The Fervent Years: The Group Theatre And The Thirties (Da Capo Paperback) [Paperback]

Harold Clurman (Author)

Book Description

Publication Date: March 22, 1983 | Series: Da Capo Paperback

The Group Theatre was perhaps the most significant experiment in the history of American theater. Producing plays that reflected topical issues of the decade and giving a creative chance to actors, directors, and playwrights who were either fed up with or shut out of commercial theater, the ”Group” remains a permanent influence on American drama despite its brief ten-year life. It was here that method acting, native realism, and political language had their tryouts in front of audiences who anticipated—indeed demanded—a departure from the Broadway ”show-biz” tradition. In this now classic account, Harold Clurman, founder of the Group Theatre and a dynamic force as producer-director-critic for fifty years, here re-creates history he helped make with Lee Strasberg, Elia Kazan, Irwin Shaw, Clifford Odets, Cheryl Crawford, Morris Carnovsky, and William Saroyan. Stella Adler contributed a new introduction to this edition which remembers Clurman, the thirties, and the heady atmosphere of a tumultuous decade.

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About the Author

The lateHarold Clurman was the author of Lies Like Truth, The Naked Image, On Directing, The Divine Pastime, and All People Are Famous, and was the editor of numerous theater anthologies.

Product Details

• Paperback: 352 pages
• Publisher: Da Capo Press (March 22, 1983)
• Language: English
• ISBN-10: 0306801868
• ISBN-13: 978-0306801860
• Product Dimensions: 8.2 x 5.4 x 1 inches
• Shipping Weight: 1.1 pounds (View shipping rates and policies)
• Average Customer Review: 4.6 out of 5 stars  See all reviews (13 customer reviews)
• Amazon Best Sellers Rank: #518,073 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

12 of 12 people found the following review helpful:

5.0 out of 5 stars A magnificent and inspiring historical document, April 10, 2001

By 

J. Remington "John Remington" (Adams, Oregon USA) - See all my reviews
(REAL NAME)   

This review is from: The Fervent Years: The Group Theatre And The Thirties (Da Capo Paperback) (Paperback)

The Group Theatre, modeled off of the equally influencial Moscow Art Theatre, was an artistic organization that completely and drastically revolutionized not only American Theatre, but World Theatre as well.

Formed in the 1930's and comprised of what has become a literal who's who of Theatre: Clifford Odets, Elia Kazan, Harold Clurman, Robert Lewis, Stella Adler, Lee Strasberg, Cheryl Crawford, John Garfield, Sanford Meisner and many others, The Group Theatre sought to create a vibrant and organic native theatre that sought to not only mirror the times but also instigate radical social change.

At no other time in American history has an artistic group been comprised of so many talented individuals focused on one aesthetic and political goal. Despite one's political leanings (make no mistake, The Group Theatre were extreme leftest liberals), The Fervent Years provides and endless and bountiful amount of inspiration and stimulation for any theatre artist.

Clurman writes in a fine dramatic style that boils with passion, wit and insight. The Fervent Years is required reading for all devotees of The Theatre. But don't let that scare you, it is a most entertaining read at the same time.

7 of 7 people found the following review helpful:

5.0 out of 5 stars A Motivating, Historical Piece, November 9, 2000

By 

njbookworm (New Jersey) - See all my reviews

This review is from: The Fervent Years: The Group Theatre And The Thirties (Da Capo Paperback) (Paperback)

Admittedly, I read this under duress in my "Theatre History Seminar" course in college. However, it turned out to be one of the most inspiring pieces I have ever read.

_The Fervent Years_ chronicles the birth and triumph of The Group Theater. This group of actors, directors, producers, and theater enthusiasts sacrificed time, money, and easy fame to explore the roots of drama. The product of their efforts was the creation of a truly American style of theater.

Although the book has a decidedly theatrical spin, I think that all readers (from all backgrounds and interests) can benefit from reading this excellent piece. Right before I have to face a major challenge, I whip out my copy and give it another read.

Also, Clurman's self-centered, self-celebrating anecdotes never cease to amuse.

6 of 6 people found the following review helpful:

5.0 out of 5 stars A wonderful book about a passionate endeavor., June 10, 2002

By 

TEA (Redmond, WA) - See all my reviews

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This review is from: The Fervent Years: The Group Theatre And The Thirties (Da Capo Paperback) (Paperback)

This book is a beautiful account of the struggles and events surrounding Harold Clurman during his time with the Group Theater. Harold starts off by revealing how his life brought him to establish the Group along with Lee Strasberg and Cheryl Crawford. It then continues and describes the significant struggles and events encountered by the Group and its members along with some beautiful and extremely important observations Harold made, not only regarding the theater community and its participants, but also about our society in general and its effect on art in general.

This book is an absolute must for any serious actor or director. For that matter, anyone serious about life would gain from reading this book. The Group Theater was a wonderful "experiment" fostered by some very passionate people who not only helped to shape theater in America, but they also played a significant role in laying the groundwork from which some of the best acting and directing has emerged as seen in films and theater since that time.

I won't give anything away for the sake of would-be readers, but generally speaking, one of the great things I took away from this book relates to a character arc that he, Harold Clurman, went through in relation to experiences he had early on where he did not yet fully understand why some negative theater reviews upset him. Over time, he elucidates how he came to understand his emotions had intellectual justification. It's great, because you see a man with enough wisdom to observe his emotions of being upset, yet he gives himself time to understand the logical meaning of those same emotions, justified or not. It's almost as if he's willing to give himself time to check his own reality. The side irony (or perhaps not so ironic) is that I observed a connection between what he eventually realizes in that one aspect of his life when compared to greater troubles of that era. This is all only one nugget of the book, but it was the most meaningful to me.