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25 of 25 people found the following review helpful:
5.0 out of 5 stars
A mystery within a historical novel within a character study, December 4, 1999
By A Customer
The Fencing master was a bit of a surprise, as it finds success more as a character study and exploration of personal ethics, unlike earlier novels Flanders Panel and Club Dumas, which were intricate and playful mysteries. Nontheless, this was a satisfying and enjoyable read. The book is built around a memorable figure, the fencing master, a Quixote like man of remarkable ethical consistency and dignity, but with a self awareness and sense of irony lacking in the man from La Mancha. Riverte also treats us to thrilling fencing sequences, political and moral intrigues of 19th century Spain, and a femme fatale to rival m'lady in the Three Musketeers. A worthy novel from one of the most interesting and intellectually diverse writers working.
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22 of 23 people found the following review helpful:
4.0 out of 5 stars
An elegant, powerful, period thriller - A gem of a book!, February 25, 2002
What a gem of a book! This is a splendidly original, elegantly written, period thriller that is near impossible to put down. The tale is set in 19th century Madrid, a time of political instability and intrigue, against the backdrop of rumored coup plots against the Spanish queen. Don Jaime Astarloa, a proud, aging, master fencer and teacher, practices his noble art which he sees slowly losing its place within aristocratic society. He is approached one day by a beautiful yet mysterious young woman who requests that he take her on as a student. Though reluctant at first to instruct a woman, Don Jaime soon discovers that she is a skilled fencer. The mystery surrounding her grows, however, when she abruptly discontinues her lessons after learning an arcane yet deadly technique that only a select few fencers can perform. Soon thereafter, a series of murders takes place that forces Don Jaime to question whom he can trust and whether he himself is safe. The Fencing Master combines a gripping plot, elegant prose, and intense, powerful descriptions of fencing duels that may at times leave you breathless. Think of the grace and beauty in Hemingway's depiction of bullfighting in The Sun Also Rises, and you may have some sense of how masterfully Perez-Reverte has captured the essence of the art of fencing. With each turn of the page you will feel transported to a different time and place. The stylish prose and authoritative narrative voice fill this novel with an authentic period feel. And each sentence conveys an understated sense of strength, pride, honor, integrity, and passion that make this book and its hero simply unforgettable.
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14 of 15 people found the following review helpful:
3.0 out of 5 stars
Predates his much better other books, July 22, 2002
Although this is the fourth of Pérez-Reverte's book to appear in English, it actually predates The Flanders Panel, The Club Dumas, and The Seville Communion. Originally published in 1988, this earlier book is an entirely historical thriller set in Madrid in 1868 amidst Spain's September Revolution, which apparently heralds the end of the monarchy as plots abound and the Bourbon Queen Isabella II is rapidly losing control and influence. One of the novel's flaws is that this period of turmoil is so chaotic and confusing that, although the reader knows the political machinations and plots will somehow prove integral, it's presented rather tediously and is hard to follow. On the whole, the prose is not nearly as rich and accomplished as in his other books. The story follows an aging fencing instructor, Don Jamie, whose personal code of honor defines him as he attempts to live outside the "real" world around him. He is a rigid and exacting "maestro" to the few remaining pupils he has (guns have all but supplanted swords), and an amusingly old-fashioned expert to the wealthy nobleman he spars with every day. His only other human contact is with a group of yammering men who gather every day in a café to argue politics-and whose main function is to deliver the political background the reader requires to understand the rest of the story (although as indicated above, their arguments are not very effective in this). Don Jamie is a portrait of a faded gentleman, with all his best experiences behind him, he almost revels in his self-constructed persona of a man of honor (and little else). When a beautiful woman comes to his door and demands instruction in the male-only art of fencing, it catapults him into a dark intrigue. It's another flaw of this early Pérez-Reverte work that readers will see what's coming almost from the moment she first steps onto the page, and only the details need to be revealed. Indeed, those who have reader his intricately plotted other books, will likely be disappointed by the relative simplicity of the story. What is perhaps more intriguing are the timeless questions raised about honor and its role in a world where honor means little. Don Jamie's disengagement from the world around him has tragic consequences, so is he a failure for clinging to tattered ideals, or should he be lauded for his commitment? In that sense, this book has a more moral center than any of Pérez-Reverte's others. One other minor flaw is the lack of a fencing glossary or any diagrams. The terminology of fencing and its maneuvers are so integral to the story and so arcane to most modern readers that the publisher does both the book and the reader a major disservice by not providing any supplementary material. For those with access to a video store with a good selection of international titles, the book was made into a film in Spain called El Maestro de Escgrima.
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