Customer Reviews

Film Noir - The Dark Side of Hollywood (Sudden Fear / The Long Night / Hangmen Also Die / Railroaded / Behind Locked Doors)

5 star:		(2)
4 star:		(1)
3 star:		(3)
2 star:		(0)
1 star:		(0)

 

 

Wow! Great deal! These films retail for $29.95 each. This collection includes great titles from great directors (Fritz Lang, Anthony Mann) and they star some of Hollywood's all time greats like Joan Crawford, Henry Fonda, Jack Palance and many more. Here's a little description for each film:

SUDDEN FEAR (1952) - STARRING JOAN CRAWFORD, JACK PALANCE & GLORIA GRAHAME - DIRECTED BY DAVID MILLER - NOMINATED FOR 4 ACADEMY AWARDS - SYNOPSIS: Joan Crawford turns in one of the most emotionally charged performances of her career as a playwright who must use her plotting skills to save her own life, in this beautifully crafted film noir thriller. On a train headed home to California, Myra Hudson (Crawford) falls in love with, and marries, actor Lester Blaine (Jack Palance) whom she has just fired from her most recent New York play. Back on her San Francisco estate, something evil appears to be lurking just beneath the surface of the couple's idyllic life. Enter Gloria Grahame as Palance's girlfriend (in a stunning performance the New York Times called "hard, brash and sexy."). Soon it is clear that they are after more than new scripts as they greedily scheme for Myra's money. Director David Miller (Lonely Are The Brave) guides the story with supreme confidence, assisted by gorgeous black and white cinematography and an excellent score by Elmer Bernstein, as Sudden Fear races towards its jolting climax. Nominated for four Academy Awards, including Best Actress (Crawford) and Best Supporting Actor (Palance), Sudden Fear is the unbeatable combination of a lushly produced Joan Crawford melodrama and a drop-dead suspense thriller. They just don't make 'em like this anymore!

THE LONG NIGHT (1947) - STARRING HENRY FONDA, BARBARA BEL GEDDES & VINCENT PRICE - DIRECTED BY ANATOLE LITVAK - SYNOPSIS: An exciting rediscovery from the studio vaults, The Long Night is an emotionally gripping, visually dynamic film noir, in which Henry Fonda, at the peak of his career, delivers an unforgettable performance. Presented in an intricate web of flashbacks, The Long Night follows the fractured thoughts of Joe Adams (Henry Fonda), a factory worker pinned inside his third-floor apartment after gunning down a mysterious, dapper gentleman (Vincent Price). Joe's memories, often containing flashbacks within flashbacks, reconstruct the events leading up to the shooting, revealing his romance with a quiet young girl (Barbara Bel Geddes), his less-romantic involvement with a worn-out showgirl (Ann Dvorak) and the varied twists of fate which drove Joe to murder. In staging this remake of Marcel Carné's Le Jour Se Leve (France, 1939), the producers of The Long Night imported not only the story, but the look of poetic realism that made the original so haunting. At once dismal and magical, the world of The Long Night was unlike anything Hollywood had yet imagined, and laid the groundwork for the dark and gritty (but highly stylized) imagery that became the trademark of film noir.

HANGMEN ALSO DIE (1943) - STARRING BRIAN DONLEVY, ANNA LEE & WALTER BRENNAN - DIRECTED BY FRITZ LANG - NOMINATED FOR 2 ACADEMY AWARDS - SYNOPSIS: Pursued by the Germans after the assassination of Reinhard Heydrich, Dr. Svobonda (Brian Donlevy) enlists the aid of a young woman (Anna Lee) who is oblivious to the lethal crosscurrents that surround her. As she learns more about the mysterious doctor, she grows aware of the involvement of her father (Walter Brennan) and fiance (Dennis O'Keefe) in the resistance, and soon finds herself entangled in the revolution's secret operations. Much of the nightmarish quality of Hangmen Also Die is attributable to playwright Bertolt Brecht, who co-scripted the film with Lang, and legendary cinematographer James Wong Howe (Hud), who cloaks every conrner in shadow and endows the film with an almost tangible sense of claustrophobia.

RAILROADED (1947) - STARRING JOHN IRELAND, SHEILA RYAN & HUGH BEAUMONT - DIRECTED BY ANTHONY MANN - SYNPOSIS: Anthony Mann, who took the suspense of film noir to dizzying heights with his movies T-Men and Raw Deal, brings his talents to the hard-boiled detective thriller with Railroaded. When a policeman is killed attempting to thwart a holdup, Detective Mickey Ferguson is assigned to the case. The case becomes personal, though, when the kid brother of Mickey's sweetheart is named as the gunman. Determined to find the truth, Mickey goes searching for clues and comes up with notorious gangster Duke Martin, played by John Ireland (Spartacus, Gunfight At The OK Corral). What follows is a blood-and-thunder extravaganza filled with betrayal and suspicions, handguns and hostages, and a climactic nightclub showdown. Mann directs Railroaded with a precision and elegance that betrays its low-budget production, and John Ireland's cold-blooded performance is backed up by a talented (if unknown) cast, including Hugh Beaumont (Ward of television's Leave It To Beaver) and Shelia Ryan

BEHIND LOCKED DOORS (1948) - STARRING RICHARD CARLSON, LUCILLE BREMER & TOR JOHNSON - DIRECTED BY BUDD BOETTICHER (SEVEN MEN FROM NOW) - SYNOPSIS: A shadowy sanitarium provides the claustrophobic stage for sadism, paranoia and murder in this classic film noir from director Budd Boetticher (Tall T, Comanche Station). In a plot that clearly foreshadowed Sam Fuller's Shock Corridor, private detective Ross Stewart (Richard Carlson) checks himself into a mental hospital in an attempt to locate a corrupt judge hiding from justice. But before Stewart can reveal the truth, his true identity is discovered and he becomes a victim of his own ruse. With the help of a deranged punch-drunk ex-prizefighter (Tor Johnson of Plan 9 From Outer Space), the doctors at La Siesta Sanitarium concoct a plan to make Stewart a permanent resident. And the only person who shares Stewart's secret, the only one who can rescue him from certain death, is the scheming woman who sent him there (Lucille Bremer). A bare-bones, low-budget B thriller from Hollywood's "Poverty Row," Behind Locked Doors cleverly compensates for its budgetary limitations by bathing its sets in darkness. This visual spareness is perfectly suited to Boetticher's terse, hard-edged style, making the film a nightmarish ride through the halls of insanity and an ingenious, effective example of American film noir.

I am surprised at the negative reviews for this release. Everyone seems to like SUDDEN FEAR and THE LONG NIGHT, but what about HANGMEN ALSO DIE? It has been one of my favorites for years. Whenever I want to see something unrelentingly dark and gloomy with beautiful photography, I watch HANGMEN. It was directed by Fritz Lang, co-written by Bertolt Brecht, and photographed by James Wong Howe. How could it be less than brilliant? Then there's RAILROADED directed by the great Anthoiny Mann. It's a B film, but Mann's B films are better than many A's. RAILROADED isn't as brilliant as T-MEN, but it is still a good watch. BEHIND LOCKED DOORS is the least of the bunch, but even it is fun in a lurid, Samuel Fuller, tabloid kind of way.

Some of the negative comments are about the lack of restoration. Honestly, I get so tired of these people harping on restoration. They act like anyone who releases an unrestored film is callously trying to cheat their customers. They should be glad these films are available at all. There's nothing that says they have to be, and many films never will be. Wouldn't you rather have them than not have them? If kino hadn't released these five films, you wouldn't be able to buy them, period. And the way people whine, you would think that film restoration is a cheap and easy thing that distributors withold out of pure meanness. In reality, restoration is massively expensive. Even minor restoration is beyond the means of most distributors, and a full restoration would bankrupt most companies. To do a good job at restoration requires a huge investment and can only be done on films which will sell enough copies to make that money back. That's the financial reality at this point in the game. So stop whining and be thankfull for what we've got. That said, these films are not in terrible shape at all. There are small issues but certainly nothing that will keep any reasonable person from enjoying them. If you love classic films, especially when they're really dark, you need to have these. So shut up and buy them!

I have watched 3 of the films so far. As noir films, they are very good.

RAILROADED and BEHIND LOCKED DOORS are average quality picture/sound.

THE LONG NIGHT has very good picture quality, but there seems to be a fault with the sound in a few places where it shifts from 2 speakers to one (and in the process the volume drops right down)

Still have the remaining films to watch this week.

I love film noirs but beware: this set has only 2 worth seeing. "Sudden Fear" with Joan Crawford and "The Long Night" with Barbara Bel Geddes. The others are grade B films at their worst. Sadly though, if you're a Joan Crawford fan like me, this is the only way as of yet, to purchase "Sudden Fear".

The collection Film Noir - The Dark Side of Hollywood boasts on the box cover that it features "Five Classics from the Studio Vaults". It may be a little much to call these films "classics" (no one will ever mistake these movies for such greats as Out of the Past or The Asphalt Jungle), but they are all okay, or in some cases, even good.

The first in the bunch (chronologically speaking) is Hangmen Also Die, a World War II thriller directed by Fritz Lang and based on real events. Brian Donlevy plays a member of the Czech resistance who is responsible for the assassination of Heydrich. Anna Lee gets entangled with him, and soon both are in peril. The Nazis threaten to execute innocent people till the assassin comes forth, including Lee's father. This film is only borderline noir, but it is still good.

Railroaded is a rather standard innocent-man-accused mystery, probably most notable for featuring a pre-Leave It To Beaver Hugh Beaumont as the detective in love with Sheila Ryan even as her brother languishes in jail. John Ireland is effective as the villain in the piece.

The Long Night is the "big name" movie in the set. Directed by Anatole Litvak, it stars Henry Fonda, Barbara Bel Geddes, Vincent Price and a small role for Elisha Cook, Jr. Fonda is holed up in his apartment, surrounded by cops who want to take him in for a murder. The bulk of the movie is a long flashback as to how he got into this spot. Vincent Price is great as a slimy magician, and Bel Geddes is okay in what I believe is her first role (between this movie, Vertigo and 14 Hours - the three movies I've seen her in - I don't think she ever has a normal love relationship with any man). This film is a remake of a French movie and the only DVD with any sort of special features (a video essay on the making of the movie).

Behind Locked Doors is a short (62 minutes) little private eye story with Richard Carlson as a private detective who is recruited by a beautiful reporter to go undercover in a sanitarium where it is believed a crooked judge is hiding out. Of course, the doctor and his assistant are in cahoots with the judge and Carlson soon finds himself trapped "behind locked doors." Probably the most interesting thing about this movie is it has Tor Johnson (of Plan 9 From Outer Space fame) in a role that uses all of his limited acting talents.

Finally, there is Sudden Fear which I feel is the best in the bunch. Joan Crawford is a playwright and heiress who gets actor Jack Palance fired because he doesn't seem like a romantic leading man. When they meet by chance later, she falls for him and they marry, but it turns out he's a better romantic actor than she ever thought; he is actually scheming with an old girlfriend to kill her and get her money. When Crawford finds out by accident, she launches her own counter-scheme. Although this film owes more than a little to Hitchcock's Suspicion, it also goes off in its own direction and does a good job at leaving the viewer guessing about how it all turns out.

As mentioned earlier, there are hardly any extras in this set. Railroaded and Behind Locked Doors are three-star movies, while the others are four-star flicks. I will go with the majority and rate it four stars. These may not be classics, but this set does offer a chance to see some less well-known, decent movies.

Has anyone heard if this collection from Kino Video,have all been Remastered with better picture & sound? It's a great collection,but not if Kino has done nothing to them...Aloha Craig