From School Library Journal
Grade 4-6. Turner's offering is a confusing hodgepodge of themes. Sweet little Emily and horrible older sister Rose are cleaning out their aunt's doll house. Naturally, the dolls have rich inner lives, and they manage to communicate with Emily almost immediately. Rose is a tougher nut to crack, but then she is suffering from the trauma of her family's move to Gran's, out in the country. Rose does horrible things to the dolls until they break through her tough facade. Walter is the youngest doll, who is missing somewhere in the great wilderness of the backyard. The search for him involves the dolls' manipulating the family into getting a dog, surviving a fire, and telepathy. The boy doll, like Oz's Tin Man, even gets a heart. Turner's use of language makes for some vivid reading. However, it's not enough to compensate for the breakneck pace of the plot or shallow human characterizations. With the added tensions of some family problems, the fears associated with starting a new school, and the sisters' rocky relationship, there is just too much going on. In addition, the fantasy of the dolls fails because Turner is inconsistent with the rules. By giving the dolls the powers to connive and exert free will, she kills the need to willingly suspend disbelief. Recommend Betty Ren Wright's The Dollhouse Murders (Holiday, 1983), William Sleator's Among the Dolls (Dutton, 1975; o.p.), and Jean S. O'Connell The Dollhouse Caper (Crowell, 1976; o.p.), and forget about finding Walter.?Patricia A. Dollisch, DeKalb County Public Library, Decatur, GA
Copyright 1997 Reed Business Information, Inc.
From Kirkus Reviews
For readers who ever felt that dolls had thoughts and feelings comes a funny, touching fantasy from Turner (Mississippi Mud, p. 728, etc.). Two sisters, Emily and Rose, clean up an old dollhouse they find in their grandmother's attic. The dolls have been lying dormant, abused by mice, moths, and dust, and are relieved to have someone play with them again. But as they reemerge into life, the doll family finds that the youngest member of their clan, Walter, is nowhere to be found. By sending the girls mental images, the dolls communicate their plight and the warring sisters work together to help the dolls become a complete family again, and mend their own relationship, too. Emily and Rose's alliance unfurls nicely in the background without upstaging the real starsthe dolls. Readers will embrace the characters and warm to the old-fashioned manners and attitudes the dolls demonstrate. Turner's style is gentle and timeless, masterfully shifting between the ``real'' world and the doll world. Not only a humorous, thoughtful adventure, the story is a smart allegory that, like Sylvia Cassedy's Behind the Attic Wall (1983), has the makings of a classic. (Fiction. 8-12) --
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