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30 of 30 people found the following review helpful:
5.0 out of 5 stars
The ceramic atheist, March 2, 2006
It is interesting to see how golems evolve from Pratchett's Discworld novel, "Feet of Clay" (1996), where they are speechless slaves of clay, to "Going Postal" (2004) where a well-educated but humorless golem serves as body guard and lecturer-in-morals to the new Post Master. This is where it all begins... Commander Sir Samuel Vimes, of Ankh-Morpork's Night Watch pays a visit to the Dragon King of Arms at the urging of his new wife, who thinks Sam needs his own coat-of-arms now that he's been knighted. Unfortunately, one of Sam's ancestors was a regicide so his descendent is denied an armorial bearing by the College of Heralds. He does learn that one of his watchmen is actually the Earl of Ankh: the inimitable Corporal Nobbs, who is forced to carry around a piece of paper signed by Ankh-Morpork's Patrician certifying that he's really human. Well, this is a bit of a come-down for Sir Sam, but he's got more important matters on his mind, including the murders of two harmless old men. One of them was beaten to death by a loaf of Dwarf bread. His body was discovered by Captain Carrot and Corporal Angua, the only werewolf in the Night Watch, when they visited the Dwarf Bread Museum on their day off. The only link between the two corpses is a trace of white clay at both murder scenes. Subplots zigzag every which-way through "Feet of Clay." Corporal 'Earl of Ankh' Nobbs is being courted by a group of well, nobs who haven't given up on the notion that Ankh-Morpork should be ruled by a king. Captain Carrot, hereditary king of Ankh-Morpork who wisely refused the crown in "Men at Arms," is busy tracking murderers and emancipating golems. Sargeant Colon is about to retire if he lives through a trip through the sewers with Wee Mad Arthur. Corporal Angua helps a new dwarf recruit come to terms with her yen to wear lipstick. Death, who has at least a walk-on role in all the Discworld fantasies is still working on his sense of humor: "I AM DEATH, NOT TAXES. I TURN UP ONLY ONCE." If this sounds confusing, it isn't. It's brilliant. All of the story lines tie together according to character. I don't know how Pratchett digs through the sewers and stockyards of Ankh-Morpork, and rubs together a monarchist plot with a bit of animated clay to create such a gem. I think he must use magic.
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13 of 13 people found the following review helpful:
5.0 out of 5 stars
A copper's question, January 28, 2001
If pressed to choose a favourite Pratchett, it would likely be this book. Nearly every element is here, delivered with Pratchett's finest prose and wit. This a bit of a wonder, as it's a murder mystery, a genre I rarely delve into. Still, it's a Pratchett and goes from being worth a look to something to be cherished, its chief character a man to be admired. Sam Vimes, who we first encountered in a sodden gutter, soddin' drunk, has risen to a knight's rank and is now Commander of the City Watch. He maintains a careful balance between being the Patrician's favourite and his nemesis. Vetanari knows he cannot truly control Vimes, yet for all Sam's resistance to the Patrician's deviousness, knows too that he cannot dispense with The Stoneface Policeman. Especially this time when its Vetanari himself who is the victim of a murder plot. An unsuccessful one, as it happens. Sam's entered the realm of matrimony, a step which elevates him almost more than the promotions the Patrician has granted. Lady Sybil, however, remains at the periphery of Sam's focus. He's still a copper and one of the biggest cases of all confronts him in this book. First, foremost and throughout this book, Sam Vimes is tasked with guarding his own back. Vimes is "a jumped-up copper to the nobs, and a nob to the rest", which gorges the ranks of his enemies. His thwarting of an Assassin is pure Pratchett; pure Vimes, for that matter. One can't help but wonder why Vetanari doesn't assign Vimes some bodyguards. Instead he gets a sedan chair - which he "drives" himself. There are murders in this book, unusual in Pratchett. Two deaths arouse the City's ire against new Pratchett figures, the golems. Golems reach far into the depths of European history - mindless, man-like creatures from the soil who can be put to any task. Created only to obey, they are the perfect slave - rebellion isn't in their make-up. Except for their size, they are nearly defenseless. The perfect suspect, ultimately vulnerable, who can be destroyed without qualms of conscience. The situation is so clear-cut that Sam knows they can't be guilty. But who is? In his quest for justice, Sam is supported both in the plot and in the characters of his Watch team. In this book, Angua reaches new levels of prominence, which brings Carrot forth in new ways, as well. Describing their situation as a "relationship" gives the term a whole new meaning. The Watch now has a forensic expert in the figure of a dwarf - Cheery Littlebottom. It's not possible to dwell further here on this unique Watch specialist. You must read this book to become acquainted with one of Pratchett's most engaging characters. Read further to discover one of his most devious creations. As with most of Pratchett's recent books, there's a sub-theme running beneath all the hilarity and convoluted thinking. In this case, the issue is "freedom". This word has been bandied about by so many writers in so many circumstances, it's hard to believe that Pratchett could bring anything fresh to the discussion. As always, Pratchett is able to surprise and excel. His discussion freedom's worth and what it takes to be achieved adds lustre to an already superb story. Pratchett's ability to bring philosophical issues into what is still described as "humorous fantasy" is a unique talent. We must keep buying and touting this finest of purveyors of wisdom and values.
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8 of 8 people found the following review helpful:
5.0 out of 5 stars
A Seriously Prod Buttock Book, December 19, 2001
Terry Pratchett's Discworld series is a mirror of our world, but it's a funhouse mirror, with our world reflected back in a distorted way. The distortions are both amusing - sometimes hysterically funny - and thought-provoking. Sometimes the reflection is barely recognizable, and sometimes it is so close to ours that it cuts like a knife. His logic is rigorous, but skewed, and the twists reveal a great deal about the assumptions we make every day. This is a quintessential police procedural novel, as reflected by Pratchett's mirror, combined with a Frankenstein theme. Instead of detectives and police, we have the Night Watch. Commander Sam Vimes is a classic recovering drunk and Sergeant Colon is fat and lazy - recognizable as stock characters; but another cop is a female werewolf with pre-lunar tension, the captain is a six foot, six inch human who thinks he is a dwarf, a third is a troll and the forensics expert is an out of the closet dwarf trying to get in touch with her feminine side. Someone has killed two old men, and someone is trying to poison the Patrician, the closest thing the city of Ankh-Morpork has to a ruler. The suspects appear to be golems, the artificial men of Hebrew mythology, but golems can't kill. Golems are the perfect slave, only able to do the things they are told, the "words in their head." And how is it that Corporal Nobby Nobbs, a constable who carries a certificate establishing he is probably human, can be the long-lost Earl of Ankh and the heir apparent to the throne? All these plot threads and more come together in the finest Pratchett tradition, in one of his best and most satisfying conclusions. Women have their biggest roles yet in a Night Watch novel, and the complex relationship between the Patrician and Sam Vimes continues to evolve. It's only later, when you think about what happened to the golems, that you recognize the reflection of our world and the important messages Pratchett is conveying. The humor and satire are present in abundance. The scene in which three thieves try to hold up the Night Watch's favorite bar and, worse still, try to use Constable Angua as a hostage, is simply delightful. Pratchett's skills with dialog and characterization are in fine form. But it's the messages that occur to you afterwards that make the novel truly memorable, and make this book, in Captain Carrot's phrase, "seriously prod buttock." Great fun; highly recommended.
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