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Film and Literature: A Comparative Approach to Adaptation (Studies in Comparative Literature: No. 1)
 
 
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Film and Literature: A Comparative Approach to Adaptation (Studies in Comparative Literature: No. 1) [Paperback]

Wendell Aycock (Editor), Michael Schoenecke (Editor)

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Book Description

0896721698 978-0896721692 January 15, 1988
Classic films can and do derive from classic literature, but the predication and process by which they arrive stirs debate among veteran filmmakers and scholars alike. How these films endure despite their tailoring for specific stars, audiences, and contemporary social or political messages seems as much a function of showmanship as it does the screenwriter's artful translation for the medium of film. From their varying vantage points, the contributors to this volume explore classic American and foreign films, the novels and dramas from which they derive, auteur cinema, and the complexities of adaptation.

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Film and Literature: A Comparative Approach to Adaptation (Studies in Comparative Literature: No. 1) + The Cambridge Companion to Literature on Screen (Cambridge Companions to Literature)

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Inside This Book (learn more)
First Sentence:
Within the last twenty years, there has been a burgeoning of film studies in the universities of the United States. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Nurse Ratched, Dona Flor, Willie Stark, Klaus Mann, New Wave, Jorge Amado, Bruno Barreto, Harry Cohn, Serge Alexandre, Burden's Landing, Cold War, Patrick Modiano, Professor Quadri, Sonia Braga, Dexter Haven, Dona Norma, George Cukor, Jackson Fentry, Old Vienna, Third Reich, Holly Martins, Irving Thalberg, Milos Forman, Prince Ardent
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