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This is so old-school pop star.
Three days before Christmas and a stop at west Little Rock's Best Buy to snag Taylor Swift's Fearless turns up empty - that's right, not a single copy to be had in the whole store. Boxes of Guitar Hero and gleaming iNanos were still waiting to be bought. Then there were the well-stocked displays for a certain new album by Guns 'N Roses.
Taylor Alison Swift, who turned 19 on Dec. 19, was only 4 years old when Axl Rose started working on Chinese Democracy. Today, however, Swift, the cat-eyed, curly-haired singersongwriter, is the most popular music act in the country. Miley Cyrus and the Jonas Brothers have the power of the 'tween marketplace and the mighty Disney behind them, but only two full-length albums into her career, Swift is challenging the rule that nobody makes rock stars anymore.
Swift is, of course, slotted as a country act and her first big hit, "Tim McGraw," reinforced that label. Among the many things that Fearless confirms, the foremost might be that the Pennsylvania-native Swift is navigating the broad waters of pop music. There's a banjo and fiddle here and there on Fearless, but the symphonic strings and general guitar uplift dominate.
You already know what Fearless is about - or maybe your favorite/closest teenager informed you in a breathless text message filled with exclamation points and all caps. Romance! Doomed romance! Being 15 and being crazy in love with Romeo even though of course it can't work out because he's a vampire - oh wait, that's something else.
Maybe you also already know that Swift's name is on all of these songs and that there are only five or so where the teenager shares credit with John Rich (of Big & Rich fame) and others. Maybe you've already decided that you love or hate this young, beautiful and now-rich singer-songwriter because of what you already know.
It's not likely that even Swift's biggest fans could tell from her low-key, mostly-acoustic, happy-to-be-here debut that the girl has a gift that translates to a bigger stage. That is to say, Fearless is about as tightly constructed and as hook-heavy as any pop record could be. The hits are certainly going to keep on coming after "Love Story" has its run on the charts.
While most of the early praise for the record has focused on Swift's sharp eye for detail (the nervous anticipation that comes with the first day of high school and the insanity that comes with young love), few have spoken about her voice. Although you can take it to the bank that Nashville's most expensive machines were applied to smooth out the edges, Swift is still able to convey the passion - the fragile feelings - that drives so many of these songs.
Taken as a whole, the great sweep of the production elevates Fearless, makes it more than a heartsick diary typed on perfumed resume paper. That's not to say that Swift's obsession over the fickle ways of young men doesn't start to wear.
The last song - the abstract, gospel-ish "Change" - isn't enough of a curve to break up the feel that too many of the tunes here are about the same thing with the same kind of tempo.
But even at 19 years old, Swift is smart enough to play to her strengths and her strengths are enough to make Fearless rich and satisfying in ways that few albums can match. Eat your heart out, Axl Rose.
3 1/2 STARS
Ah, young love. Country sensation Taylor Swift, 18, chronicles her formative years' romantic highs and lows on this stellar follow-up to her triple-platinum self-titled debut. Writing and coproducing all 13 cuts, the recent high school grad from Hendersonville, Tennessee - who just split from teen hunk Joe Jonas, 19 - tells the story of her freshman year on the sweet, midtempo "Fifteen" and ruminates on a deteriorating relationship (hello, Joe!) on the mature "Forever & Always."
Those who thought Taylor Swift was a big deal after the release of her first record should be prepared: She's about to get way bigger. Though they're written by a teenager, Swift's songs have broad appeal, and therein lies the genius and accessibility of her second effort. The insightful "Fifteen" ("In your life you'll do greater things than dating a boy on the football team") will connect with teens looking for hope and with adult women looking back, while the sparse "White Horse" will appeal to anyone who's experienced love lost, which is to say, everyone. "Hey Stephen" ("All those other girls, they're beautiful but would they write a song for you") displays Swift's confident sense of humor, and "Breathe" (written with Colbie Caillat, who sings on the track) is a love-gone-wrong song suitable for women of all ages.
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