Customer Reviews

The Fire Baby

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A comatose wife as assistant crime solver? It sounds like the ultimate gimmick, but in British author Kelly's skillful hands Laura Dryden's sporadic struggles to communicate are integral to the genesis and development of this quirky, unusual series.

A former soap opera star, Laura was left in a coma after a car accident on the Cambridgeshire Fens four years earlier. Her husband Philip left his high-powered Fleet Street job to become star reporter for the local weekly and sit by her hospital bed.

This second outing (after "The Water Clock") finds Philip at his wife's bedside on a summer day. "The figure on the bed didn't move. Its immobility was a constant in his life, like the heat of that summer, and equally oppressive." Sharing his wife's room is a local woman, Maggie Beck, who, back in 1977, recovering from the death of her parents and son, had helped Philip's newly widowed mother.

Maggie's parents and baby had been killed by the crash of a US military plane. Ironically, Maggie had rescued an American infant thrown free of the wreckage. Now dying, Maggie needs Philip's help to share a deathbed secret.

Meanwhile, as Philip attempts to track down Maggie's daughter and her American traveling companion, a man is dying of thirst, tethered in a concrete bunker, a glass of water left just beyond his reach. And a young barmaid disappears after being drugged and raped, also in a bunker, according to the pornographic photographs of her making the rounds. And a group of illegal African immigrants suffer the summer's hellish heat in the back of a locked truck container.

While Kelly tracks these story lines from various points of view, it's up to Philip to follow the leads and discover each victim's fate, with a bit of help from friends like a bird-watching police detective and an alcoholic American major, both hanging on for retirement. Then there's Humph, Philip's silent, misanthropic driver, and Laura, tapping out an occasional cryptic message between reams of gibberish.

Kelly seems equally at home with heart-shattering pain and dark, nimble humor. Philip is cynical, kind, heart sore and responsible. Prone to private self-criticisms, his bravest acts are motivated by the fear of being discovered a coward. Kelly's writing is wry and evocative and full of sharp insights and humane sensitivity. Atmospheric and insightful, this is a standout series.

Portsmouth Herald, March 13

England's Fen country has always seemed compelling and mysterious to me ... which is why I picked up Jim Kelly's first mystery THE WATER CLOCK. The protagonist, reporter Philip Dryden, was also so compelling that I went right to Kelly's second mystery, THE FIRE BABY. Once again, Kelly weaves a story involving disparate characters acting and reacting badly over decades into a satisfying mystery.

Every night for the past four years, Weekly Crow reporter Philip Dryden visits his comatose spouse Laura at Ely's Tower Hospital. Laura's current roommate, cancer victim Maggie Beck expects to die shortly. She asks Philip to carry out a death wish favor. She has made tapes of her memories especially concentrating on a 1976 plane crash at the US air base in Mildenhall in which the dying woman provides a different report than the official one. Maggie also furbishes a spin on her daughter's marriage. She wants Philip to deliver her last words to her daughter.

As Laura begins to awaken from her coma, she overhears much of what Maggie says. She struggles to warn her spouse that he could be in danger, but she is not fully conscious yet. Meanwhile Philip uncovers two homicides that he believes ties back to Maggie's death bed wish. As he investigates further someone tries to kill him. Only Laura, if she can communicate, can tell him the truth that might save his life.

This exciting thriller combines soap opera elements with a tense journalist investigation that grips the reader mostly because the audience will like and admire Philip and hope that Laura recovers in time to warn him. The story line is at its best when Philip is investigating Maggie's contention and other underbelly stories. When the tale shifts to the hospital scenes the plot loses momentum but adds depth to the beleaguered hero. THE FIRE BABY is a terrific opening novel that hopefully has sequels with a healing Laura at Philip's side.

Harriet Klausner

Philip Dryden, described one of Fleet Street's sharpest reporters for over a decade, is now working as chief reporter for The Crow, a small local paper, so as to allow him the time he needs to be at his wife's bedside. They had been in a terrible car accident which had caused their auto to plunge into 20 feet of water. She has for four years been in a special facility for those suffering from Locked In Syndrome, a condition where the victim "appeared to be in a deep coma but could, at times, be entirely conscious despite their lack of movement." His wife, who had been a British soap opera star, has only lately shown some signs of awareness. Philip suffers from survivor's guilt, having been rescued from the water but forced to leave Laura for what turned out to be three hours while he went for necessary help.

The novel begins with an horrific plane accident in England's Cambridgeshire Fens which occurred 27 years earlier, one which claimed many lives, including all passengers and crew with the exception of a 15-day-old baby, and the family into whose home the plane crashed: a woman, her husband and their infant grandson, Maggie, the baby's mother, having survived purely by chance after she had gone into the basement to retrieve a celebratory bottle of champagne.

The author brings these survivors together when Maggie, whom Philip had known since childhood, and Laura, Philip's wife, are hospital roommates as Maggie lies near death. Desperate to see her daughter before she dies, she extracts a promise from Philip to find her. She has been on holiday and is unaware of Maggie's turn for the worse. The daughter and her male companion, a "friend of the family," arrive at the hospital not a moment too soon. But before that occurs, Maggie has made a shocking deathbed confession which has a profound effect on Philip and the stories he is covering, dealing with porn merchants and illegal immigrant smuggling, not to mention those involved in Maggie's life over the past three decades.

The time jumps are at times a bit confusing, but is perhaps essential to the unfolding of this psychological mystery spun by the author. It is always interesting and unfailingly holds the reader's attention.

First Sentence: East of Ely, above the bone-dry peatfields, a great red dust storm drifts across the moon, throwing an amber shadow on the old cathedral.

It starts with a plane crash resulting in a house fire. One baby dies and another survives.

It progresses to a dying woman, a comatose wife providing occasional clues, includes smuggling of illegal immigrants, pornography, and a WWII bunker.

It all combines into a mystery reporter Philip Dryden feels compelled to solve.

I have rapidly become a fan of Kelly's writing. It takes a touch of work to follow him through the maze of plots and subplots he creates, but it's a very enjoyable journey.

I am thoroughly fascinated with his three main characters; Dryden, the journalist and husband; Laura, his comatose wife; and Humph, Dryden's driver who has a ready supply of airplane-sized liquor bottles and listens to foreign language tapes.

What I most appreciate is the way Kelly takes all the threads of his story and brings you to a dramatic and satisfying place at the end. I am definitely looking forward to continuing with this author.

The story presented in The Fire Baby isn't bad, in fact it bubbles over with all kinds of soapy goodness. Here's where things got funny:

A plane crashed in 1976. The lone survivor is quoted later on in the text, talking about the sound of the helicopter rotors as it went down. After that, it's a plane again.

Humph, our intrepid cabbie, starts out with one daughter, then daughters, then it turns out he's got two girls.

Lyndon is lighting a cigarette lighter in a hospital! That's an explosion waiting to happen.

Alice, the kidnapped woman, is listed as 21 when she's introduced in her scene at the bar. After that, she's referred to as a teen for the rest of the book.

The US Armed Forces haven't used Jeeps since the 1990's and this book is clearly post 9/11.

Edwards AFB is in California, not New Mexico.

On top of the above mentioned goofs, everyone in this book is burping, farting, or consuming alcoholic beverages at an alarming pace. Why does the reader need to know this?

Somewhere, there's an editor that let all of this slide. How sad. This book could have been saved, if only it was given the attention it deserved.

A interesting coincidence occurred the other day. I picked up two seemingly unrelated books at the library and upon reading them I discovered that they shared a "key" plot feature: in each book the protagonist is trying to find the lock that fits a key that has been given by a (dead or incapacitated) family member!

I enjoyed this book quite a bit. Jim Kelly has a wonderful way with words. The story is somewhat sensational and hard-boiled, but what do you expect from a murder mystery?

The other book was "Extremely Loud and Incredibly Close", which I do not recommend.