From Publishers Weekly
In these two novellas, Cheuse (
The Grandmothers' Club;
Lost and Old Rivers; etc.) dissects the aftermath of two very different deaths: one, of an American businessman traveling in Russia; the other, a mother, jazz pianist and drug addict. In the first novella, The Fires a museum worker named Gina learns that her husband, Paul, died in a car accident while en route to Uzbekistan. Gina travels to Russia to ensure her husband gets cremated, per his wishes, and the foreign, surreal and familiar collide when Gina takes Paul's body to a Hindu ceremony to be cremated. The Exorcism applies much more overt dark humor to similar feelings in a substantially different character. An unnamed baby boomer discusses his sadness following the sudden death of his first wife, renowned jazz pianist Billie Benjamin, who fatally overdosed on heroin. Billie's death hits her daughter, Ceely, hard (she lashes out postcremation by torching a piano at her college), and the narrator's fond recollections of courting Billie are not received warmly by his new wife. Misery is in greater supply than comfort throughout, and Cheuse approaches his subjects from interesting angles, making these novellas of grief strangely compelling.
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Book critic Cheuse, whose resonant commentaries are heard on National Public Radio's All Things Considered, returns to fiction after the essay collection Listening to the Page (2001). Cheuse ignites fire in the mind and in the heart in a pair of tightly written novellas (the dialogue volleys as smoothly as that of a play) that form a yin-yang of grief and healing. In the title story, a woman suffering the debilitating hot flashes of menopause journeys to Uzbekistan to collect the body of her husband, who died in a fiery accident, and finds herself participating in a Hindu cremation. In "The Exorcism," a man struggles with his own conflagration of sorrow after his ex-wife, a brilliant jazz musician, dies of a heroin overdose. He then offers sanctuary to their college-student daughter, whose mourning turns dangerously incendiary. Startlingly beautiful in their searing radiance and molten heat, Cheuse's poetic tales of pain and forgiveness, loss and remembrance stoke our age-old fascination with fire as a force of destruction and renewal. Seaman, Donna