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Fires on the Plain [VHS] (1962)

Eiji Funakoshi , Mantarô Ushio , Kon Ichikawa  |  NR |  VHS Tape
4.5 out of 5 stars  See all reviews (24 customer reviews)


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Product Details

  • Actors: Eiji Funakoshi, Mantarô Ushio, Yoshihiro Hamaguchi, Osamu Takizawa, Mickey Curtis
  • Directors: Kon Ichikawa
  • Writers: Natto Wada, Shohei Ooka
  • Producers: Hiroaki Fujii, Masaichi Nagata
  • Format: Black & White, Letterboxed, NTSC
  • Subtitles: English
  • Rated: NR (Not Rated)
  • Number of tapes: 1
  • Studio: Homevision
  • VHS Release Date: June 6, 2000
  • Run Time: 108 minutes
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (24 customer reviews)
  • ASIN: 6302844282
  • Amazon Best Sellers Rank: #589,230 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Worthy to stand beside Kon Ichikawa's antiwar masterpiece The Burmese Harp, this chilling film focuses intensely on the brutality of war and man's unwavering passion for life. Separated from his unit at the close of World War II, a Japanese soldier encounters death, starvation, and cannibalism in a Philippine jungle.

Customer Reviews

Most Helpful Customer Reviews
35 of 36 people found the following review helpful
5.0 out of 5 stars Descending June 27, 2000
Format:VHS Tape
This is a film about man in extremis. Retreating, defeated batallions of Japanese soldiers in WWII on the island of Leyte in the Phillipines find themselves sinking ineluctably toward barbarism. The wounded, the desperate, the starving--all are paraded before us in Ichikawa's pitiless, sometimes bitterly ironic pageant of man's descent toward his basest impulses. The fires of the plain of the title refer to distant smoke from fires on the horizon that the soldiers see from time to time. The fires are symbols of hope of release from the carnage and despair surrounding the soldiers. The final irony is how fraudulent too this hope turns out to be. All are caught in the web of deceit, of trickery, of brutality that man in his primitive state so easily reverts to. Just about every sacred cow--brotherhood, respect, honor--is refuted. Man is both a figurative and literal cannibal, preying on his fellow soldiers, his friends. The film is harshly realistic yet surreal and nightmarish--barren landscapes of corpses, dung-eating madmen, men crawling like beasts over a trench. Ichikawa's images have a barbaric splendor and dreamlike aura, reinforced by the dissonant, percussive soundtrack with its echoes of Bartok. Not a film for those unwilling to face the extent of man's capacity for monstrosity head on; for others, it's a harrowing, deeply unsettling experience.
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23 of 23 people found the following review helpful
5.0 out of 5 stars Descent into Hell December 3, 2006
Format:VHS Tape
Over 25 years ago, I was watching a Public TV station on a Saturday afternnon in Milwaukke. They were showing a movie called "Fires on the Plain" and I watched it more out of curiosity than intent. Although the picture on my screen was fuzzy, I gradually became mesmerized as I understood what the movie was all about. The film haunted to where I bought and read the book (by the same title) by Shohei Ooka and later his worthwhile book "The Shade of Blossoms". I finally had the chance to see the movie again on IFC and was as impressed as I was the first time. It was a clear picture this time with subtitles.

"Fires on the Plain" tells the story of Tamura, a Japanese soldier in the Philipines in February, 1945; a time when defeat was turning into chaos. We witness the gradual metamorphis from civilized soldier to desperate animal as Tamura searches for a path to hope. It is a disturbing film but it is an educational film as well because of the way it allows us to examine the other side of victory.

I have always been curious about the demise of the defeated sides in WWII. Both fought well past the point of no return and suffered through incredible destruction until only a skeleton of its' empire remained to surrender. What must that have been like to experience? I have read books by Heinrich Boll that have given me something of an idea and other authors have as well. I recently finished an excellent book entitled "Japan at War: An Oral History". The eyewitness accounts of the disintegrating forces in the Philipines and other places fit the descriptions show in "Fires on the Plain". It is a disturbing portrait of a world of near-anarchy where survival is about the only instinct remaining. Truth IS stranger than fiction.
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13 of 14 people found the following review helpful
By Bomojaz
Format:VHS Tape
This excellent movie is a powerful and disturbing depiction of a defeated Japanese army unit on Leyte in 1945 trying to make its way across the island to possible safety. Starvation plagues the men all the way until cannabalism is resorted to. Eiji Funakoshi is magnificent as the emotionless man at the center of all this misery: he has TB and consequently nobody wants to eat him, and when he's finally had enough of this wretchedness he surrenders in order to get something to eat - and is gunned down. Although graphically horrifying, it's not exploitive; in fact, there is something almost dignified about these men caught up in a living hell. Our attention is riveted on Funakoshi and his quiet, distant, yet intense portrayal of a man trying to hold his humanity together in a piece, and at the same time somehow survive. More than an anit-war movie, it's more about surviving hell when the fire's going full blast and there's no way out. It's the kind of "grace under pressure" that Hemingway couldn't imagine in his worst nightmare. A magnificent and unforgettable movie.
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12 of 13 people found the following review helpful
5.0 out of 5 stars The Brutal And Nightmarish Hell Of War! December 16, 2006
Format:VHS Tape
"Fires on the Plain" is not a film you forget once you've viewed this descent into madness and hell: And the nature of man's primal instincts that befall a group of Japanese soldiers on the island of Leyte in the Phillipines. The year is 1945, and Japan has been for all intents and purposes defeated. The soldiers that do remain in the Pacific Theatre have been cut off from any and all resupply by the once, but no longer, powerful Japanese Imperial Navy. In the Phillipines, the Japanese Imperial Army has been reduced to nothing more than a ragtag army hiding out in the jungles. One of them is Private Tamura (Eiji Funakoshi).

This is more than an anti-war film, it is a film of survival in defeat, and the primal nature of man to survive. Directed by Kon Ichikawa, one of the first scenes depicted is the vicious slapping of Private Tamura by one of his superiors. His crime? For having the audacity to return to his unit. You see Private Tamura is suffering from tuberculosis; as are many other soldiers; and his superior is angry that the private can no longer fend for himself; and instead must rely on his fellow soldiers who can barely fend for themselves. The unit is suffering from a shortage of food, and it's difficult enough for them to find food for themselves, let alone a weakened soldier.

The superior sends him back to the hospital with a few potatoes: and also in his possession is a hand grenade to kill himself with when he can no longer continue. Tamura constantly struggles with this: should I live, or die? However, when Tamura arrives at the hospital, he is refused: Only those near death are allowed in this hospital. Tamura must make a choice, unwanted in his own unit, and not allowed in the hospital, what is he to do?
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Most Recent Customer Reviews
5.0 out of 5 stars great foreign war film
Demonstrates the hopeless and helpless side of a war. You witness human depravity in circumstances beyond belief. This film must be viewed by anyone with an antiwar bent.
Published 11 months ago by Robert Rayno
5.0 out of 5 stars If you enjoy long black and white movies...
Then this is one for you. I enjoy japanese movies...most have great stories, a plot and take TIME to develop. Some would say SLOW. Read more
Published 17 months ago by Joseph C. Martinak
5.0 out of 5 stars A Masterpiece of Japanese Cinema
The names of Japanese directors that most Americans first come up with are Kurosawa and Ozu. Kon Ichikawa should be added to that list - his Fires on the Plain and The Burmese Harp... Read more
Published 19 months ago by Harry O
4.0 out of 5 stars Sick Soldier
Many people talk about the realism of Ichikawa Kon's anti-war film "Fire on the Plains" (A poetic translation of Japanese title "Nobi," meaning the burning off of fields during... Read more
Published on November 3, 2011 by Zack Davisson
4.0 out of 5 stars Good account of war from Japanese perspective
I've had this DVD about 3 years and this is my third viewing. It usually takes that many times before I completely appreciate and understand a film. Read more
Published on July 8, 2011 by Laird M. Wilcox
4.0 out of 5 stars Good
The film subtly takes digs at the American enemy, who would later occupy the Japanese homeland. It portrays the Americans as unable to stop Filipino guerilla retribution on the... Read more
Published on August 25, 2010 by Cosmoetica
5.0 out of 5 stars Maybe this is too real...
Maybe this is `Asia Film Friday' for me (when my last two reviews are posted you'll know what I mean) but I've been thinking about reviewing `Nobi' (better known as `Fires on the... Read more
Published on December 4, 2009 by Andrew Ellington
5.0 out of 5 stars A view of war as bleak and uncompromising as any
My first viewing of an Ichikawa film in many years, and the first of his war films that I've seen, this was gripping and brutal from the very get-go. Read more
Published on October 6, 2009 by Muzzlehatch
5.0 out of 5 stars A back drop of Absurdity..And the truth shall set you Free!
As a Nam vet, I bought this film to broaden my outlook on the Vets mind and see it I could not make some since of my personal experiences. This movie did that for me. Read more
Published on February 9, 2009 by John R. Hunt Sr.
5.0 out of 5 stars 4 stars out of 4
The Bottom Line:

A harrowing and extremely well-made war movie, Fires on the Plain doesn't flinch when showing how bad it can be when you're on the losing end of the... Read more
Published on February 5, 2009 by One-Line Film Reviews
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