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The First Law (Dismas Hardy Series) [Audiobook, MP3 Audio, Unabridged] [MP3 CD]

John Lescroart (Author), Robert Lawrence (Reader)
3.1 out of 5 stars  See all reviews (27 customer reviews)


Out of Print--Limited Availability.


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Book Description

Dismas Hardy Series June 10, 2004
At last recovered from a near-fatal gunshot wound, Lieutenant Abe Glitsky is back at work. But instead of returning to his old job as chief of homicide detail, he’s assigned a desk job in the payroll department, where he has no business investigating murders – until his father’s closest friend is shot dead in a downtown pawn shop. Glitsky asks the new homicide lieutenant about the case, but the brass tells him to stay out of it. Guided by the Patrol Special - a private police force supervised by the SFPD that is a holdover from San Francisco's vigilante past - the police have already targeted their prime suspect: John Holiday, proprietor of a run-down local bar, and a friend and client of Dismas Hardy. Hardy has ample reason to doubt both his client’s guilt and the evidence conveniently stacked against him. Hardy turns to Glitsky for help, but when Holiday is implicated in the grisly killings of two more men, their pleas fall on hostile ears. To avoid arrest, Holiday turns fugitive, and the police believe three things: that Hardy’s a liar protecting Holiday, that Holiday is a cold-blooded killer, and that Glitsky’s a bad cop on the wrong side of the law. And as the deadly pursuit for a murderer intensifies, Hardy, Glitsky, and even their families are directly threatened by the forces that want to see Holiday brought down. Cut off from the system that they both served, denied justice from the corridors of power, and increasingly isolated at every turn, Hardy and Glitsky face their darkest hour. For when the law that is meant to shield and protect those closest to them fails, they must look to another, more primal law in order to survive…

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Editorial Reviews

Amazon.com Review

One of mystery fiction's most enduring and affecting male buddy teams--San Francisco defense attorney Dismas Hardy and police lieutenant Abe Glitsky--are back in Lescroart's newest thriller. Glitsky's been kicked upstairs (or sideways) to a desk job and warned off his usual homicide beat even though it's his father's best friend who's been murdered in a robbery-slaying, and it's Hardy's pal and client, John Holiday, who's been targeted as the killer. When two more killings follow, no one in the department believes that Hardy's client was set up. They don't believe Abe, either--the harder he tries to get at the truth, the more his ex-colleagues are convinced that he's a rogue cop who wants his old job back and will stoop to anything to get it. They got that idea from the well-bribed police brass who are protecting the real killers from prosecution and putting Abe and Dismas's nearest and dearest in their cross-hairs, too. But that's not quite enough to call our heroes off the case, even though the talented author manages to maintain the tension and ratchet up the suspense long enough to make the reader wonder. --Jane Adams --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

Abe Glitsky, the gruff, hard-nosed homicide cop from San Francisco who typically plays a supporting role in Lescroart's line of legal thrillers (Hard Evidence; The Hearing; etc.), takes center stage in the series's 11th entry. After convalescing for 13 months from a gunshot wound suffered in last year's The Oath, Glitsky finally returns to the force, only to discover that his beloved homicide detail is now under the command of someone else. Glitsky is assigned to head the payroll department. Embittered about his new job and itching to return to real police work, Glitsky starts poking around when one of his father's friends, a pawnshop owner, is shot to death. His superiors warn him to stop trying to horn his way back into homicide, but it soon becomes apparent to Glitsky-and the series's usual star, defense attorney Dismas Hardy-that the case is far more significant than a simple robbery gone bad; it's part of a string of murders that appear to be connected to a private security company that provides protection for much of the city's business community. Worse, somebody on the police force is trying to cover up the murder spree and frame one of Hardy's clients for it. With his latest, Lescroart again lands in the top tier of crime fiction. On display are his usual strengths-a grasp of current social and legal issues, an insider's knowledge of San Francisco and an ability to draw characters with sensitive, nuanced strokes. Even when his plots grow a little far-fetched-as this one does toward the end-Lescroart's storytelling skills conceal the blemishes.
Copyright 2003 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • MP3 CD
  • Publisher: Brilliance Audio on MP3-CD Lib Ed; Library edition (June 10, 2004)
  • Language: English
  • ISBN-10: 1593354460
  • ISBN-13: 978-1593354466
  • Product Dimensions: 7.5 x 5.3 x 0.6 inches
  • Shipping Weight: 3.2 ounces
  • Average Customer Review: 3.1 out of 5 stars  See all reviews (27 customer reviews)

More About the Author

John Lescroart (pronounced "less-kwah") is a big believer in hard work and single-minded dedication, although he'll acknowledge that a little luck never hurts. Now a New York Times bestselling author whose books have been translated into 16 languages in more than 75 countries, John wrote his first novel in college and the second one a year after he graduated from Cal Berkeley in 1970

The only hitch was that he didn't even try to publish either of these books until fourteen years later, when finally, at his wife Lisa's urging, he submitted Son of Holmes to New York publishers--and got two offers, one in hardcover, within six weeks!

But about six years before that first hardcover publication, John's ambition to become a working novelist began to take shape. At that time, as Johnny Capo of Johnny Capo and His Real Good Band, he'd been performing his own songs for several years at clubs and saloons in the San Francisco Bay Area. On his 30th birthday, figuring that if he hadn't made it in music by then, he never would, he retired from the music business.

He'd been writing all along, and didn't stop now, although his emphasis changed from music first, prose second, to the other way around. Within two months of his last musical gig, he finished a novel, Sunburn that drew on his experiences in Spain. Since John didn't know anyone in the publishing world, he sent the manuscript to his old high school English teacher, who was not enthusiastic. Fortunately, the teacher left the pages on his bedside table, and his wife picked them up and read them. She loved the book and submitted it in John's name to The Joseph Henry Jackson Award, given yearly by the San Francisco Foundation for Best Novel by a California author. Much to John's astonishment, SUNBURN beat out 280 other entrants, including Interview With A Vampire, for the prize.

Though Sunburn wasn't to be published for another four years, and then only in paperback, the award changed John's approach to writing. He started to think he might make a living as an author, something he'd never previously believed possible for a "regular guy with no connections." He started paying for his writing habit by working a succession of "day jobs"--everything from a computer programmer with the telephone company, to Ad Director of Guitar Player Magazine, to moving man, house painter, bartender (at the real Little Shamrock bar in San Francisco), legal secretary, fundraising executive, and management consultant writing briefs on coal transportation for the Interstate Commerce Commission!!

John moved to Los Angeles and in the next three years finished three long novels, the last of them featuring a private investigator who shared the name Dismas Hardy (and very little else) with the man who would become John's well-known attorney/hero. Since he'd gotten Sunburn published without using a literary agent (an old friend had shown it to a secretary at Pinnacle Books in Los Angeles, who bought it), John went on submitting his work to New York over the transom, receiving many kind rejection letters, but no offers. Finally he realized that even if he wasn't fated to become a commercially successful author, he wanted to be involved in books and literature. So he enrolled in the Masters Program in Creative Writing at the University of Massachusetts at Amherst.

It was not to be.

While John and his wife, Lisa Sawyer, were preparing that summer to move to New England, he was paying bills by typing technical papers on coal transportation for a consulting firm. Asked by the boss what he thought of the paper, John commented that the argument it made wasn't very compelling and that it wasn't very well-written. His boss challenged him: could he do it any better? In a week, John re-wrote the 400-page draft, which went on to win before the ICC. This led to a "day job" offer that John couldn't refuse. Graduate school fell by the wayside.

But after a year and a half, even a lucrative day job had become a burden. Nothing would do for John by now but to write, but he had little time for writing with his high-paying, career-oriented job. Lisa suggested taking a look at some of the old manuscripts and submitting them--she remembered reading and liking Son of Holmes. How about that one? There was one 14-year-old yellowed and brittle copy of the manuscript left in the world--in the basement of their best man, Don Matheson's, apartment. Six weeks later, John had his first hardcover book deal.

Over the next seven years, back in Los Angeles again, John and Lisa were finally ready to start their family. During this time, John wrote several screenplays and published three more books while he held down a job as a word processing supervisor at a downtown law firm. He rose each day at 5:30 and went to a room they'd built in their garage, where he wrote four pages of his latest in two hours. Then he worked his nine-to-five, ate a bag lunch, and stayed downtown, typing briefs and pleadings at various other law firms until 10:00 or 11:00 at night.

Finally he was publishing, but he wasn't making a living. And then in 1989, at the age of forty-one, he took a break to go body-surfing at Seal Beach. The next day, he lay in a Pasadena hospital. From the contaminated sea water where he'd been surfing, he'd contracted spinal meningitis. Doctors gave him two hours to live.

John now looks back on his 11-day battle with death as the turning point in his career. He quit the last of his day jobs to move back to Northern California and to write full-time, with intense focus and a renewed dedication. The resulting books, richer in terms of theme and story, found a devoted readership and propelled him into the elite circle of bestselling authors--only twenty years to overnight success!

 

Customer Reviews

27 Reviews
5 star:
 (3)
4 star:
 (8)
3 star:
 (7)
2 star:
 (6)
1 star:
 (3)
 
 
 
 
 
Average Customer Review
3.1 out of 5 stars (27 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

13 of 14 people found the following review helpful:
4.0 out of 5 stars Murder and mayhem in San Francisco., April 24, 2003
In John Lescroart's new thriller, "The First Law," San Francisco resembles the Wild West. A corrupt and malicious individual named Wade Panos wields tremendous political power. Panos and his gang rob and murder whomever they please with impunity, and the police either cannot or will not stop them.

Abe Glitsky, a veteran detective, has been moved out of homicide and into the payroll department of the police force, much to his chagrin. However, when Sam Silverman, an elderly friend of Abe's father, is robbed and murdered, Abe takes a look at the case. Much to his surprise, Abe is stymied in his inquiries at every turn; it soon becomes clear that his colleagues on the force do not want Abe interfering in their investigation. To make matters worse, Abe's good friend, Dismas Hardy, represents a man who is being framed for killing Sam. As Abe and Dismas continue to challenge Wade Panos, dead bodies begin piling up and it becomes clear that if Dismas and Abe do not back off, they may be risking their lives.

I love the characters of Dismas Hardy and Abe Glitsky. They are macho and sensitive as well as intelligent and compassionate. I admit that the plot of "The First Law" is a bit far-fetched. It is difficult to believe that such lawlessness would prevail in a city as cosmopolitan as San Francisco. However, Lescroart makes the point that evil people with no conscience do exist. If normally law-abiding citizens are to fight such individuals, they sometimes have to act in unorthodox ways in order to survive.

At four hundred pages, "The First Law" is a bit too long. However, the plot and the dialogue are lively and compelling and the characters are nicely drawn. Lescroart maintains a high level of suspense and excitement until "The First Law" reaches its dramatic and action-packed conclusion.

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5 of 5 people found the following review helpful:
2.0 out of 5 stars Weak addition to series, January 11, 2007
By 
JoeV "Reader" (Arlington Hts, IL) - See all my reviews
(VINE VOICE)   
This series tracking Dismas Hardy, (attorney), and his good friend Abe Glitsky, (San Francisco Homicide Detective), has gone through some changes, both in the characters' lives as well as the narrative perspective, i.e. Dismas vs. Abe. But on the whole it has been solid - usually with our two protagonists facing an impossible situation, (heavy-handed politics, seemingly insurmountable evidence stacked against an innocent client, etc.), but who prevail at the end against all odds. The plot is no different here - Abe and Dismas find themselves battling police corruption/incompetence while dealing with personal threats to both family and friends - with a crooked and evil, (and of course wealthy), businessman at the center of this web. What is bizarre is that the solution to this crusade is given away in the first two pages of this not so small book - with the rest being a chronicle of how bad these bad guys can be, (they even shoot Bambi from a helicopter), while poor Abe and Dismas "pursue" all available options until they are simply "forced" to act on their own. Excitement, tension, subtlety are all absent in this one and if there was a point - I missed it. Pass on this one.
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5 of 5 people found the following review helpful:
4.0 out of 5 stars A welcome first exposure to Lescroart, September 29, 2004
I picked up a copy The First Law in an airport bookstore when faced with an unexpected flight delay. I had not read any of Lescroart's other works and did not know what to expect. The storyline was intriguing, effectively bouncing back between the present and the past while building to the final scenes in the book. Character development was solid, although I suspect that the book would have been better is I was more familiar with some of the characters that clearly had been part of Lescroart's previous works. The First Law was not spectacular but it was definitely good enough that I will be back to sample more of Lescroart's works.
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