Filmmaking for Teens: Pulling Off Your Shorts [Paperback]

Troy Lanier (Author), Clay Nichols (Author)

Book Description

Publication Date: February 1, 2010 | Series: Filmmaking for Teens: Pulling Off Your Shorts

With over 20 hours of video being uploaded to YouTube every minute, how can a young filmmaker possibly stand out? By reading and applying the tools of Filmmaking for Teens

Editorial Reviews

From Publishers Weekly

Teenagers can "stop dreaming and start creating" with this guide to making their first film. The authors, who teach filmmaking at an Austin, Tex., high school, suggest starting with a short-a five-minute film. They recommend that teens have a script before they begin, and be ready to take on many responsibilities: writer, producer, director and editor. Shooting should take place over the course of a long weekend, and filmmakers must set a deadline to have the film finished (aided by picking a festival or contest that has a submission deadline four to six weeks after they wrap). Lanier and Nichols urge budding moviemakers to use a digital camera and editing software, yet they caution readers not to blow all their savings. Spend money on equipment, they say, but scrounge for everything else. Throughout, they try to be chatty, with lines like "See you at Sundance." Chapters explain how to pick a subject (with exercises for doing so), write a script, pick the location for all the films' shots and deal with worst-case scenarios, such as no-shows, stormy weather and technical glitches. Lanier and Nichols's helpful crash course ensures that readers' first efforts don't resemble amateurish home videos.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

Review

The filmmaking bible that every educator and aspriring filmmaker must have on his or her nightstand. -- Rosie Lambert & Derek Horne, Authors, Film School Expose --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 200 pages
• Publisher: Michael Wiese Productions; Second Edition edition (February 1, 2010)
• Language: English
• ISBN-10: 1932907688
• ISBN-13: 978-1932907681
• Product Dimensions: 6 x 0.6 x 9 inches
• Shipping Weight: 12.8 ounces (View shipping rates and policies)
• Average Customer Review: 4.8 out of 5 stars  See all reviews (40 customer reviews)
• Amazon Best Sellers Rank: #35,384 in Books (See Top 100 in Books)
  • #5 in Books > Humor & Entertainment > Television > Direction & Production

Most Helpful Customer Reviews

26 of 26 people found the following review helpful

5.0 out of 5 stars Review of "Filmmaking for Teens" that appeared in Microfilmmaker.com November 17, 2005

By Jeremy T. Hanke

Format:Paperback

Troy Lanier and Clay Nichols teach filmmaking at a high school in Austin, Texas. Because they were never able to find a good textbook that effectively taught filmmaking while holding the ever-wandering attention of teens, they decided to write their own book. The result was Filmmaking for Teens: Pulling Off Your Shorts. By breaking down the complex process of creating and completing a short, the authors show that it is possible for anyone to make movies.

Comprehension

This is not your typical, mind-numbing textbook on how to make a movie; it simplifies the process of filmmaking by shortening the length of the project: just 5-6 minutes. Filmmaking for Teens gives you an idea of what to plan for when making a film by going over all of the essentials. As you read the book, you start to understand that this is pretty much the same process that all big-budget Hollywood films go through... just on a much smaller scale.

The writing is humorous in a satirical, tongue-in-cheek way (you know... the way high schoolers are), while at the same time not getting too ridiculous. It explains the technical side of moviemaking in language that both techie geeks and novices can understand and appreciate.

Depth of Information

For its (relatively) small size, this book packs a LOT of information in. Starting with brainstorming (or, as they call it, "brainshowering"), they walk the reader through writing, planning, filming, and finally editing the film. The authors give several guidelines and pointers for obtaining equipment, finding locations, organizing a cast and crew, and getting attention for the finished product.

The cool thing is they also emphasize creativity, professionalism, and responsibility with their teen audience. While they give suggestions, they rarely promote "shortcuts"; instead, they encourage the reader to learn to do things properly, with the understanding that the process will become easier with each project.

Interest Level

There is no danger of this book losing your attention. It's technical and challenging enough to keep your brain cells engaged and operating, but the humor that is woven in with it makes this book both interesting and enjoyable.

Reusability

This book is definitely one to keep as a reference for when you do your projects or to recommend to a friend. The summaries at the end of each chapter can be used on almost any film project, no matter the size. There is also valuable information included about publicity, generating funding for future films, and entering student film festivals. For any young (or even old!) aspiring filmmaker, this book will be your "film bible".

Value vs. Cost

Although the retail price of the book is $18.95, you can buy it from the Michael Weise website for less than $15. Is it worth it? Heck yes. That and a whole lot more. The amount of time, money, and headache this will help prevent is immeasurable. I wish that I had had this book two years ago when I was the producer on my first indie film; it would've made things a lot easier. (Okay, well, somewhat easier at least.) For anyone, teenager, parent, grandparent, whoever, interested in learning more about making films, this book is an absolute must.

Overall Comment

The thing that I really enjoy the most about this book is that, although it is written for teens, it isn't limited to them; anyone with an interest in film can make a short project after reading this book.

The book takes the reader through the entire process of making a short film, planning for a shooting schedule of 3 days (usually found during those semi-holiday extended weekends). Three days is a reasonable amount of time that even most adults would be able to spare. Think about it: if teens-who have little to no money, might or might not have a car (let alone one that works!), and are juggling school, homework, a job, and extracurricular activities-can make a 5-6 minute film, who says that an adult can't?

Understandability - 9.5

Depth of Information - 9.0

Interest Level - 9.0

Reusability - 10.0

Value vs. Cost - 10.0

Total Score - 9.5

Reviewed by Kari Ann Morgan

Microfilmmaker.com

12 of 12 people found the following review helpful

5.0 out of 5 stars Inspiring! Great for Any Age October 3, 2005

By Celeste Thoms VINE™ VOICE

Format:Paperback|Amazon Verified Purchase

I read a article in MovieMaker Magazine about teen filmmakers and it mentioned this book. I checked out some websites and looked at some movies made by teens and it was great.

I'm a 22 year old filmmaker and I wanted to read this book. I may not be a teen, but it does not matter. This book explains things other books don't. You pretty much have to learn this stuff on your own. Like it talked a lot about getting good pictures and sound from your camera. Just great stuff.

Why didn't they write this book 7 years ago. I would have been making movies over and over again when I was 15 years old. They make the process so open. I read film books for adults and I couldn't understand that stuff at the time, so I waited until college.

This book is great for all ages.

20 of 23 people found the following review helpful

2.0 out of 5 stars oddly unbalanced November 29, 2007

By 9876

Format:Paperback|Amazon Verified Purchase

This would have been a great book entitled something like "Moving Beyond Home Video", but under its current title I found it oddly unbalanced. It opens with some good advice directed toward someone who has never written a screenplay, but then goes on to discuss assembling a crew including not only cast, but also an assistant producer and assitant director; the necessity of filming using manual focus; and mics with XLR connectors. If you have never tried to write a screenplay or finished a short film, you are not going to make your first foray into film with a large crew and a 3 chip camera, learning manual focus and lighting over your (recommended) 3 day shoot. On the other hand, if you are comfortable with trying out this kind of equipment, you have most likely tried your hand at screenplay writing before.

I would not recommend this book for a teen or anyone else trying to make their first attempt at filming a story of their own writing. It is, however, a fine book for those who have made a few home films with a sub $500 consumer camera and are looking to take the next step into a more sophisticated shoot with prosumer level equipment. In that light, it has very good overview material of the possiblities of equipment and accessories and has good advice on rehersals and crew.

I would welcome a recommendation from anyone who knows of a good book that is really aimed toward teens who really have never written or filmed anything and who are looking to try to put something together with a few friends with consumer level home equipment.