From School Library Journal
Grade 5-7. Fields of Home continues the story of Eily, Michael, and Peggy, three orphaned survivors of the Irish potato famine, begun in Under the Hawthorn Tree (1990) and Wildflower Girl (1992, both Holiday). Although circumstances have separated the now-grown siblings, they retain strong family ties. This book focuses mainly on the effect events have on Eily's young daughter, Mary-Brigid. The story is heavy on heartache, horses, and hopefulness, elements that adolescent girls tend to love. Conlon-McKenna gives a good explanation of how the Irish people were victimized by the system of tenant farming. One chapter features a poignant scene depicting the eviction of an elderly widow from her cottage. It conveys a true feeling of the tenants' almost helpless situation without being maudlin. It is not necessary to have read the earlier volumes to appreciate the story here, although readers of those titles will understand the characters and time period more completely, as no specific dates are given in this title. The transitions between the intertwined plot lines are handled nicely, avoiding confusion. Overall, this is an above-average addition to historical fiction collections. On a scale of one to four, it rates three and a half shamrocks.?Elaine Fort Weischedel, Turner Free Library, Randolph, MA
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Gr. 7^-10. Very much a sequel, this will interest only readers of Conlon-McKenna's first two historical novels about the Irish O'Driscoll family,
Under the Hawthorn Tree (1990) and
Wildflower Girl (1992). The great potato famine is long past now; Michael and Eily are trying to make it in hard times in Ireland; their sister Peggy works as a maid in New York City until she finally decides to marry a fellow immigrant and join a wagon train going west. Unlike the first two novels, this story is episodic and very slow, overwhelmed by set pieces of local color--market day, the birth of a foal, the horse race, the fire in the big house. There are some dramatic episodes, especially in the struggle between the landowner, the rent collector, and the tenants, but much of this reads like an add-on to the taut narratives of the first two books.
Hazel Rochman