Creating a teen album that makes the young audience bob their heads without causing their parents to rip their own off is a hard task, but Karina and Def Jam seem to have found the magic formula, resulting in an overall excellent debut album that show both the serious and fun side of Ms. Pasian. The album begins with two uptempo tracks to hype up the listener: "90's Baby" and "Baby Baby," which features Lil' Mama. The former is a jungle of sound and double-time vocals while the rich, overwhelming and synth-heavy production of the latter fills the room like only a C. "Tricky" Stewart production could. The second single, "Can't Find the Words," was a good choice considering Karina's target audience, although it is a bit too sappy at moments, for me. It is a laidback midtempo laced with piano. "16 @ War" remains as my favorite track off the entire album, and I truly don't understand why it wasn't a huge hit. The lyrics capture the hardships and struggle of a teenager growing up in a tough neighborhood without ever once sounding cliche, whiny, or cheesy. It's just real. "Winner" is an excellent piano ballad, although there are several moments where it sounds like a blatant rip-off of Rihanna's "Unfaithful." On the equally great "Can You Handle It," co-written by Ne-Yo, Karina grows frustrated with her guy's flirty behavior around other girls and she wonders what he'd do if the shoe was on the other foot. "The Love We Got" is a tender midtempo with great harmonies. It's good, but not as memorable as most of the other tracks. "They Ain't Gotta Love You" has very interesting production (in a good way), but I'm afraid the actual melody and song are a bit bland. "Slow Motion" is a ballad with a powerful message of abstinence; she wants to love in "slow motion" and the question "isn't when but why." It's nice to hear a classy young woman in this day and age. "Can't Bring Me Down" is a power-ballad a la Whitney Houston's last album (except much better) that addresses the "haters" and the obstacles they try to put in Karina's path to success. The title track is not an ode to a boy; rather, it's about music. It is a great way to end an album by a young woman who is clearly dedicated and in love with this profession. Some might find the track a bit too simple, though. This is a very impressive and wonderfully crafted debut from a very talented young woman. It clearly shows her raw talent without taking herself too seriously and alienating the younger audience. I cannot wait to see what the future holds for Karina Pasian. (If you enjoy this album, I'd also recommend Tiffany Evans' self-titled debut and Keke Palmer's So Uncool.)