Master storytellers Robin McKinley and Peter Dickinson, the team behind Water: Tales of Elemental Spirits, collaborate again to create five captivating tales incorporating the element of fire.
In McKinley?s ?First Flight,? a boy and his pet foogit unexpectedly take a dangerous ride on a dragon, and her ?Hellhound? stars a mysterious dog as a key player in an eerie graveyard showdown. Dickinson introduces a young man who must defeat the creature threatening his clan in ?Fireworm,? a slave who saves his village with a fiery magic spell in ?Salamander Man,? and a girl whose new friend, the guardian of a mystical bird, is much older than he appears in ?Phoenix.?
With time periods ranging from prehistoric to present day, and settings as varied as a graveyard, a medieval marketplace and a dragon academy, these stories are sure to intrigue and delight the authors? longtime fans and newcomers alike.
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Grade 8 Up—In this companion to Water (Putnam, 2002), McKinley and Dickinson explore the range of their storytelling abilities. The settings of these five tales range from ancient to modern, but they are all united by encounters with magical creatures with an affinity for fire. In "Phoenix," Ellie's love for forests leads her to Dave and Welly, caretakers of the ancient Phoenix, displaced from its Egyptian home to damp, chilly Britain. "Hellhound" features animal-loving Miri, whose choice of a red-eyed shelter dog proves providential when she must face a malevolent spirit. In "Fireworm," Tandin spirit-walks to defeat the fireworm that threatens his clan, though in doing so he develops empathy for the creature and its mate and distances himself from his people. "Salamander Man" finds orphaned Tib caught up in a bewildering chain of events, which results in him taking the form of a flaming giant to free the salamanders and rid his city of corrupt magicians. "First Flight," the longest piece, deals with Ern, who helps a dragon with a missing eye find its way back into the Flame Space, which dragons use to travel quickly through time and space. All of these individuals learn something about themselves in their encounters with the fire beasts, and all are the better for it in the end. This collection of beautifully crafted tales will find a warm welcome from fans of either author, as well as from fantasy readers in general.—Misti Tidman, Boyd County Public Library, Ashland, KY END
Review
"This collection of beautifully crafted tales will find a warm welcome from fans of either author, as well as from fantasy readers in general." --School Library Journal
"McKinley's fans can only hope that she will return to this world in a future novel." --Kirkus
"The two writers' talents are well matched, creating a volume that's even in tone and quality while introducing novelty with every story opening." --Horn Book
Robin McKinley has won various awards and citations for her writing, including the Newbery Medal for The Hero and the Crown and a Newbery Honor for The Blue Sword. Her other books include Sunshine; the New York Times bestseller Spindle's End; two novel-length retellings of the fairy tale Beauty and the Beast, Beauty and Rose Daughter; and a retelling of the Robin Hood legend, The Outlaws of Sherwood. She lives with her husband, the English writer Peter Dickinson.
It's been the better part of a decade since husband and wife Peter Dickinson and Robin McKinley last teamed up to write Water: Tales of Elemental Spirits. Now they have once again joined forces to produce another collection of short stories, this one focused on fire. Unlike their previous attempt, in which McKinley's efforts clearly outshined Dickinson's, in Fire: Tales of Elemental Spirits, both authors put forward amazing fantasy stories that run the gamut from an eerie ghost story to a heartbreakingly bittersweet prehistoric fable, but all of which share the common thread of fire.
There are five stories in this collection, three by Dickinson and two substantially longer ones by Mckinley:
--Phoenix, by Dickinson, tells the story of an elderly British gamekeeper who discovers a phoenix, and as a result, begins to age backwards. Despite being placed first in the book, and having the best beginning, Phoenix is the weak link of the collection, and has a disappointing and anticlimactic ending. Still, don't get discouraged if you read this tale and find it lacking; the other four stories are significantly better.
--McKinley's Hellhound is a nail-biting account of a young woman and her hellhound who find themselves forced into a confrontation in a haunted graveyard. McKinley's love of animals shines in this story, as the bulk of it takes place at a riding stable, and cats, horses, dogs, and birds are practically everywhere.
--Dickinson's Fireworm is a prehistoric fable about a group of cavedwellers who must fight off their ancient enemy the fireworm. The line between heroes and monsters is completely wiped away, and midway through it's clear that regardless of the outcome, this is going to end in tragedy.... I haven't read all of Dickinson's work, but of what I have read, this is by far the best.
--Salamander Man, also by Dickinson, is a nice story about a young man enslaved to a kindly dealer of magical items. When he suddenly finds himself sold to a magician he's never met, his life takes an unexpected turn. While there is perhaps a bit too much exposition towards the end of the story, this is still a solid and entertaining tale.
--First Flight is the final and longest (at over 100 pages) story in the book. Here, McKinley writes of unlikely hero Ern, an awkward and clumsy young man who prefers to hide in corners rather than be noticed. But when Ern's brother, in training as a dragonrider, comes home livid that a beloved injured dragon has been assigned a task it can't possibly complete, the local wizard suggests Ern accompany his brother back to the training academy. Certain that there is nothing he can do to help, but unwilling to risk defying the wizard, Ern and his pet Sippy head off to the academy to provide what moral support they can.
I'd recommend this book to anyone interested in high quality fiction, and especially encourage anyone who enjoys a good fantasy story (or several good fantasy stories) to read this collection. McKinley and Dickinson both shine, and their stories complement each other wonderfully.Read more ›
McKinley is one of my favorite authors and once again, she and Peter Dickinson have put together a lovely little collection of stories. My only wish would be that she had included a tale of Damar like she did in their book "Water." Oh well - it's still a great book.
I'm surprised at all the glowing reviews for this collection. Both terrific authors in their own right, Robin McKinley and husband Peter Dickinson team up on Fire: Tales of Elemental Spirits to give us five new stories of fantastical worlds. Unfortunately it remains a half-baked collection. Robin McKinley's and Peter Dickinson's Water collection was not perfect but a joy nonetheless, all the stories well crafted and full of interesting surprises. Fire, their latest installment in the projected elementals series, is not as strong. The stories suffer from being under- or overwritten, some confusing plot holes, and in some cases a real lack of cohesion.
The first story is "Phoenix" by Peter Dickinson, in which an elderly man finds a phoenix and interesting things happen as a result. The story didn't particularly grip me but I realize this is more of a personal preference, so I will say it is at least well written. It also touches upon some thought-provoking themes of rebirth, hope, and religion.
In "Hellhound" by Robin McKinley, a teen girl who works on her family horse ranch buys a new dog that is more than he seems. This one was also well written and easy to read. The hellhound was lovable, the family dynamic engaging, and the suspense really nail-biting at times. All in all a strong story.
"Fireworm" by Peter Dickinson was a great premise. A young man in a prehistoric setting must fight off a fireworm that consistently steals the tribe's fire. The collection goes downhill from here. It's not the subject matter; I adore prehistoric fiction, such as Maroo of the Winter Caves and Boy of the Painted Cave. The mythos in this story evoked Native American mythology.... But I didn't much like that the women, even so early on in history, just sat around not doing or saying much of anything; they existed purely as possessions to the men. Surely every member of a prehistoric clan was important to the tribe's survival, yet here all the women do is cook, sit in the cave and wait for the men to barter them off in marriage. More to the point of the story, I didn't have a clear sense of why the fireworm was such a danger to the humans. The whole story hinged on the need to kill the creature, but it never came across as a real threat to their survival.
In "Salamander Man" by Peter Dickinson, a young man is sold to an enigmatic new master and the salamanders (mystical fire beings in this story) have a task for him. I was very invested in this story, in the touching relationship between the boy and his former owner, the strong characterizations. But it was much too short. A whole string of events happens, then the salamanders explain some hefty backstory, and just like that, the tale is over. Love is in the offing in the future, but it means nothing because I never spent enough time with these characters or saw much of their world.
In "First Flight" by Robin McKinley, a young man accompanies his elder brother to the dragon-riding Academy when he learns that his brother's first flight (a rite of passage) may not work due to the dragon's injury. This is the longest story in the book at over 120 pages and it certainly lags in places. The world is enticing but haphazardly sketched, the characters largely peripheral. The only character I thoroughly loved was Sippy, the narrator's little pet dragon. The narrator himself has little backbone as well as severe social anxiety, and his deer-in-headlights behavior does not improve by the end, even when important things are at stake. Much of the really interesting material is told to us via the narrator's rambling style, rendering the tale static and distant. To be fully effective, the story needed either to be fleshed out into a full novel or have all the filler cut and show us the important events in scene. When you feel that any of the characters would have made a better protagonist than the narrator, you know something isn't working for the story.
The first two stories are well written and plotted. Unfortunately there are only five stories; one was over before it started and the remaining two lagged. I hate to be so harsh on this book as I was really looking forward to it. Robin McKinley is one of my favorite authors, and while the only Dickinson I've read so far were his Water stories, I enjoyed those just as much as McKinley's. In this collection, both authors needed to spend more time on their stories. I only hope they manage better in the remaining two books of the elementals series.Read more ›
I thought this was one long novel, but it turns out to be a collection of short stories of which I'm not a big fan. I prefer long novels with a lot of action and character development. But these are nice, interesting, and "sweet" - in an odd way. Good way to familiarize myself with new authors. Not great, but nice. If you like "Stephen King-ish" style stories, this may be for you. But keep in mind these are "short" (and I mean short) stories.
This is a book of short stories by Robin McKinley and her husband Peter Dickinson. She submits four and he submits four. I like her contributions a bit more than his; his are a little darker, as short stories often are. They're still all worth reading. At any rate, I would buy this just to read the McKinley stories. Enjoy!
Phoenix by Peter Dickinson An interesting, rather sweet story about people's lives being touched by the Phoenix.
There's no real conflict in this story, it's more of a build-up to a less-than-dramatic but nonetheless fulfilling conclusion.
Hellhound by Robin McKinley Miri has always seen things just a little bit differently - a horse with a star on its forehead is a unicorn, one with two matching scars on its shoulders is Pegasus, and so on. This doesn't change when she adopts an unusual-looking dog and immediately says that it's a Hellhound. And what if it turns out she's right after all?
This is a fun story - Miri and Flame are both great characters - with a big dramatic climax that sort of wavers in the middle, though it has one of my favorite endings possibly to any fantasy story ever, when people are deciding whether or not they're going to believe what happened.
Fireworm by Peter Dickinson A man saves his tribe from the fireworm by walking in the spirit world.
It just keeps going on and on and on and it's so boring. The story itself might not have been boring, but the way it was told made it so bland and uninteresting that I had a difficult time even finishing it.
Salamander Man by Peter Dickinson A slave is sold to a wizard and then stranger things happen.
Again, the story could have been interesting but for the way it was written. It could be that I just don't care for Dickinson's style.
First Flight by Robin McKinley Eldest son is a dragonrider, second son spiritspeaker, third son wizard.... Luckily for Ern's family, they all gladly take their traditional paths, for all Ern's path to wizardry is through the less-than-respected route of healing. And then something amazing happens.
It's unusual for McKinley to write a story with so few female characters, although to be fair the main nonhuman characters are female. It's a very interesting story with very interesting dragons. Certainly the strongest story in this collection.Read more ›
