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First Light [Paperback]

Rebecca Stead (Author)
4.1 out of 5 stars  See all reviews (22 customer reviews)

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Book Description

10 and up5 and up
PETER IS THRILLED to leave New York City to accompany his parents on an expedition to Greenland to study global warming. There he has visions of things that should be too far away for him to see.

Generations ago, the people of Thea’s community were hunted for possessing unusual abilities, so they fled beneath the ice. Thea needs help that only Peter can give. Their meeting reveals secrets of both their pasts, and changes the future for them both forever.

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Editorial Reviews

From Booklist

The father of 12-year-old Peter is a glaciologist, his mother, a genetic scientist. Peter is thrilled when his father decides to take the family on his latest excursion to Greenland to study the effects of global warming. Fourteen-year-old Thea lives in a secret society called Gracehope under the Greenland ice. After finding a map that leads her to the surface, she becomes obsessed with seeing the sun and bringing her people back above ground. Peter and Thea accidentally meet on the surface and discover, through a secret kept by Peter's mother, that their destinies are unexpectedly joined. This debut novel is slow to start, and Stead's world building isn't quite convincing. There are some gaps in Gracehope's invented mythology, and the motivations behind the creation of the underground utopia are vague and simplistic. But the icy setting and global-warming theme are well realized, and middle-school fans of Neil Shusterman's Downsiders (2000) and Jeanne DuPrau's Books of Ember will also enjoy this solid, well-meaning fantasy. Jennifer Hubert
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

Review

“Peter and Thea are vividly realized. . . . Gracehope itself is sketched with sure strokes, its icy setting and its matriarchal social structure fresh and believable.”—The Horn Book Magazine

“Stead’s debut novel rests on an intriguing premise. . . . It is a testament to the storytelling that the existence of this parallel world and the convergence of Peter and Thea’s stories, told in separate chapters, are both credible and absorbing. Young readers will find this a journey worth taking.”—Publishers Weekly

Product Details

  • Reading level: Ages 10 and up
  • Paperback: 336 pages
  • Publisher: Yearling; Reprint edition (October 14, 2008)
  • Language: English
  • ISBN-10: 0440422221
  • ISBN-13: 978-0440422228
  • Product Dimensions: 5.4 x 0.8 x 7.7 inches
  • Shipping Weight: 8.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (22 customer reviews)
  • Amazon Best Sellers Rank: #371,307 in Books (See Top 100 in Books)

More About the Author

've been on the lookout for magic for as long as I can remember. When I was young, I regularly tested myself to see whether my incipient magical powers had arrived. For some reason I can't now remember, the test itself was always the same: I would close my eyes and attempt to conjure a tiny swimming pool (the ultimate wish for a city kid, perhaps). I imagined that the pool would have a bright blue liner and a twisty slide about the right size for a baby gerbil. I was a strange kid-or at least one who was open to the world's possibilities.

As I got older, I performed the swimming-pool test less and less often. Meanwhile, I read more and more books. I was accepting what wasn't possible and learning at the same time what was.

Books were portals for me. I loved to read them, but hated to talk about them with anyone. The truth is that I hated to acknowledge that other people had read them, that they had walked through those same doors, met those same people, ridden those same dragons, and afterward sat down at those same tables and eaten those same snacks. It was, for me, a terrible violation of privacy.

Like so many passionate readers, I decided to try to write a book of my own-to open one of those magical doors myself. It turned out to be very hard. The door did not spring open at my touch the way I'd secretly hoped it would. The knob was greasy and the frame had swelled in the heat. But as I struggled with it, I caught a few glimpses of what was on the other side-snow, and dogs, and people flying by on ice skates. And those images kept me from giving up.

The wonderful thing about writing fiction is that you can be inspired by the real world without being limited by its facts. You are allowed to imagine and embellish (particularly when one of your main characters inhabits an invented world of ice). I decided that my story took place in Greenland, where dog sledding is part of everyday life, and suddenly I had a cast of dogs. I discovered that a glacier could conceal a freshwater lake. I read about fireflies and learned that their light is triggered by oxygen. A glaciologist told me how to scare a polar bear with a flare gun, and why he loved his bread maker. And then I made a few things up.

With help from several people, I got that first door open. Now I'm standing in front of another one. This time it's locked, and the bolt feels a little bit rusty. But if you need to find me, that's where I'll be.

 

Customer Reviews

22 Reviews
5 star:
 (10)
4 star:
 (7)
3 star:
 (4)
2 star:    (0)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.1 out of 5 stars (22 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

14 of 16 people found the following review helpful:
5.0 out of 5 stars A Great Mix of Adventure & Science, March 9, 2008
This review is from: First Light (Hardcover)
First Light was hard for me to put down. Peter Solemn's world is rocked in the very first chapter when his father, a glaciologist, announces the family is going on a research trip to Greenland. Two chapters later, we meet a second main character, Thea, who lives under the arctic ice in a society created generations ago by a group of people fleeing persecution in Europe.

What I loved most about this book was that it plunged me into not just one, but two fascinating new worlds. Greenland itself really qualifies as an alien landscape of sorts, and Stead's rich details bring it to life. (Is there really a Volkswagon Road there where the company tests new models? So cool!) Thea's world beneath the ice is painted vividly as well with terrific techno-details about the innovations of that new society called Gracehope. I've added Gracehope to the list of imaginary places (along with Hogwarts and Narnia) that I long to visit some day.

I'm not giving too much away if I share that Peter and Thea cross paths along the way. Their stories intertwine in ways that are surprising but perfect and believable at the same time. First Light is a great read -- a fantastic mix of science fiction and adventure with plenty of real science mixed in, too. Teachers looking for titles to integrate with earth science and environmental units will especially love this one.
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8 of 10 people found the following review helpful:
4.0 out of 5 stars Could it happen?, October 10, 2007
This review is from: First Light (Hardcover)
First Light by Rebecca Stead is told by two narrators. The first, Peter, is the son of a glaciologist and a genetic scientist. He is thrilled when his parents decide to take him on an expedition to Greenland, where they will be studying different aspects of glacier ice caps and the effects of global warming. Thea, the other narrator, lives in a city underneath the ice in Greenland, called Gracehope. Thea and Peter meet accidentally and without warning, the two worlds collide in what could be disaster.

The novel was a bit slow in the beginning, but picked up in pace and excitement towards the middle. The was very reminiscent of Jeanne DuPrau's City of Ember books, though I almost liked the setting in First Light better. It has been said that people can really survive surrounded by ice...so who knows if there really is a Gracehope out there! :-)

I was a little disappointed in this title, though I very much enjoyed it...it just wasn't quite as fabulous as everyone has said. I think that's why I would much rather read a book before so many other people get their hands on it, that way my view isn't skewed and I don't get my expectations too high! At any rate, I still enjoyed the book, it was well written and I look forward to seeing other works from this author.
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7 of 10 people found the following review helpful:
4.0 out of 5 stars All we are is another brick in the wall, October 20, 2007
This review is from: First Light (Hardcover)
Sometimes I stop myself in the middle of the day and think random thoughts. Thoughts like, "Why am I so freaked out by pigeons with deformed feet?" or, "Is there a logical reason why grass never became a delicacy?" and even, "Did I like science fiction as a child?" That last question pops up more than the others, maybe because it's worth pondering from a contemporary marketing/librarian standpoint. The conventional wisdom will tell you that science fiction for kids doesn't sell. Of course, dig a little deeper beneath that statement and you'll find exceptions to the rule. Bruce Coville's My Teacher Is an Alien series, Madeline L'Engle's A Wrinkle in Time or The City of Ember by Jeanne DuPrau all come to mind. DuPrau's book is the best example of a successful science fiction novel (what with the movie and all) and it seems appropriate to mention it in terms of the most recent title I just read. "First Light" by Rebecca Stead is a meticulous melding of science fiction, ecological fact, and crisp storytelling. Melding global warming and DNA, and set against a magnificently chilly backdrop, Stead creates a cohesive, gripping story without allowing her book to fall apart into incomprehensible goo.

Two kids. Two lives. First of all you have Peter. He's happy enough living in New York City, but when his dad informs the family that they're taking some months off to join him on his expedition to Greenland, the kid is seriously excited. It's a pity that he's been getting these headaches though. They're not serious or anything, but once in a while Peter finds that if he looks at something far away he can suddenly zoom in on it like there's a telescope inside of his eyes. That problem has nothing on Thea's, though. Thea lives in Gracehope, a civilization of ice, skating, and dogs. Her home is in the center of a glacier and it is there that her people have survived for hundreds of years, purposefully hiding from the outside world. Thea is convinced that there must be a way out of Gracehope since the population is booming and supplies are running low. Unfortunately, her grandmother (and ruler of Gracehope) forbids any research into the matter. Yet soon enough Thea takes a chance and runs into Peter, leading to the discovery that their lives and pasts are oddly and inexorably linked.

Quite frankly, I just liked the writing. It's interesting and to the point without forgetting to get a little descriptive now and again. For example, when Peter considers his father's experience in the Arctic as opposed to his scholarly methodical university self, it occurs to the kid that being the son of such a man, "was a little like living with Clark Kent but never once getting to meet Superman." Larger overarching themes are treated with a similarly deft hand. I liked Stead's handling of Peter's mother's depression. It's a difficult topic, and it would be all too easy to turn his mom into a villain when she's not feeling well. Instead, you have the distinct sense that she really can't help getting whapped with a bad bout once in a while. In terms of readability, "First Light" will not bore your average middle grade child reader. It has a firm enough grasp on its own private world to convince you that what happens in Gracehope could happen anywhere.

I do not write fiction, but if I were to hazard a guess at what it is like to write a work of science-fiction as opposed to a work of fantasy, I would have to suspect that science-fiction was the harder row to hoe. After all, you need to place your world firmly in fact, and that means research. In Ms. Stead's case it would have meant the research of the Arctic, DNA, ice, global warming, and who knows what else. Little throw away lines like, "It was against the law to bring dogs into Greenland - the Inuit wanted to keep their breed pure..." smack of the truth. Ditto the rumor that hidden somewhere in Greenland is, "a road on the ice cap built in secret by Volkswagen as a private test site for new cars." Sometimes convincing your reader that they're in another world requires a realistic infusion of real facts. Lose your details, lose your readers. That's why Peter's superhuman abilities that emerge throughout the book don't become superfluous. Not only does Stead ground them in fact but she also works them into an overriding theme concerning Peter's mother's job.

And can I say how much of a relief it was to meet a character like Jonas in this book? Jonas is Peter's father's research assistant and is part-Inuit. Were Stead a different writer she might have used this character to launch into a whole taking-care-of-the-Earth slash Indian-way-of-life kind of didactic poppycock. She would have made Jonas a symbol rather than a person. To her infinite credit, however, Jonas is none of those things. He is capable and interesting, but his purpose in this book is to act as a person that Peter can talk to when he can't talk to his parents rather than some kind of fount of infinite wisdom.

There were a couple problems here and there, of course. For example, I did feel that there was some difficulty in this book when it came to separating names of characters. Particularly characters of the dog-like persuasion. In Gracehope the dogs, or Chikchu, are special companions to the humans. Each person is assigned their own dog, which is fine and all but because Thea is constantly working with a bunch of different animals it can get very confusing parsing one canine from another. To a certain extent, this was applicable to the adults living in Gracehope as well. I don't know if it was that their names weren't distinct enough or what, but sometimes I had a hard time remembering who was who. A name chart at the beginning or end of the book would not have been out of place. Some reviewers have also criticized the mythology surrounding Gracehope's origins. Though a little foggy, I bought into the idea that a persecuted people might be able to found a new land with some ingenuity here and there. Maybe the actual details were sketchy, but once you're in Gracehope you're convinced that it could work the way Stead says (though certainly the issue of indoor plumbing is never really addressed). For my part, I wasn't altogether persuaded that someone from the past, however gifted they might have been, would have cracked the secret of DNA. Stead asks you to make a leap or two in the course of the book, but these are never leaps that distract entirely from the central theme, characters, or plot.

Certainly this is the book to pull out and recommend when you get kids screaming for more books like "City of Ember". The two titles are vastly different in tone and methodology, but they share some surface similarities. Both books involve cities under the surface of the Earth where a boy and a girl are desirous of some upward mobility (sorry, I couldn't resist). Both involve civilizations that over the course of generations have forgotten that they are temporary situations. Stead's book doesn't naturally lend itself to sequels, which is a bit of a relief. Sometimes it's nice to read a book that doesn't end on a cliffhanger or climax. As I mentioned at the beginning of this review, I've never been able to ascertain whether or not I myself read science fiction as a kid. Still, I like to think that if I did, this would have been the kind of book I'd have liked. Equally enjoyable to boys and girls, it's a fun take on a different kind of world.
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