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Summer Reading
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Not that a little death threat can slow him down. Switters simply hops into a wheelchair and rolls off to further footloose adventures, occasionally switching to stilts. For a Robbins hero, to be just a bit high, not earthbound, facilitates enlightenment. He bops from Peru to Seattle, where he's beguiled by the Art Girls of the Pike Place Market and his 16-year-old stepsister, and then off to Syria, where he falls in with a pack of renegade nuns bearing names like Mustang Sally and Domino Thirry. Will Switters see Domino tumble and solve the mystery of the Virgin Mary? Can the nuns convince the Pope to favor birth control--to "zonk the zygotic zillions and mitigate the multitudinous milt" and "wrest free from a woman's shoulders the boa of spermatozoa?" Can the author ever resist a shameless pun or a mutant metaphor?
The tangly plot is almost beside the point. Switters is a colorful undercover agent, and a Robbins novel is really a colorful undercover essay celebrating sex and innocence, drugs and a firm wariness of anything that tries to rewire the mind, and Broadway tunes, especially "Send in the Clowns." Some readers will be intensely offended by Switters's yen for youth and idiosyncratic views on vice. But fans will feel that extremism in the pursuit of serious fun is virtue incarnate. Fierce Invalids Home from Hot Climates is classic Tom Robbins: all smiles, similes, and subversion. --Tim Appelo --This text refers to an out of print or unavailable edition of this title.
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It's the same silly grin I had on my face while reading this novel - and for the same reasons. I love the way this man writes - he makes me fall in love with language and ideas all over again. I am rolling in the language the way a dog rolls in a particularly pungent patch in the woods - and I am loving every redolent moment.
I suppose those who feel that Mr. Robbins' work contains unbelievable plots twists are looking for something a little too linear in this surreal world - but as for me, the whole process of living itself is pretty darn non-linear and full of unbelieveable plot twists.
I am particularly fond of the diatrabes on religion and advertising. I love the thoughts regarding Mary and the possible reason why she never mentions Jesus .....
"Jitterbug Perfume" caused me to shift into a permanent suspension of disbelief, and I was thrilled to get this booster shot.
I've read every Tom Robbins book, except I'm not quite done with this one yet, but it promises to be just as wild and exhilerating of a ride as any of his best ones (which in my opinion are Jitterbug Perfume, Skinny Legs and All, and Still Life with Woodpecker).
Tom Robbins tops my list of people I'd like to go drinking with. I highly recommend that everyone go out and read this, and every other one of his books.
I. Pure genius (incl. Roadside, Cowgirls, and Jitterbug)
II. Respectable flights of fancy (Skinny Legs)
III. Lukewarm efforts (Still Life, Frog Pajamas)
That's not to say that all in (I) are five-star champions and all in (III) are horrible one-star waste of times. I've never come across a viable reason to give anything Tom's written less than four-stars (on the Amazon.com scale). Fierce Invalids is no exception. It is a third-tier Robbins book, but that makes it better than 99% of the drek out there.
It's unique (not "most unique") in the Robbins' oeuvre for one simple reason: a male protagonist. Switters is the literary equivalent of a bipolar disorder: he hates organizations, yet is a member of both the CIA and a convent; he believes in laughter as the road to Nirvana, yet he carries a Beretta with him wherever he goes; he's world-wise and pragmatic, yet spends the last two third of the story confined to a wheelchair due to a shaman's curse. This theme of binary opposition runs rampant through the book, and it gives the reader something tangible to hang on to, something Robbins usually is hesitant to do.
Midway through the narrative, I realized that all that I enjoyed about the first half of the book has been destroyed, and I was wondering how Tom would pull it all together in the end (he always does). He does -- although slightly more melodramatic than usual, I was satisfied with the knots he made to tie up the loose ends.
As for his most unique (couldn't help myself here, Tom) ability to wield the swords of simile and metaphor, it has never been sharper. My favourite: "Looking at it from another angle, their kiss was like a paper airplane landing on the moon." It's like haiku, that line.
For the Tom-completist (of which I am a recent member), pick it up and bask in its glory, cause you may not hear a peep from the old man for another five years. For the Tom-newbie, go back to Roadside, and save this one for another day.