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A Fine & Private Place Paperback – May 28, 2007
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Questions for Peter S. Beagle
Jeff VanderMeer for Amazon.com: When you were writing A Fine and Private Place, did you have any idea it was going to have such staying power?
Beagle: No. Not at all, of course. When I was 19 years old I never thought in terms of classics or being permanently around. I'd known enough writers, even at that age, to see that what happens to your work is so far out of your control you simply can't afford to let that kind of concern enter your thinking.
Amazon.com: The publisher asked you to remove four chapters from the book. At the time, did you agree with the decision? Have your feelings about it changed over the years?
Beagle: At the time I was outraged. I fought every step of the way, and every sentence. Today I'm inordinately grateful to Marshall Best, the editor who did that. Marshall is long gone, so I just hope that back then I had sense and courtesy enough to say thank you. But I don't think I realized fully what his effect on the book had been until many years later. If it werent for him I dont think the book would still be in print. He's also the one who came up with the title and the allusion to those marvelously appropriate lines from Andrew Marvell's "To His Coy Mistress"--I'd originally called the book The Dark City, after the way that Jonathan Rebeck saw the graveyard. Titles, sad to say, have never been my strong suit. Most of my best have actually come from friends or editors.
Amazon.com: To what extent are any of the characters in A Fine and Private Place autobiographical? I ask because the detail work in the novel, especially with regard to older people, seems so fresh and free of cliche.
Beagle: I think that A Fine and Private Place is very nearly, though not quite, my first attempt to capture the voices in the Bronx neighborhood where I grew up. Nobody is based on any one person, but theres a piece here and a piece there was useful. I hung fire on creating Laura Durant, when it came time to bring her into the story, until I decided to base her physically--not emotionally, but physically--on a Pittsburgh actress I was in a play with. I just didn't know enough young women in those days. And there are scenes in there which people from the old neighborhood would recognize--when Mrs. Klapper goes into the Wireman's grocery, that is very much the little store on the corner across from my house. Yet even there I mixed things up. I think what keeps the book fresh isn't the fantasy, but the fact that I was trying very hard to make it real. To make the voices real. In the end it is always the voices, for me.
Amazon.com: Your books have, over the years, resonated with readers everywhere. Have reader reactions or opinions changed the way you think of the books?
Beagle: Only in the sense that they sometimes make me go back and look at them. When you do this writing thing day by day, you don't do a lot of reflecting on your own relationship to the old work. What does get me, though, is just how much the books have actually influenced the real lives of real people in ways I couldn't imagine. Thats enormously touching for me.
Amazon.com: One of my favorite moments in your fiction is when the true Medieval infringes on the fake Medieval in The Folk of the Air. You manage to convey a real sense of the alien perspective--a sense that if we were to travel back in time, we might find our ancestors as hard to understand as we would creatures from outer space. Did you research your way into that moment and that effect, or...?
Beagle: I've thought about it a lot, having read a great deal of history (my father was a history teacher). And there are fiction writers out there who are so good at bringing the literal stink of a certain period into your nostrils as you read...well, for me they are intimidating, because there are novels I'd like to write based on certain historical events that I'm just not sure I could. In the case of The Folk of the Air I did a lot of research, from many angles, because the real group that my imaginary one was based on didn't limit itself to a narrow span of time, but rather built characters and personas out of events as far back as the Viking era and as recent as 1650. And the history as presented in their gatherings wasn't necessarily the most accurate. So on the one hand I was trying to go for a certain sense of the real, when it does come, in contrast to some fanciful, semi-informed imaginings.
Amazon.com: What are you currently working on--and where should we look for your short fiction in the next year or so?
Beagle: In terms of short fiction, I've got a chapbook coming out from Dreamhaven Books early in 2008 called Strange Roads, with three stories inspired by the art of Lisa Snellings-Clark. There are also six or eight pieces of short fiction appearing in various original fantasy anthologies, magazines, and fiction websites, and I'm working on a quartet of season-themed stories that will premiere not in print, but as podcasts. That last set is for a wonderful little website called The Green Man Review. They did a whole special issue about me and also named me their official Oak King this year, so it's the least I could do. In terms of book-length work, 2008 is going to be absolutely crazy with original books and reprints. Just crazy. There are a couple of new novels finally coming out, a manga-style graphic adaptation of The Last Unicorn, several new collections, and at least two nonfiction books. I can hardly keep track of it all myself, so the best way for anyone to stay up to date would be to visit my website or Conlan Press, or just sign up for my free email newsletter, The Raven. Whatever else I might think about being 68, the simple fact is that I'm busier than ever. It's like George Burns used to say: "I can't die--I'm booked!"
One of literature’s most beautiful works about ghostly times and places...told with wit, charm, and a sense of individuality.”
New York Times Book Review
A Fine & Private Place is just as wonderful as I remembered it to be: beautifully written, the characters warmly drawn, the pages filled with conversations that run the gamut of the human condition.... It’s a great book in a lovely affordable package.”
Fantasy & Science Fiction
Both sepulchral and oddly appealing.... [Beagle’s] ectoplasmic fable has a distinct mossy charm.”
San Francisco Chronicle
A sweet, sad, and smart novel about life, death and love...a book that has endured for a reason.”
The Agony Column
A wonderful work of literature...a gem of a novel.”
Over a cold beverage and a hot bowl of chili, Peter Beagle recently told me how he came to write A Fine & Private Place. He was just nineteen years old at the time, the length of time that Mr. Rebeck spent in that cemetery. He was working as a counselor at a boys’ summer camp. Once the campers were settled for the night there wasn’t much for the counselors to do. Those who had sweethearts at the girls’ camp across the lake would borrow canoes and paddle across to see them. Peter had no such luck, he told me, so he warmed up his rattly little portable typewriter, cracked open a ream of paper, and starting writing a book. We are all incredibly lucky that Peter had no girlfriend that summer.”
Dick Lupoff, SF Site
An amazing read.... If fantastically developed characters trapped between love and death appeal to you, this is a nearly perfect book.”
More About the Author
In addition to eight novels and over one hundred pieces of short fiction, Peter has written many teleplays and screenplays (including the animated versions of THE LORD OF THE RINGS and THE LAST UNICORN); six nonfiction books (among them the classic travel memoir I SEE BY MY OUTFIT); the libretto for one opera; and more than seventy published poems and songs. He currently makes his home in Oakland, California.
On his birthday in 2013 Peter and Conlan Press launched a screening tour of THE LAST UNICORN film that has so far put on more than 300 screenings in the United States, Canada, Germany, and Austria, and which will appear in several thousand different theaters around the world by the end of 2016.
Top Customer Reviews
It doesn't plod, as the other reviewer said, but it is lovely and slow, written in the smooth and elegant prose that is the hallmark of Beagle's best work. Was he really only 19 when he wrote it? You know a great book by Beagle when you never want it to end, and this is one. It isn't like any other book, so I can't compare it to anything. Read it.
Peter Beagle is simply the most amazing writer ever (IMHO), and so I highly recommend all of his works. This one in particular, though, has always been special to me. The writing is so simple that it's beautiful. And the story of Michael and Laura's love is so touching,... there was a chapter in the book that was so painfully lovely that it actually brought tears to my eyes, one of only two times that I can remember being brought to tears by a book.
I can't recommend it highly enough. It's amazing in so many ways. For one, nearly the entire book takes place in a single graveyard, a place which becomes so real to me that I wish it were indeed real so that I might be buried there myself. The characters are unforgettable as well. Even the talking raven is wonderful, whereas I usually abhor loquacious animals (look for the squirrel and the raven's conversation, it is hands down the most hilarious section of the novel!).
Besides all that, it's a love story, which may be a plus to some of you. For the rest of you out there who hate love stories, I understand, becuase I hate them too. But Beagle's romance totally pulled me in.Read more ›
The raven has an attitude, but insists on dragging sandwiches to Mr. Rebeck, a pharmacist who decided to live in the cemetery many years ago. Mr. Rebeck is lonely most of the time, except when there is a new burial, for then that person's ghost will stick around a little while and keep him company, until the ghost forgets what it is to be human, to be alive.
Michael Morgan and Laura are two such new ghosts. Each has a conflicted past, not fully remembered, and take different approaches to this new state of 'living', Michael trying fiercely to retain all he can of himself and his past, Laura trying to fully leave the world of the living. Mr. Rebeck suddenly finds himself with an unusually rich set of company, for besides Michael and Laura, he finds himself involved with the widow Mrs. Klapper, coming to visit the tomb of her husband.
Each of these characters is finely delineated, their conversations with each other slowly illuminating their pasts, their ambitions, their fears, and their hopes. From a little evening singing, quiet walks, the raven bringing news of the outside world, the story is built bit by little bit, with no large dramatic moments until the very end. It is, in essence, a character study, and each character's approach to life imposes its message about life's meaning and purpose.Read more ›
Most Recent Customer Reviews
I would say "Peter Beagle has done it again.", but that would be technically inaccurate, since this was his first publication - I just happened to read it after I had read... Read morePublished 2 days ago by William A. Lyle
I picked this up thinking I'd enjoy both this and the Last Unicorn but instead discovered this author isn't for me haha.Published 18 days ago by Yourgoat
Bought it as a gift because it was one of the few books read a quarter century ago that stayed with me.Published 2 months ago by C. Adelman
I owned this book years ago. Donated it in a big purge of my library. Had to re-purchase it. Remembered how much I enjoyed the story and I wanted to read it again.Published 3 months ago by Cranky24/7
Although the story is unique, it does not possess magic and grace like Beagle's The Last Unicorn, a story of unparalleled beauty and grace.Published 3 months ago by Kindle Huber
I read this when i was a teen. Purchased it for my granddaughter. I know she will enjoy it.Published 5 months ago by daisy
I bought this on recommendation from a friend, thoroughly enjoyed it.Published 6 months ago by Karen99