The Fifth Queen -- Parts 1 & 2 (Classic Books on Cassette Collection) [Unabridged] [Audio Cassette]

Ford Madox Ford (Author), Flo Gibson (Narrator) (Author)

Book Description

Publication Date: January 30, 1989

This title is Ford Madox Ford's trilogy about Henry VIII, his fifth wife Katherine Howard and Thomas Cromwell.

--This text refers to the Paperback edition.

Editorial Reviews

Review

“Ford’s last Fifth Queen novel is amazing. The whole cycle is a noble conception.” —
Joseph Conrad

“The best historical romance of this century.” —The Times Literary Supplement (London)

“The Fifth Queen is a magnificent bravura piece.” —Graham Greene


From the Trade Paperback edition. --This text refers to the Kindle Edition edition.

About the Author

Ford Madox Ford (1873 - 1939) grew up in pre-Raphaelite circles, was friendly with Joseph Conrad and as founder and editor of the 'English Review' and the 'Transatlantic Review' did much to shape Twentieth Century Writing. His other two great novels THE FOOD SOLDIER and PARADE'S END are also published by Penguin. --This text refers to the Paperback edition.

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Product Details

• Audio Cassette
• Publisher: Audio Book Contractors, Inc.; Unabridged edition (January 30, 1989)
• Language: English
• ISBN-10: 1556858132
• ISBN-13: 978-1556858130
• Product Dimensions: 11 x 9.4 x 1.3 inches
• Shipping Weight: 1.8 pounds (View shipping rates and policies)
• Average Customer Review: 4.0 out of 5 stars  See all reviews (6 customer reviews)

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Customer Reviews

Most Helpful Customer Reviews

24 of 26 people found the following review helpful:

4.0 out of 5 stars A Parable, June 15, 2000

By 

James Cianci - See all my reviews

This review is from: The Fifth Queen (Classic, 20th-Century, Penguin) (Paperback)

Ford Madox Ford's "The Fifth Queen" - actually a collection of three separate novels - is a fictionalized account of the fifth wife of England's Henry VIII, Katharine Howard. As A.S. Byatt explains in her Introduction, "This figure bears little relation to what we have about the real Katharine . . ." and thus the reader should be conscious that Ford's Katharine - a young, pretty, pious woman who yearns for a return to Catholicism after Henry's split with Rome - is strictly fictional. That said, the only real failure of this work is that Katharine is the least appealing, least interesting character; we first meet her as a dispossessed ingenue seeking entrance to Henry's court around the time of his disasterous fourth marriage to Anne of Cleves, and it is this description which will follow her throughout the book. Even as she becomes Queen, it is almost by accident, surviving the machinations of Cromwell, Lord Privy Seal and the recklessness of her devoted cousin Culpepper. She is Queen by default. She constantly protests that all she seeks is a Catholic England - the "old ways" - and yet throughout she resigns herself to letting events happen to her, as if she cannot control the consequences of her own life. Indeed, her final speech to Henry where she confesses to an adultery which did not occur, becomes her last fatal act of passivity, for which she pays with her life. She cannot see that there are those who wish to help her and that her naive, narcissistic piety does not have to be her ruin. What holds these novels together is the rich supporting cast: the aforementioned Cromwell, who has his own sovereign Protestant image of England, free from the entanglements of Rome. There is the brooding Princess Mary, Henry's daughter by his first wife, who knows how to carry a grudge for her mother's divorce, the super-spy Throckmorton, the lecherous Magister Udal and more. Ford uses Katharine to show that the blind commitment to an ideal - any ideal - will only result in failure, that this world is more than ideas and faiths, but of people who are imperfect, people who will fail. It is a world five hundred years in the past, but it is also our own.

10 of 10 people found the following review helpful:

5.0 out of 5 stars Intrigue and romance in the court of Henry VIII, July 23, 2002

By 

J. Foley (Chicago, IL, United States) - See all my reviews
(REAL NAME)   

This review is from: The Fifth Queen (Classic, 20th-Century, Penguin) (Paperback)

Intrigue and romance in the court of Henry VIII
Katherine Howard, armed only with education, wit and honesty, becomes the Fifth Queen, Henry VIII's fifth wife in this amazing historical trilogy. The plot-ridden court comes to vivid life as everyone high and low maneuvers for advantage. Everyone except Katherine Howard, whose unwillingness to scheme will make her queen and defenseless at the same moment. Even knowing the general story this is a fascinating and occasionally shocking novel, with a stunning ending...

5 of 5 people found the following review helpful:

5.0 out of 5 stars Remarkable, December 8, 2010

By 

Sir Charles (New York, NY) - See all my reviews

This review is from: The Fifth Queen (Classic, 20th-Century, Penguin) (Paperback)

I read this book about ten years ago. I bought it at a sale out of idle curiosity, having once read that it was one of Ford's three best works, though much less well known than "The Good Soldier" and even than "Parade's End." Until I had it in hand I had no idea that it was about Tudor England, a subject about which I had no prior interest. It took about five pages for me to get into the narrative, and after that it was spellbinding. Every character in the novel is interesting, and most of them are deeply engaging, most particularly Katherine and Henry. The sense of fear in and around Henry's court is palpable, and this is a great suspense novel, though certainly a curious example of the genre. The novel opened my eyes to the deep ambivalence felt in England about the Reformation and the loss of the Catholic church--something which must be understood to make any sense at all of the era and of the life of Elizabeth I. I can't praise this novel highly enough, and I am bewildered that it remains so far under the radar. While not an easy read, this isn't challenging modernist prose. What makes it hard is the strangeness of the milieu and of the preoccupations of the characters--and this is exactly what makes it great historical fiction, far superior to "Wolf Hall," which despite its merits has a set of characters who think like our contemporaries. How true can the novel possibly be to the life of the historical Katherine Howard? It hardly matters. Ford has invented a new fifth queen, and given her a gripping and convincing story.