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Fetishes and Monuments: Afro-brazillian Art and Culture in the 20th Century (Remapping Cultural History)
 
 
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Fetishes and Monuments: Afro-brazillian Art and Culture in the 20th Century (Remapping Cultural History) [Hardcover]

Roger Sansi (Author)

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Book Description

1845453638 978-1845453633 November 1, 2007 illustrated edition
One hundred years ago in Brazil the rituals of Candomblé were feared as sorcery and persecuted as crime. Its cult objects were fearsome fetishes. Nowadays, they are Afro-Brazilian cultural works of art, objects of museum display and public monuments. Focusing on the particular histories of objects, images, spaces and persons who embodied it, this book portrays the historical journey from weapons of sorcery looted by the police, to hidden living stones, to public works of art attacked by religious fanatics that see them as images of the Devil, former sorcerers who have become artists, writers, and philosophers. Addressing this history as a journey of objectification and appropriation, the author offers a fresh, unconventional, and illuminating look at questions of syncretism, hybridity and cultural resistance in Brazil and in the Black Atlantic in general.

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Editorial Reviews

Review

In all, this is an exciting study on a consolidated historiographic and anthropological theme such as Afro-Brazilian culture, since it does not take for granted the established truths, or the political practices and though, that both history and anthropology have set out to support in twentieth-century Brazil.A" * Canadian Journal of History/Annales canadiennes d'histoire - the impressive research and sensitive analyses - make this book an important and original contribution to the cultural history of the region. Anthropologists and historians interested in the development of Candomble - and in the processes of objectification and appropriation of everyday practices and things as symbols of collective identity, will certainly find much of interest in Sansi's work.A" * Journal of Latin American Studies This book - brings a new level of analytical rigor to the artistic study of African-American religious objects - Sansi's economical prose allows him to make complex theoretical, historical, ethnographic, and aesthetic arguments succinctly. Its clarity and brevity makes it attractive for course adoption especially in African-Diaspora studies, museum studies and 'non-western' art history courses.A" * The Journal of Latin American and Caribbean Anthropology Sansi's book raises important questions about objectification, appropriation, syncretism, and cultural change in Brazil - the result is a lucid analysis of change over time in light of the political and social history of Brazil and the changes within Candomble values and beliefs.A" * JRAI "A sensitive, well-written, fine analysis of a cultyure undergoing multiple transitions, without a certain future. Highly recommended." * Choice

About the Author

Roger Sansi is a Lecturer in Anthropology at Goldsmith s College, London .He has conducted research on Afro-Brazilian art and culture in Brazil. Recently he has worked on the history of the term fetish in the Lusophone Black Atlantic.

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Inside This Book (learn more)
First Sentence:
In 1983, Mãe Stella, head of the Candomblé house Ilê Axé Opô Afonjá, forbade 'syncretistic' spirits, like the Caboclo or Indian spirit, and all Catholic practices in her house, and retired all Catholic images from the shrines. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
inalienable value, distributed person, inalienable possessions, gipsy woman
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Casa Branca, Sao Paulo, Mestre Didi, Mae Stella, Pierre Verger, Salvador da Bahia, Caboclo Oxóssi, Museu Afro-Brasileiro, Jorge Amado, Azevedo Santos, Engenho Velho, Mario de Andrade, Rio Vermelho, Roger Bastide, Igreja Universal, West Africa, Rubem Valentim, Afro-Brazilian Museum, Tati Moreno, Correio da Bahia, Reino de Déus, High Culture, Face of the Gods, Juarez Paraiso, New York
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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