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The Film Director's Intuition: Script Analysis and Rehearsal Techniques
 
 
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The Film Director's Intuition: Script Analysis and Rehearsal Techniques [Paperback]

Judith Weston (Author)
4.5 out of 5 stars  See all reviews (20 customer reviews)

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Book Description

September 25, 2003
Acclaimed director Judith Weston offers a deeply creative exploration on how to access and stimulate the filmmaker's most precious assets: instincts, imagination, and intuition.

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The Film Director's Intuition: Script Analysis and Rehearsal Techniques + Directing Actors: Creating Memorable Performances for Film & Television + The Filmmaker's Eye: Learning (and Breaking) the Rules of Cinematic Composition
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Editorial Reviews

About the Author

Judith Weston, who lives in Los Angeles, has taught "Acting for Directors" for over a decade throughout the U.S. and Europe, and is the author of the best-selling book, Directing Actors.

Product Details

  • Paperback: 250 pages
  • Publisher: Michael Wiese Productions (September 25, 2003)
  • Language: English
  • ISBN-10: 0941188787
  • ISBN-13: 978-0941188784
  • Product Dimensions: 8.9 x 6.2 x 1 inches
  • Shipping Weight: 1.4 pounds (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (20 customer reviews)
  • Amazon Best Sellers Rank: #128,410 in Books (See Top 100 in Books)

More About the Author

Judith Weston has written two books: DIRECTING ACTORS, and THE FILM DIRECTOR'S INTUITION - for directors, actors, screenwriters - as well as others who may have wondered whether the techniques of actors and filmmakers might be useful in their everyday business and personal lives.

Born in Maine, Judith grew up in New England, and by an early age was drafting brother, cousins, and neighborhood children into living room and back-yard theatrical productions. She dropped out of college in the '60s, and moved to New York City's East Village, working in a bank by day, and (off-hours) organizing "guerrilla theater" events such as the 1968 picketing of the Miss America Contest. When she moved to Berkeley, California in 1970, she started studying acting for real.

"Attending acting class was like stepping through Alice's Looking Glass," says Judith. "It was a parallel universe, new and unique - absolutely absorbing. It became a spiritual laboratory - a way of understanding myself and the world around me. Acting was instantly my university, my hobby, my therapist, my church, my family - and although I sensed that soon it would be the way I made my living, the emotional and spiritual nourishment I got from acting has always remained its strongest pull."

While in San Francisco Judith became a working actor in theater, television and film. As the '70s came to a close, she was drawn to Los Angeles, where she continued her acting career with roles on Hill Street Blues, Newhart, Little House on the Prairie, and other episodics, MOWs, independent films, and theater. She continued studying, with Stella Adler, Jack Garfein, Jose Quintero, and Harold Clurman.

Judith, an idealist with a passion to explore emotional reality, imagination, and the world around her through acting, found in Los Angeles a new creative path - teaching. The date of the first class she taught, March 4th, 1985, seemed prophetic, as she "marched forth" into her true and lasting vocation - coaching actors and film directors.

By now she has been teaching for 25 years, classes and workshops for for film professionals - directors, actors, and screenwriters. Judith has been running her own studio, which she calls Two Lights Studio, since 1990. In 2001 Two Lights moved to its current, and most spacious and beautiful, incarnation, at 3402 Motor Avenue in West L.A. Here she brings together directors and actors with the determination to dive deeper into the possibilities of their craft, and to explore the joys and challenges of the actor-director relationship. People sometimes come from far parts of the globe. Her deep understanding of acting and directing as a laboratory of life has led to her reputation as "a detective of human nature" whose insights go to the heart of a scene, and to the soul of each individual artist.

She teaches in New York City once a year, and has traveled with her seminars to Europe, Canada, New Zealand, Australia, and South Africa. People who have studied or consulted with her, and endorsed her books, include winners and nominees of Academy Awards, Emmys, SAG and Spirit Awards, and directors of major studio films, features and shorts in competition at all the major film festivals, award-winning commercials and music videos, and countless episodic television shows.

Her first book DIRECTING ACTORS has been translated into eight languages - German, Japanese, Spanish, Finnish, Korean, Greek, Polish - and, coming next year - Chinese.

Judith's goal and mission is communication and collaboration. And finding the truest truth in every character and every story - as a means to making it universal and entertaining to an audience. Judith's website www.judithweston.com contains more information about her books; her workshops for actors, directors and writers; and special events at her Los Angeles studio. Recently she has begun posting instructional videos on YouTube (www.youtube.com/user/judithweston), and has launched a Facebook page (Judith Weston Studio for Actors & Directors).

Her volunteer community service activities have included consulting for the Make a Film Foundation, and as director and producer of acting workshops and productions for developmentally challenged adults, for physically challenged adults, and for stroke and head injury survivors. She has also volunteered in the Brotman Hospital Life Transition Program, Recording for the Blind, and the Screen Actors Guild "Book Pals" program of reading in the schools.

Judith is married to John Hoskins, who works with her on the business side of things. They have a cozy Venice Beach home where they garden together and dream up exotic wall colors. In 2004 Judith battled a rare but treatable form of cancer, and because of great good luck, and because of John, and because of the work she loves and the students she treasures, she is flourishing.


 

Customer Reviews

20 Reviews
5 star:
 (14)
4 star:
 (4)
3 star:
 (1)
2 star:
 (1)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.5 out of 5 stars (20 customer reviews)
 
 
 
 
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12 of 13 people found the following review helpful:
5.0 out of 5 stars Must Have in Your Library, October 10, 2003
This review is from: The Film Director's Intuition: Script Analysis and Rehearsal Techniques (Paperback)
The Film Director's Intuition, Script Analysis and Rehearsal Techniques
By Judith Weston
2003 Michael Wiese Productions 364 pgs.

Together with Directing Actors (1996, Michael Wiese Productions,) Judith Weston has created a strong, comprehensive course on directing. She provides insight into the actors minds through quotes of actors. She also uses quotes from directors to provide tips for directing actors. This book is an incredible resource in developing and maintaining rapport with actors. She has incorporated and utilized the techniques and lessons of renowned acting teachers, including; Stella Adler, Uta Hagen, Sanford Meisner, and Constantin Stanislavsky. I have included her name alongside the aforementioned when referring directors on what to study.
The book is divided into three parts, related to the title: Intuition, Ideas, and Imagination; Script Analysis and The Lost Art of Rehearsal. It is 23 chapters long.
The baisc premise of the book is that through preparation, a director can rely on intuition during shooting and rehearsing.
A problem I had with the book was the neglect of improvisation. Although there is a chapter on improvisation, it seems as though she could've explored it more thoroughly. Improv guru Viola Spolin wasn't even mentioned, nor were any of her exercises.

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7 of 7 people found the following review helpful:
4.0 out of 5 stars Best book on directing other than her other one!, October 17, 2006
By 
Dick Oliver (Wilton, NH United States) - See all my reviews
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Amazon Verified Purchase(What's this?)
This review is from: The Film Director's Intuition: Script Analysis and Rehearsal Techniques (Paperback)
This book is an extraordinary, essential tutorial and rumination on the philosophy and practice of directing film actors. The only reason I give it 4 stars instead of 5 is that it essentially repeats the same thing her previous book (Directing Actors) said, albeit in new ways and with new depth. Read "Directing Actors" first, then I won't have to convince you to buy this one. You will know that every word from Judith Weston is solid gold, and not to be missed. Highly recommended, even if you have already read Directing Actors, as she really does go further and deeper here and presents a number of new insights and techniques that you won't want to miss.

As the subtitle suggests, her focus here is largely on script analysis and rehearsal. Of course that was a lot of her focus in the previous book, too, and she does cover many of the essentials of directing and acting here as well. I do think the book could have been half as long and been better--she tends to take ten words to say what could have been said in four. But what words! If you direct or act in film or television, there is no excuse for not owning this book. Nobody in print can "get you there" better than Judith Weston, and you are sure to gain usable ideas and genuine insights again and again as you read this. I have taught film and video acting for years, and only wish I'd had this book and her other one when I started! If you want fake, affected performances and constant conflict with your actors, no reading necessary. If you're looking for solid ways to work with actors to give life-changing performances, read this. Now.
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7 of 7 people found the following review helpful:
4.0 out of 5 stars The One Book You Absolutely Need, September 5, 2003
By 
E. English (Boulder, Colorado USA) - See all my reviews
(REAL NAME)   
This review is from: The Film Director's Intuition: Script Analysis and Rehearsal Techniques (Paperback)
For the professional, the amateur and the first-time director, "The Film Director's Intuition: Script Analysis and Rehearsal Rechniques", by Judith Weston, is the one single book you absolutely need. Covering virtually all you'll realize you needed to know to direct a successful film, this inventive, comprehensive volume takes the place of a library shelf of other books on the subject. In essence, this is three books in one: Intuition, script analysis and rehearsal techniques are covered in user-friendly detail. The Table of Contents alone is amazing in listing the variety of subjects the book explains. Buy and read this book before you select your next script to produce as a film!

Elizabeth English
Founder and Executive Director
Moondance International Film Festival
www.moondancefilmfestival.com

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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
subtext choices, central emotional event, script analysis, story subtext, radical listening, scene shaping, blocking plan, subtext story, directing actors, mysterious lines, imaginative truth, imaginary circumstances, rehearsal techniques
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Mike Nichols, John Cassavetes, Jack Nicholson, Steven Soderbergh, American Beauty, Meryl Streep, Sam Mendes, Sidney Lumet, Tender Mercies, Ang Lee, Elia Kazan, Mike Leigh, New York, Sean Penn, Angelica Huston, Dustin Hoffman, Garden District, Kevin Spacey, Noah Cross, Rehearsal Plan, Robert Duvall, Billy Crudup, Francis Coppola, Kathy Bates, Krzysztof Keislowski
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