From Publishers Weekly
West's latest novel strips away the touristy quaintness surrounding the English customs of Guy Fawkes Day (November 5) to reveal persecution, malice and a very modern paranoid style beneath the cause for the merriment. Guy, or "Guido," Fawkes was captured in a cellar beneath the Parliament building in 1605, where he had stored barrels of gunpowder in order to blow up the next session of Parliament. Robert Cecil, King James's powerful spymaster, a crippled, Machiavellian figure, had Fawkes tortured into confessing the details of a conspiracy, mounted by certain "recusants" outcast English Catholics. West's central figure is Father Henry Garnet, the fugitive head of the Jesuits in England. The novel's fugal structure gains a rich melancholy from our awareness of Garnet's inevitable capture and execution. Anne Vaux, a devout, feisty Catholic noblewoman, is Garnet's protector. She has Little John Owen, a "lame and stunted" carpenter, devise "priestholes" in her houses to hide priests from Protestant vigilantes. West's story is like one of Owen's trompe l'oeil concealments: full of misdirections. In the middle of it, though, is a conspiracy and a flight, which West unfolds like some odd combination of Jim Bishop and Ford Madox Ford. His novel shows that history is a web of meanings in which human beings are tragically caught, not the usual historical novelist's dollhouse of period detail. (May 30)Forecast: West is a prolific, inventive writer with a finger in many intellectual pies. As one of his most satisfying efforts in a long time, his latest may attract more review coverage and sales than usual.
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Review
“[W]ill unsettle many scholars, delight lots of revisionists, and make converts out of a great many history-is-dull believer.”
“[A]n exciting and evocative tale of love and treason.”
“West...continually reminds readers that the novel is a genre of infinite adaptability.”
“The rhetoric is gorgeous.”
“[...] Through the meticulous historical research that has become his trademark, West reveals Fawkes to be a bit player in a drama that consumed Britain for years and whose myriad repercussions continue to wreak destruction around the world.
A Fifth of November documents in detail the last few months in the ghettos of European capitals, along the redrawn borders of the former Yugoslavia and, most of compelling tale is about religious intolerance and our enduring proclivity for cruelty....”
“quaintness surrounding the English customs of Guy Fawkes Day (November 5) to reveal persecution, malice and a very modern paranoid style beneath the cause for the merriment. Guy, or "Guido," Fawkes was captured in a cellar beneath the Parliament building in 1605, where he had stored barrels of gunpowder in order to blow up the next session of Parliament. Robert crippled, Machiavellian figure, had Fawkes tortured into confessing the details of a conspiracy, mounted by certain "recusants" figure is Father Henry Garnet, the fugitive head structure gains a rich melancholy from our execution. Anne Vaux, a devout, feisty Catholic Little John Owen, a "lame and stunted" carpenter, devise "priestholes" in her houses to concealments: full of misdirections. In the middle of it, though, is a conspiracy and a flight, which West unfolds like some odd combination of Jim Bishop and Ford Madox Ford. His novel shows that history is a web of meanings in which human beings are tragically dollhouse of period detail
Forecast: West is a prolific, inventive writer with a finger in many intellectual pies. As one of his most satisfying efforts in a long time, his latest may attract more review coverage and sales than usual.
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