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The First Four Books of Poems
 
 
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The First Four Books of Poems [Paperback]

W.S. Merwin (Author)
5.0 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

April 1, 2000

Half Roundel

I make no prayer
For the spoilt season,
The weed of Eden.
I make no prayer.
Save us the green
In the weed of time.

Now is November;
In night uneasy
Nothing I say.
I make no prayer.
Save us from the water
That washes us away.

What do I ponder?
All smiled disguise,
Lights in cold places,
I make no prayer.
Save us from air
That wears us loosely.

The leaf of summer
To cold has come
In little time.
I make no prayer.
From earth deliver
And the dark therein.

Now is no whisper
Through all the living.
I speak to nothing.
I make no prayer.
Save us from fire
Consuming up and down.

Evening with Lee Shore and Cliffs

Sea-shimmer, faint haze, and far out a bird
Dipping for flies or fish. Then, when over
That wide silk suddenly the shadow
Spread skating, who turned with a shiver
High in the rocks? And knew, then only, the waves'
Layering patience: how they would follow after,
After, dogged as sleep, to his inland
Dreams, oh beyond the one lamb that cried
In the olives, past the pines' derision. And heard
Behind him not the sea's gaiety but its laughter.

The Fishermen

When you think how big their feet are in black rubber
And it slippery underfoot always, it is clever
How they thread and manage among the sprawled nets, lines,
Hooks, spidery cages with small entrances.
But they are used to it. We do not know their names.
They know our needs, and live by them, lending them wiles
And beguilements we could never have fashioned for them;
They carry the ends of our hungers out to drop them
To wait swaying in a dark place we could never have chosen.
By motions we have never learned they feed us.
We lay wreaths on the sea when it has drowned them.


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Editorial Reviews

From Publishers Weekly

Forty years of producing highly reliable renderings of French and Spanish poetry and drama have culminated in what is bound to be hailed as Merwin's grandest translational accomplishment. Following on the heels of last year's The River Sound and the verse-novel The Folding Cliffs comes this deft and smooth interpretation of Dante's "second kingdom in which the human spirit is made clean/ and becomes worthy to ascend to Heaven." It is only fitting that a poet so absorbed in environmental concerns engage this most earthen section of the Commedia, with its suffering characters and unkind landscape bringing into view sharpened images of ancient and medieval political, moral and erotic life. At the book's center, love's visionary force is revealed in the simplest declarative tone: "Neither Creator nor creature ever," Virgil instructs the wandering pilgrim, "was without love, my son, whether/ natural or of the mind, and you know this." Virgil's steady tutelage reaches its pinnacle in canto 22, where Statius quotes his messianic eclogue and Dante-as-poet absorbs lessons about writing poetry by overhearing their talk. Soon after his guide's dramatic departure, Dante's focus on nature gives way to the transcendent Beatrice. At its best, Merwin's characteristically open-ended syntax allows him to capture the charged encounter's troubling, if not terribly visceral, effects: "so I broke under that heavy burden,/ with tears and sighs out of me pouring,/ and my voice collapsed as it was leaving." This translation is something of a companion volume to Robert Pinsky's Inferno in the many ways it supercedes in elegance those of Singleton and Sinclair, which had been the last century's standards. (Apr.) FYI: Also in April, Copper Canyon will issue The First Four Books of Poems by Merwin, which includes his 1952 Yale Younger Poets volume, A Mask for Janus ($16 256p ISBN 1-55659-139-X).

Copyright 2000 Cahners Business Information, Inc.

From Library Journal

Guess what's included in this book? Seriously, this volume combines A Mask for Janus (1952), The Dancing Bears (1954), Green with Beasts (1956), and The Drunk in the Furnace (1960). At roughly $4 per book, this is a true bargain.
Copyright 2000 Reed Business Information, Inc.

Product Details

  • Paperback: 256 pages
  • Publisher: Copper Canyon Press (April 1, 2000)
  • Language: English
  • ISBN-10: 155659139X
  • ISBN-13: 978-1556591396
  • Product Dimensions: 9 x 6 x 0.9 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #314,230 in Books (See Top 100 in Books)

More About the Author

W.S. Merwin is the 17th Poet Laureate Consultant in Poetry of the United States. He is the author of over fifty books of poetry, prose, and translations. He has earned every major literary prize, most recently the National Book Award for 'Migration: New and Selected Poems' and the 2009 Pulitzer Prize for Poetry for 'The Shadow of Sirius.' He lives in Hawaii where he raises endangered palm trees.

 

Customer Reviews

3 Reviews
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Average Customer Review
5.0 out of 5 stars (3 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

9 of 11 people found the following review helpful:
5.0 out of 5 stars Hard to read for the uninitiated, July 1, 2003
By 
Adam Chen (Mercer Island, WA USA) - See all my reviews
(REAL NAME)   
This review is from: The First Four Books of Poems (Paperback)
This is very hard to get into unless you're familiar with Merwin's more contemporary works.

In this volume of his first four poetry books, he explores themes familiar to us all: love, animals, folk tales, themes in nature, rivers, and death.

His poems are almost all uniquely consistent with the same voice; there is none of the rising up and swelling of other poets, no rhythm to speak of, and one gets the hint that Merwin should've been writing without punctuation at all from the very beginning. He startles you on occassion with his unique insights (White Goat, White Rain) and his great sense of being there in the moment.

I think if you like his contemporary poems, then you should try to read this. They're kinda hard to get into. But otherwise a great showing from a great master.

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4 of 4 people found the following review helpful:
5.0 out of 5 stars Golden!, February 7, 2008
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This review is from: The First Four Books of Poems (Paperback)
One of the greatest books compiled in poetry, Merwin's First Four includes what I believe is one of our most special manuscripts, and that special one would be The Dancing Bears. If you are at all interested in poetry, this is where you should start if you would like a guideline for good taste and well honed syntax. Merwin represents the naturalist and the philosopher as much as Walt Whitman did but with less flare. This stuff is not as formal as some would have you believe, and it is home to some of his best poetry, including more than one of many anthology poems. Do not be scared to purchase.

Mystical, inspiring, and it's a shame he would win the pulitzer with The Carrier Of Ladders, from the second four, because it is not nearly as well written, meaningful, nor structured or progressive. While the poetry varies much of it takes an esoteric and unified outlook on living using nature and ideas to explain why things on earth seem so absurd, and it grants these moments a warmth that few poets possess.

Poets used to be in the forefront of society, and now that we are all but shadows, time will have its day o'er night, fortress of the star a gift we hold bright, blinded is the fool that wrings to wash, words are but ornaments as delicate frost, serration of all spirit and doom, ragnorak instilled in Shiva's surreptitious tomb, reborn in rainbow spectrums and the swift motion of a cipher's axe, tremble tremble at the foot of Merwin's white meadow intact, poiesis for this celebration cerebral, dancing through perdition in contumelious rewrites, belly-up bears are bouncing dusk and bountiful twilight.
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2 of 3 people found the following review helpful:
5.0 out of 5 stars Amazing book, May 6, 2009
This review is from: The First Four Books of Poems (Paperback)
This book is absolutely amazing. I love Merwin so much now. Almost every poem feels like he is talking directly to me or about me in some way. It is everything I would like to say as a poet but dont have the experience to reach this level of genius.
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First Sentence:
Then we poised, in time's fullness brought Read the first page
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