improved and superior version of 'Fearless'; the new tracks are mixed in with the originals and you can't really tell that they were produced any differently than the original tracks. They are of the same quality and caliber, enhancing the experience of listening to Taylor Swift. They aren't much different from the originals; these new songs are mostly about young love, ambivalence, optimism (even in the face of heartache or tarnished relationships).

The Good: This isn't the typical 'country' music many are familiar with. Taylor Swift, having written most of the songs herself, brings a lot of her personal experiences and reflections into the music and the songs feel more authentic. While she's in the genre of country there's also a heavy presence of pop running throughout the tracks. 'Fearless' has a theme to it; songs about young experience and "fearlessness" in the face of many obstacles and new experience; on the track "Fifteen" she sings about school and not exactly fitting in, an experience everyone can relate to in some way. On "Hey Stephen" and "You Belong To Me" she sings of crushes and young love.
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88 of 102 people found the following review helpful By Joey Sciarra on November 11, 2008
Format: Audio CD Verified Purchase
Taylor Swift is one talented teen! She had a hand again in every song on her highly anticipated sophomore CD - this time she wrote 7, and co-wrote 6. The first single, "Love Story" is a good example of how she can combine great lyrics with a catchy beat - and then produce a smash crossover hit. The most remarkable thing about the album is that it is incredibly balanced...and almost every song is so good that it could be released as a radio single. I think it is now safe to say that she is a rising star who will just keep on rising!

Taylor opens the album with the strong title track "Fearless", and ends the album with the powerful theme song of the summer Olympics, "Change". In the middle is a catchy song that she wrote with John Rich - "The Way I Loved You" - and an epic tune which is sure to be a smash hit - "You Belong With Me". "Fifteen" is her most personal song, a bittersweet gem where she sings about her freshman year and her best friend for the past 5 years, Abigail. "White Horse" (which has already been featured on Grey's Anatomy) is a well written tearjerker - a heartfelt song that is just waiting to become her next big single. A good example of her more acoustic side is "Breathe" - a simple song written with Colbie Caillat who also sings background vocals in the song. Taylor's writing seems to have matured and grown in the past 2 years. Take "The Best Day" for example - which is a completely different but awesome song, which is written about her family. She appeals to a wide audience, and executes this so well here on Fearless.

It's incredible how quickly Taylor crossed over and became not only a big country star, but a huge pop star also. It took only her second single - Teardrops On My Guitar - for her to become amazingly popular in mainstream music!
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24 of 26 people found the following review helpful By Ricky Flores on November 4, 2009
Format: Audio CD
Like her self-titled debut album Taylor has re-released Fearless in a Platinum Edition, due to the original 13 track 2008 release which has been certified 5 times Platinum. This re-release like her Deluxe Edition of her self-titled album features new songs and a DVD.

The CD contains 5 new songs and a piano version of Forever & Always (previously released on Fearless) & the original 13 tracks on the Fearless album. The new songs include, "Jump Then Fall", "Untouchable", "Come in With the Rain", "Superstar", & "The Other Side of the Door." "Untouchable" was performed prior to it's release on the Clear Channel Stripped site by Taylor as a big promotion for the 2008 release of Fearless. "Come in With the Rain" has been available as a digital download since 2007. I rate the new songs 5/5 because they are all very good and well done. "Jump Then Fall" is currently my favorite new song.

The DVD that comes with Fearless Platinum Edition contains the 5 music videos that have been released prior to it's release, this includes, "Change", "The Best Day", "Love Story", "White Horse", & "You Belong with Me", 3 "on the set" behind the scenes making of the music videos ("Love Story", "White Horse" & "You Belong with Me"), a photo gallery of the 2009 Fearless Tour, A behind the scenes of the first show of the Fearless Tour in Evansville, Indiana. and the parody video of "Thug Story" with T. Pain that Taylor did for the 2009 CMT Music Awards. There is also 2 different exclusives, one done by Wal-Mart and one done Target.
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Taylor Swift can NOT SING!
Taylor Swift is a singer-songwriter, a classification with different rules than just the singer category. Neither Bob Dylan nor John Hiatt nor Tom Waits or even Neil Diamond is a good singer but their songwriting skills elevate them despite their vocal shortcomings. Taylor Swift might not be in... Read More
Feb 9, 2010 by Alan Dorfman |  See all 23 posts
Make it a Swifter (Swift & Pickler) Christmas!!!!!!!!...
Love Kellie, but not a fan of Taylor. I like artists who can actually sing.
Jan 5, 2009 by Pam |  See all 3 posts
HELP, I am a grandmother of 4 teenage girls
Well, it depends as to what exactly you are referring to or looking for. You can purchase memory cards and USB drives that come preloaded with music for different bands, such as Read More
May 20, 2010 by Siklootd |  See all 5 posts
New tracks!
I like it too, but I'm really partial to the break at around 2:56 where things get quiet and it's just Taylor's voice and the production almost stops for about 8 seconds before the song picks back up. I caught that, and thought it was neat! :D
Mar 27, 2010 by Adrian |  See all 2 posts
Amazon MP3
Done deal. :)
Mar 27, 2010 by Adrian |  See all 2 posts
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