Films About Ghosts: The Best Of...

November 2, 2004 | Format: MP3

$9.49
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Popularity  
30
1
3:38
30
2
5:31
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3
4:15
30
4
4:57
30
5
4:14
30
6
7:45
30
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4:32
30
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5:23
30
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4:33
30
10
3:45
30
11
3:39
30
12
4:35
30
13
3:52
30
14
4:31
30
15
3:48
30
16
3:08
30
17
3:08
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Product Details

  • Original Release Date: November 2, 2004
  • Release Date: November 2, 2004
  • Label: Geffen
  • Copyright: (C) 2003 Geffen Records
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 1:15:14
  • Genres:
  • ASIN: B000W106C4
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (131 customer reviews)
  • Amazon Best Sellers Rank: #3,788 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

4.5 out of 5 stars

Most Helpful Customer Reviews

54 of 55 people found the following review helpful By Tim Brough TOP 1000 REVIEWERVINE VOICE on October 20, 2005
Format: Audio CD
I am not the biggest fan of Counting Crows, feeling that the two albums after "Recovering The Satellites" were inconsistent at best and never added them to my collection. I also dumped the live album into a used store bin soon after I'd bought it. But for "August and Everything After," Adam Duritz and company struck a chord in the year that Nirvana was king of the world (and Kurt closed the window on that chapter at roughly the same time), and radio was being ruled by the likes of Whitney Houston and Toni Braxton. It didn't hurt that Counting Crows were making music that echoed the best of Van Morrison or Bob Dylan. Another plus was having a producer like T-Bone Burnett, who understood the traditional intimacy of the Crow's sound. He helped make "August" sound like a bridge between the rage of grunge and the introspection of R.E.M.'s then hugely successful "Automatic For The People."

Like the Autumnal tree that graces the cover of "Films About Ghosts," the best work of Counting Crows gives one the feeling that some sort of somber change is always lurking nearby, often with a chill to accompany it. Think of how "A Long December" resonates long after the song ends. Same with "Mrs. Potter's Lullaby," which was the best song on "This Desert Life." Again, the comparison to Van Morrison is an apt one as Adam exorcises a certain amount of pain during his best songs.

This has often led to a criticism of the Crows in that a lot of their music sounded "whiny." That argument is easily dispelled by "American Girls," "Angels Of The Silences" or the statement of band unity, "Hanginaround." Each of these songs are concert pleasers and show the Crow's more playful side, something each album had for those that waited for the simple pleasures of a buoyant rock song.
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31 of 35 people found the following review helpful By Paul Allaer TOP 100 REVIEWERVINE VOICE on November 28, 2003
Format: Audio CD
Maybe you are like me who, after "August and Everything After" and "Recovering the Sattelites", have fallen off the Counting Crows' band-wagon as a result of the less than great (if not to say mediocre) albums "The Desert Life" and "Hard Candy". Well, our problems have been solved by this "greatest hits" album.
"Films About Ghosts: The Best Of Counting Crows" (16 tracks, 72 min.) pretty much delivers on the premise, which is to say: all the hits and best known tracks are here. Rightfully, this compilation centers on the first album: 5 tracks from "August and Everything After", including the essential "Mr. Jones" (the song that put the band on the musical map), "Round Here", the exquisite "Rain King", "Omaha" and "Anna Begins". "Recovering the Sattelites" is represented by 3 tracks, including the haunting "A Long December", the hard-rocking "Angels of the Silences" and the title track. The later years have some good songs, including the jamming "Hanginaround", and even the cover of "Big Yellow Taxi", an unexpected radio hit. But the true treasure on this compilation is "Einstein on the Beach", which appears for the first time on a Counting Crows release. "Einstein" is a 1991 "demo" (but not sounding like a demo), which lead the band to getting a record deal, and is arguably Counting Crows' best song ever. Adam Duritz never sounded so upbeat again.
Is this compilation perfect? No. For one, I like "best of" compilations to run chronogically, and this one doesn't. But that quibble aside, "Films About Ghosts" is a really great overview of Counting Crows' best songs to date.
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22 of 24 people found the following review helpful By E. Callaway on January 21, 2004
Format: Audio CD
It now amazes me how incomplete any "best of" can be when it comes to this band. Every one of these songs is great, that I do not argue, but it just does not feel like it is whole. This could easily be two disks, or even more. It does have fair representation of the studio albums, but there is so much more that the Crows have to offer.
One thing I found surprising about this CD was the fact that "Einstein on the Beach" was included after years of lead singer, Adam Duritz regretting ever having given it to Geffen Records. It is a great song and I would love to hear it played live after having heard it for the better part of a decade on the DGC Rarities Vol. 1 record.(to my knowledg there never was a Vol. 2)
There are two new recordings found on "Films About Ghosts." I rather enjoy the cover of The Greatful Dead's "Friend of the Devil." Honestly, I think the Crows did a better job on the song. "She Don't Want Nobody Near" is the second new recording on the album. It is an original song and has now been released as a single. Of the two, I prefer "Friend of the Devil," but "She Don't Want Nobody Near" is very good.
All of the hits are here; "Mr. Jones," "Round Here," and "A Long December" to mention a few. I do enjoy hearing these songs, but I think they are better in the context of their respective records. As a collection of songs it is great, as a "greatest hits" it is good, but I think it perhaps falls short in the category of "best of." Taking these songs from the context of the album does not do them justice.
epc
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