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Anderson gives us this world through the voice of a boy who, like everyone around him, is almost completely inarticulate, whose vocabulary, in a dead-on parody of the worst teenspeak, depends heavily on three words: "like," "thing," and the second most common English obscenity. He's even made this vapid kid a bit sympathetic, as a product of his society who dimly knows something is missing in his head. The details are bitterly funny--the idiotic but wildly popular sitcom called "Oh? Wow! Thing!", the girls who have to retire to the ladies room a couple of times an evening because hairstyles have changed, the hideous lesions on everyone that are not only accepted, but turned into a fashion statement. And the ultimate awfulness is that when we finally meet the boy's parents, they are just as inarticulate and empty-headed as he is, and their solution to their son's problem is to buy him an expensive car.
Although there is a danger that at first teens may see the idea of brain-computers as cool, ultimately they will recognize this as a fascinating novel that says something important about their world. (Ages 14 and older) --Patty Campbell
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While the narrator, Titus, lives in a world that is still identifiable to those of us in the 21st century - school (although it is trademarked), parties, music, driving, dancing, and drinking - there are also unfamiliar and extreme aspects like an electronic drug substitute, standardized lingo, disposable tables, and extreme consumerism. Even this tightly controlled future however, is peppered with resisters, and Titus' own girlfriend suffers horribly from her feed when it malfunctions due to a combination of having it implanted late in life (when she was 7) and being hit by a "hacker".
Perhaps because it is a young adult novel, Anderson just barely skims the surface of the economic, political and environmental tensions of the feed and its consumer culture. He does not, however, wimp out in building believable, dimensional characters and relationships.
Anderson has created an intriguing read about a world that is so close you may be reading about the first "feed" in the newspaper tomorrow.
There are important and compelling issues raised in this novel about advertising, privacy, conformity, individualism and technology. It's a book that demands discussion, explanation and consideration. Unfortunately, I think that much of it may be over the heads of its teenaged target audience. Readers who need things spelled out may be challenged by this book because significant aspects of the setting (and what a grim future it is) are implied, or only mentioned in passing. I think few teenagers will be satisfied with the ending. And fewer still will probably spend much time thinking about the issues in the story after they've put it down. It's too bad that the profanity and few mild references to sexual situations will keep this book out of most classrooms, because it's really a story that deserves to be discussed, especially by young adults.
I do recommend this book for advanced and thoughtful teen readers. Sci-fi fans in particular will enjoy it. Other readers should appreciate the accurate portrayal of teen dating, cliques, jealousies, insecurities and friendships. I hope the larger, more important themes of the book will be grasped as well.
"It seems that you like reading very much, maybe you can share with us why do you enjoy it so much? I really would like to know."
The beginning of my response was:
"A great book can take me off to a different world or bring me closer to this one. Frequently a great book will grab me by the throat and slam me against the wall..."
FEED, the latest book by M.T. Anderson, did all of those things to me--and more. In fact, at the moment it feels as if my nose is pulverized and askew and that the skin covering my shoulder blades scraped away when I slid down that wall and landed hard on my bottom.
I woke up long before dawn--from a mildly bad dream related to a part of the story I read last night--and quietly slipped out to my desk to finish the rest of the book.
FEED is a dark, futuristic satire. It's a tale both intense and extreme that pokes fun at our disposible, consumeristic society, at our communications revolution, at the increasing role of corporations in our education systems, and at the diminished vocabulary skills among those people who consistantly resort to a particular four-letter word as the adjective of choice in any given situation.
You may not enjoy reading a book that spews like a rapper or slams into you as if you've taken a left turn into a mosh pit, but the profound messages in FEED clearly make it the cautionary tale of the year.
The story begins on the Moon, where Titus and his friends have gone for spring break. He and his buddies all have Feed, which is an online computer implant typically installed shortly after birth. Feed constantly bombards the characters with information and banners, much of which has to do with the latest fashions, upcars, and music. It also provides them with Chat--the capacity to mentally instant message each other.
"...I was playing with the magnets on my boots and trying not to look at her. I didn't want her to feel my eyes before I made my move. I was careful. Quendy and Loga went off to the bathroom because hairstyles had changed.
Marty drifted around and made slit-eyes at Link. Link and I were chatting about the girl, like I was going,She is meg youch,and he was going, What the hell's she wearing?, and I was going, Wool. It's wool. Like from an animal,and then Calista did her own chat to us, which was,If you want to hear about an animal, what about two guys staring with their mouths wide open so they look completely Cro-Magnon?..."
So Titus gets to meet the girl, Violet, but shortly thereafter they and most of his friends have their Feeds hacked by a wild old white-haired guy on the dance floor...
This vision of our future planet is one you don't want to miss. I've never seen or read the original story of Titus (Andronicus--Shakespeare tragedy), but its characterization as symbolization of "the essential absurdity of modern life" certainly fits Anderson's frightening tale of corporate power and a used-up planet. Pass up reading this one at your own risk.
Richie Partington...
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