Amazon.com Review
James Galvin opens his first novel with a shocking, seemingly inexplicable murder--horseman Mike Arans closes on a pistol-packing motorist named Merriwether Snipes, throws a rope and snaps his neck--and then proceeds to illuminate why it happened, what it means, and how Mike deals with the consequences. Though billed as a novel,
Fencing the Sky is in fact a more deeply fictionalized continuation of
The Meadow, Galvin's partly historic, partly imagined evocation of a way of life that took hold on an upland Wyoming ranch for a century and then blew away.
If The Meadow is elegiac, Fencing the Sky is angry and blackly humorous. This is the grim, greedy '90s, when swaggering developers like Merriwether Snipes ride the range in their ATV's, carving up the old homesteads into 40-acre ranchettes and making life hell for the few decent people who remain. Galvin makes three of these holdouts his heroes--Oscar Rose, who supports a cattle habit (and family) by working as a vet; Adkisson Trent, a doctor who inherited from his father a spectacular spread and a penchant for proud solitude; and Arans, the renegade, who fled from New Jersey to become a cowboy. The heat of the book rises from the connections and passions of these men--their women and work troubles, their unspoken bond with each other, their fury at Snipes and everything he represents.
Galvin, a poet, has assembled his narrative out of vivid shards, yet, despite the jump-cuts, this is an old-fashioned novel at heart, with heroes and villains, heartbreak and suspense, and characters so real you want to ride out and shake hands. The same themes, the same imagery, the same equine adoration crop up in Cormac McCarthy and Larry McMurtry, but Galvin has a lighter touch, eschewing myth for the minute particulars of hard work and hard luck in a single community. Galvin can also crack a good joke, even though he knows as well as anyone that there's not a lot to laugh about under the big sky these days. --David Laskin
From Publishers Weekly
True to form, this post-Cormac McCarthy western by first-time novelist, poet and nonfiction writer (The Meadow) Galvin is heavy on biblical cadences, macho philosophy and metaphor. Land developer Merriweather Snipes likes to harass cattle in his off-road vehicle, and when he is murdered in the act, lassoed around the neck by cattle owner Mike Arans, none of his Larimer County, Colo., neighbors mourns his death. By selling acreage that used to be ranch land to suburbanites looking for country homes, Snipes had already made himself extremely unpopular with the recently widowed Mike , Mike's neighbor Oscar Rose and Snipes's own neighbor Doctor Adkisson Trent. The disrespectful newcomers bring with them traffic, ignorance of water and range use, and hoodlum children. So Snipes's murder is considered more of a lucky accident by the county's original inhabitants, who help Mike escape. The story follows a double track. On one side it trails Mike as he slips down paths in the National Forest, pursued by Apache tracker and Vietnam vet Jim Thomas. Alternately, Galvin provides a series of micro-histories of the decline of ranching culture, as exemplified in the lives of Ad and Oscar, who are native to the country, and Mike, who migrated as a hippie refugee in the '70s. Galvin's prose tries for some combination of the laconic and the sublime, but too often devolves into such imprecise lyricism as "His laugh was like a school bus, big, capricious, bright." Still, the patchwork quality of the narrative serves the story well, and the author's vision of a new American West populated by a motley collection of old-timers and newcomers rings true. In its more relaxed moments, the novel gives readers a worthwhile glimpse of the small-scale rancher's endangered world. Regional author tour. (Oct.)
Copyright 1999 Reed Business Information, Inc.
