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The Films of Michael Powell and the Archers [Hardcover]

Scott Salwolke (Author)
3.0 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

June 19, 1997 The Scarecrow Filmmakers Series (Book 52)
Michael Powell was introduced to film relatively late in life, and feeling dissatisfied with what British films had to offer, he took his primary influences from American and German films. Emeric Pressburger was a Hungarian emigre who was educated in the German film industry before fleeing from the threat of the Nazi party. These two men of diverse backgrounds would successfully collaborate on 16 films over a period of fifteen years, most often with their identities united as the Archers.

The Archers' collaboration began during World War II, where they attempted to identify the causes for which thousands were dying. Following the war, their focus was on art and why it was worth dying for. The results were such classics as Black Narcissus, The Life and Death of Colonel Blimp, The Red Shoes, and The Tales of Hoffman.

The Archers' popularity waned in the mid fifties when the two men seemed to lack focus. Never popular with British critics, they ended their career with a pair of mediocre films that seemed to be shadows of their previous successes.


Editorial Reviews

Review

...reliable study along currently orthodox lines, with sagacious observations and some nicely disconcerting insights... (Cineaste )

Salwolke writes with style and grace. Salwolke's bibliography of material on individual films is invaluable. His filmography is extensive, accurate and well worth having. Anyone interested in British cinema, particularly thinking of researching the subject, should be aware of this excellent book. (Historical Journal Of Film, Radio & Tv )

A conscientious, well-documented account of Powell's work. (Sight And Sound Magazine )

I'm tremendously impressed by your book on Michael Powell. Well written, very interesting, not dry and tedious. Excellent work. (Thomas Gifford )

Describes and analyzes the work of Michael Powell and his partner, Emeric Pressburger, who released 16 films in 15 years, from the beginning of their partnership until its end in 1956. (Booknews )

...well-reported...it's great to see Powell receiving his due, and this is a welcome addition to the literature of his very special talents. (American Cinematographer )

A scholarly study of the legendary Red Shoes director and his writer Emeric Pressburger. (Howard Maxford Film Review )

About the Author

Scott Salwolke is a free-lance writer and vocational instructor with mentally handicapped adults.

Product Details

  • Hardcover: 272 pages
  • Publisher: Scarecrow Press (June 19, 1997)
  • Language: English
  • ISBN-10: 081083183X
  • ISBN-13: 978-0810831834
  • Product Dimensions: 8.7 x 5.7 x 1 inches
  • Shipping Weight: 1.3 pounds (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #4,519,112 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
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Most Helpful Customer Reviews

5 of 6 people found the following review helpful:
4.0 out of 5 stars Comments from the author, July 10, 2001
By 
Scott Salwolke (Dubuque, Ia United States) - See all my reviews
This review is from: The Films of Michael Powell and the Archers (Hardcover)
Having spent nearly three years researching this book, it is the most detailed look at the career of Michael Powell and his work with Emeric Pressburger. As Steve Crook correctly points out, a number of spelling errors made it into the final manuscript, but this book serves to introduce fans of The Red Shoes, Black Narcissus, Peeping Tom, and I Know Where I'm Going to their other work. In addition to the most comprehensive filmography and bibliography available, it takes a detailed look at most of his films that are available. Thanks to the cooperation of the British Film Institute, many of his lesser-known works were analyzed in detail, including some that were thought to be long lost.
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8 of 11 people found the following review helpful:
1.0 out of 5 stars Full of inaccuracies, March 2, 1999
This review is from: The Films of Michael Powell and the Archers (Hardcover)
One star is too many.

I am a long term fan of Michael Powell and The Archers and was horrified when I read this book.

I've never seen a book so full of inaccuracies.

I wrote to the publishers listing about 30 or so of the most glaring factual errors. They wrote back saying that my comments had been noted but didn't say they intended to correct any of them.

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5 of 8 people found the following review helpful:
4.0 out of 5 stars Some reviews of The Films of Michael Powell and the Archers, January 3, 1999
By A Customer
This review is from: The Films of Michael Powell and the Archers (Hardcover)
"I'm tremendously impressed by your book on Michael Powell. Well written, very interesting, not dry and tedious. Excellent work. Thomas Gifford, New York Times Best Selling Author, The Assassini, The Wind Chill Factor.

"A conscientious, well-documented account of Powell's work." Sight and Sound Magazine.

"Reliable study along currently orthodox lines, with sagacious observations and some nicely disconcerting insights." Raymond Durgnatt, Cineaste.

"Describes and analyzes of Michael Powell the work and his partner, Emeric Pressburger, who released 16 films in 15 years, from the beginning of their partnership until its end in 1956." Booknews.

"Its great to see Powell receiving his due, and this is a welcome addition to the literature of his very special talents." George Turner, American Cinematographer.

"This author has already written well on one British director. This new volume is a thoughtful consideration of the work of the Archers and Powell in particular. . . Salwolke writes with style and grace. . . Anyone interested in British cinema, particularly thinking of researching the subject, should be aware of this excellent book." Graham Roberts, Historical Journal of Film, Radio, and Television.

"A scholarly study of the legendary Red Shoes director and his writer Emeric Pressburger." Howard Maxford Film Review.

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