Review
Jade Snow Wong grew up in a traditional Chinese family in San Francisco's pre-World War II Chinatown. It was a world in which wives were introduced by their husbands as "my inferior woman," rules were taught with corporal punishment, and home life was literally connected to the family business: "As much a part of home as her bedroom were the sewing machines she passed before she came to her bedroom door. She talked above the din of a factory full of motors and machines in operation, and practically breathed in rhythm to the running stitches." A highly intelligent child who consistently skips grades throughout public school (while attending Chinese school at night and taking over much of the family housework), Jade Snow Wong becomes determined to go to college and gain more independence than she has been taught to expect. Her decision sets off a balancing process between cultures that Jade Snow Wong, in correct Chinese third person, explores with humor, reverence, and philosophical insight. On one level a universal story of a child learning to assert her own identity,
Fifth Chinese Daughter is also a marvelous resource on Chinese cooking, festivals, and child-rearing techniques, as well as a picture of Chinatown before and during World War II. Straightforward, honest, full of love, Jade Snow Wong's book is a wonderful and educational reading experience.
-- For great reviews of books for girls, check out Let's Hear It for the Girls: 375 Great Books for Readers 2-14. --
From 500 Great Books by Women; review by Erica Bauermeister
--This text refers to the
Paperback
edition.
Product Description
Originally published in 1945 and now reissued with a new introduction by the author, Jade Snow Wong's story is one of struggle and achievements. These memoirs of the author's first 24 years are thoughtful, informative, and highly entertaining. They not only portray a young woman and her unique family in San Francisco's Chinatown, but they are rich in the details that light up a world within the world of America. The third-person singular style is rooted in Chinese literary form, reflecting cultural disregard for the individual, yet Jad Snow Wong's story also is typically American. We first meet Jade Snow Wong the child, narrowly confined by the family and factory life, bound to respect and obey her elders while shouldering responsibility for younger brothers and sisters - a solemn child well versed in the proper order of things, who knew that punishment was sure for any infraction of etiquette. Then the schoolgirl caught in confusion between the rigid teaching of her ancestors and the strange ways of her foreign classmates. After that the college student feeling her was toward personal identity in the face of parental indifference or outright opposition. And finally the artist whose early triumphs were doubled by the knowledge that she had at long last won recognition from her family.
--This text refers to the
Paperback
edition.
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