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Fine Art of Self Destruction
  

Fine Art of Self Destruction [Extra tracks, Import]

Jesse MalinAudio CD
3.5 out of 5 stars  See all reviews (33 customer reviews)


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Formats

Amazon Price New from Used from
MP3 Download, 13 Songs, 2009 $8.99  
Audio CD, 2003 $12.61  
Audio CD, Import, Extra tracks, 2003 --  
Vinyl, 2010 $16.65  

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Product Details

  • Audio CD (June 24, 2003)
  • Number of Discs: 2
  • Format: Extra tracks, Import
  • Label: EMI Import
  • ASIN: B00009OYS8
  • Also Available in: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (33 customer reviews)
  • Amazon Best Sellers Rank: #1,148,212 in Music (See Top 100 in Music)

Disc: 1
1. Queen of the Underworld
2. TKO
3. Downliner
4. Wendy
5. Brooklyn
6. The Fine Art of Self Destruction
7. Riding on the Subway
8. High Lonesome
9. Solitaire
10. Almost Grown
See all 12 tracks on this disc
Disc: 2
1. Cigarettes and Violets
2. Death or Glory
3. Hungry Heart
4. Wendy [Remix]

Editorial Reviews

Amazon.com

Jesse Malin segued from a decade as frontman for NYC's D Generation, a band whose glam-metal pose was as ironic as it was misunderstood, to this reincarnation as shrewd, stripped-down Gotham singer-songwriter. Comparisons to Bruce Springsteen have already been floated, but Malin's sensibilities here are as subtly shaded and introspective as the Boss's are broad and declamatory. Midwifed by producer/ex-Whiskeytown frontman Ryan Adams, Malin's affection for the likes of Bob Dylan, Neil Young, and Steve Earle is obvious, but filtered through a savory, pop-conscious mélange of musical textures that evoke everything from Motown to Tex-Mex. Malin's lyrical sense is no less evocative, with simple lines conjuring up worlds of possibilities. It's a debut whose heartfelt country-by-way-of-Delancey-Street songs may bolster notions that irony is indeed dead in the post-9/11 world, but also one whose honesty of voice and purpose ensures the wake will be brief. --Jerry McCulley

Product Description

Full title - Fine Art Of Self Destruction. Aussie reissue of 2003 album from the native New Yorker, produced by Ryan Adams. This format contains a 4 track bonus disc featuring covers of tracks by The Clash & Bruce Springsteen. These tracks originally appe

 

Customer Reviews

33 Reviews
5 star:
 (12)
4 star:
 (10)
3 star:
 (2)
2 star:
 (2)
1 star:
 (7)
 
 
 
 
 
Average Customer Review
3.5 out of 5 stars (33 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

10 of 10 people found the following review helpful:
5.0 out of 5 stars Better than you might expect., January 29, 2003
By 
Matt coppens (Grand Rapids, MI) - See all my reviews
Jesse Malin was the lead singer of the great glam-punk band D Generation, and before that he was the lead singer/guitarist in New York hardcore band Heartattack, who played in the early 80's. After hearing about this release I was excited, but skeptical. Sure, I've been a Jesse Malin fan since I saw D Generation open for the Ramones in 1995. But I didn't think he was capable of this kind of album. He hooked up with Ryan Adams, who produced and played guitar and keyboards on this album. The results are magnificent. This album is awesome. Kind of reminds me of an early Springsteen record, or the best of Ryan Adams material. You can still tell it's the same guy who wrote the songs in D Generation, but I think he's better now, and I loved his punk material.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars Finally, an album with actual songwriting.., June 20, 2003
By A Customer
..and it doens't sound like anyone else. Jesse's voice and point of view are completely unique. I can say that if you like Bruce Springsteen or Neil Young or Joe Strummer, you will probably like this, but he doesn't sound just like any of these. It's sort of what you would get if you locked someone in a room with only these records for about five years. Make that a very small room in Queens.

I dare anyone not to be moved by Soltaire or Brooklyn. There is a balance of both the slower more contemplative songs and the more rocking songs like Wendy as well.

Actually, it was Jesse's record that made me go out and buy the new Lucinda Williams record.

This record isn't good because of Ryan Adams or some of the other contributions - it stands just fine on it's own.

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8 of 9 people found the following review helpful:
4.0 out of 5 stars Malin Scores A T.K.O., August 2, 2003
By 
I had read a bit about this CD, ordered a copy, and then read some of the extremely negative reviews before it arrived. I didn't know what to expect, but find I've been pleasantly surprised. No, Malin is not the next Bruce Springsteen, Neil Young or Lou Reed as the hype misleads. But he has created a strong set of tunes that bear up well with repeated listening. Malin was in the glam/punk band D Generation that made 3 CDs in the 90's. After their breakup, he started writing tunes that were inspired by the work of Steve Earle & others. Ryan Adams liked the songs so much that this is his first attempt in the role of producer.

My favorite track, currently in my own personal top ten, is "Riding on the Subway." Malin's flutter burst style rhythm guitar combined with Toby Dammit's original percussion makes this track completely rock, Another favorite is the great rocker "Wendy" with its bubbly chorus, guitar storm and distinct lyric, ...The other blockbuster tune to my ear is "T.K.O." with its soulful snarl, Joe McGinty's pounding piano, and Malin's lyric...The other tracks on the CD are good with the opener "Queen of the Underworld" having been a smash in the British charts, the acoustic ache of "Brooklyn," and the quintessential Christmas blues in "X-Mas." I find "The Fine Art of Self Destruction" to be a survivor's tale filled with strong songs from wall to wall. My advice is to discount the hype, the negative reviews of those who expected something else, and just listen for what Malin has done, because it's excellent. Enjoy!

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