From Publishers Weekly
Starred Review. The steely Proulx (
The Shipping News, etc.) returns with another astonishing series of hardscrabble lives lived in the sparse, inhospitable West, where one mistake can put you on a long-winding trail to disaster. Family Man is set in the Mellowhorn Home for old cowboys and aging ranch widows, where resident curmudgeon Ray Forkenbrock shares memories of his father with his granddaughter and an eavesdropping caretaker; the secret he reveals gives new meaning to the word relative. In two demonically clever riffs on human weakness, I've Always Loved This Place and Swamp Mischief, the Devil, accompanied by his secretary, Duane Fork, must entertain himself thinking up new ways to bother the living and the dead, as temptation is no longer a necessary evil. Saving the best for last, Tits-up in a Ditch breaks new literary ground with the gut-wrenching tale of an Iraq veteran who returns to her family raw with grief. Pioneer homesteaders facing drought and debt give way to modern-day hippies trying to lose themselves in the vanishing wilderness and real estate developers out to make a buck—unforgettable characters in nine stories that range in tone from crude cowboy humor to heartbreaking American tragedy.
(Sept.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
*Starred Review* The third volume of the author’s celebrated and eagerly anticipated Wyoming stories (the first volume contained the now-famous novella Brokeback Mountain, upon which the honored movie was based) takes giant steps in advocating Proulx as simply one of the most inventive yet, at the same time, traditional story writers working today. Borne on smooth, effortless prose, which glides easily into glorious metaphor, her fiction can as easily transport the agreeable reader to the Wyoming of 1885 as to, in two curious, amusing stories, the Devil’s lair in Hell, where he attempts to keep up with modern times (in “I’ve Always Loved This Place,” he is redecorating the underworld; in “Swamp Mischief,” he is fiddling with people’s e-mail). But, of course, it is the American West of past and present that we most desire Proulx to bring us honest tales of—gritty characters, the harsh environment, and domestic dramas set against the hard labor and small earnings of the Wyoming cowboy. This new collection will not disappoint on that front. For instance, “Them Old Cowboy Songs,” about the fateful homesteading ventures of young couple Archie and Rose, goes beyond poignancy to be a sheerly devastating story. “The Great Divide” chronicles another young couple’s struggles with the declining economy between 1920 and 1940. It’s difficult to label these stories as historical fiction, for they breathe such contemporary air. They are timeless in their depicted tragedies. --Brad Hooper
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