First Love, Last Rites (Picador Books) [Paperback]

Ian McEwan (Author)

Book Description

Publication Date: April 1988 | Series: Picador Books

A collection of short stories, focusing on the awakening sensations of first love and its ritual initiations. This collection won the Somerset Maugham Award, and is from the author of THE CEMENT GARDEN, THE COMFORT OF STRANGERS and THE CHILD IN TIME.

--This text refers to an out of print or unavailable edition of this title.

Editorial Reviews

Review

“A talented and genuinely imaginative writer, McEwan’s details often grow into strange, powerful images… the ironies, throughout this impressive collection are tellingly weighted.” -- Julian Barnes

“A brilliant performance… There’s an assured and terribly macabre depravity about Ian McEwan’s short stories… as if some of the characters from early Angus Wilson had been painted by Francis Bacon.” -- Anthony Thwaite, Observer

"Ian McEwan writes to shock and succeeds -- All his stories have a feeling of impending evil -- It is a tour de force of concision, and funny, too, in a deadpan manner." -- TLS

"A brilliant performance -- There's an assured and terribly macabre depravity about Ian McEwan's short stories -- as if some of the characters from early Angus Wilson had been painted by Francis Bacon." -- Observer

"His writing is exact, tender, funny, voluptuous, disturbing." -- The Times

"The Maestro." -- New Statesman

"McEwan has -- a style and a vision of life of his own...No one interested in the state and mood of contemporary Britain can afford not to read him." -- John Fowles

"A sparkling and adventurous writer." -- Dennis Potter --This text refers to an alternate Paperback edition.

From the Inside Flap

The first collection of short stories -- winner of the Somerset Maugham Award.

Taut, brooding and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity, and sheer evil might be the solution to unbearable loneliness. --This text refers to an alternate Paperback edition.

See all Editorial Reviews

Product Details

• Paperback: 128 pages
• Publisher: Alpha Book Dist (April 1988)
• Language: English
• ISBN-10: 0330248308
• ISBN-13: 978-0330248303
• Product Dimensions: 7.6 x 5 x 0.4 inches
• Shipping Weight: 3.5 ounces
• Average Customer Review: 3.7 out of 5 stars  See all reviews (15 customer reviews)
• Amazon Best Sellers Rank: #3,736,974 in Books (See Top 100 in Books)

More About the Author

Ian McEwan is a critically acclaimed author of short stories and novels for adults, as well as The Daydreamer, a children's novel illustrated by Anthony Browne. His first published work, a collection of short stories, First Love, Last Rites, won the Somerset Maugham Award. His other award-winning novels are The Child in Time, which won the 1987 Whitbread Novel of the Year Award, and Amsterdam, which won the 1998 Booker Prize.

Customer Reviews

Most Helpful Customer Reviews

17 of 18 people found the following review helpful:

5.0 out of 5 stars A bold, maudlin, and strangely brilliant set of stories, May 6, 2003

By 

Daniel Jolley "darkgenius" (Shelby, North Carolina USA) - See all my reviews
(HALL OF FAME REVIEWER)    (TOP 100 REVIEWER)    (VINE VOICE)    (REAL NAME)   

This review is from: First Love, Last Rites: Stories (Paperback)

Approaching Ian McEwan for the first time, it seemed only natural that I begin with this collection of eight short stories, his first published work. I must say that McEwan leaves quite an impression on the reader. In fact, these stories are quite unlike anything I have ever read. One is hard pressed to determine just how to feel about the stories told here, attempting to integrate shock, sympathy, understanding, depression, ennui, enlightenment, and all manner of other reactions into some sort of vision of enlightenment. The first thing that becomes apparent is McEwan's boldness and unique vision; he uses some words that never find themselves into the published works of most other writers, but his employment of them seems to be a matter of craft rather than an act of gratuitousness. The very first story, Homemade, is a somewhat disturbing and surreal account of incest, with a lad seeking to understand the type of world his adventurous friend lives in engaging his younger sister in an act of sexual exploration. The story ends quite suddenly, leaving me to interpret the deeper meaning completely on my own. Solid Geometry is sort of the odd duck in this collection, with its theoretical mathematics feel distinguishing it from its counterparts. The story works quite well in describing the protagonist's uneasy relationship with his wife, but the kicker at the end comes off as just a little too esoteric. Cocker at the Theatre is the most outré (and short) story in the collection; personally, I didn't get a lot out of it, but it does demand attention.

For the most part, the reader stays on morbid ground. Some have described these tales as having a definite aspect of horror to them, but I would not equate them with horror at all. Each story seems to bear the weight of an imperfect world on its shoulders, and the visions of reality that pour forth throughout the book are maudlin and disturbing without being horrifying in the normal sense of the word. Last Day of Summer is a perfect example, and as such it is clearly my favorite of the bunch. We gain insight into the lives of ordinary people in a setting that is slightly out of the ordinary, and the story seems to me to bristle with a few soft strokes of existentialism, particularly at the end. Butterflies is an almost equally atmospheric offering, creating an atmosphere of moral decay and slight madness around the drowning of a young girl and the unfolding account of the protagonist's insight into that death. Conversation With a Cupboard Man is quite impressive, telling the story of a man so over-protected by his mother for the first two decades of his life that he cannot adjust to modern life on his own, longing to return to a childhood in which his needs are met and he is sheltered. The title story is a relatively weak piece compared to its companions here, failing to provide me with the insight I was expecting from it. Finally, there is Disguises, yet another disturbing story of over-protection and sexual innuendo, covering a boy's desire to break away from the significantly odd atmosphere of his home life and his struggle to adjust at the crossroads of his public and private worlds.

McEwan exhibits what I consider something of a singular style in his writing. Oftentimes throwing together a string of fairly short sentences, he nevertheless avoids any sign of choppiness and proves amazingly efficient at making even the shortest sentences say a great deal. The subject matter of a few of these stories might bother some readers, particularly the incestuous relationships that are implied if not laid out in a few of the stories, but McEwan unwinds his short dramas in an impressively literary style, granting even the most controversial of subjects a lofty plane on which to evolve. The most disturbing aspects of this collection actually have nothing to do with any overt acts themselves but rather with an evocation of the psychological depths of a number of quite interesting characters. First Love, Last Rites won't pick you up when you're feeling down, as it can cast quite a maudlin spell over the sensitive soul, yet it offers quite a uniquely illuminating study of human nature and the loss of innocence.

11 of 11 people found the following review helpful:

3.0 out of 5 stars macabre depravity a la grotesque., July 15, 2005

By 

Cipriano "www.bookpuddle.blogspot.com" (Planet Claire) - See all my reviews

This review is from: First Love, Last Rites: Stories (Paperback)

I would begin my review by saying that if you are going to begin a journey into the wonderful world of McEwan, don't begin here. Then I would say that he is one of my favorite writers, EVER. He is incredibly good, but I am afraid that none of these eight stories really resonated with me. I would say that they don't represent how well he can write. If you began here, you might assume that McEwan is somewhat fixated with sexual rites of passage themes, when really he isn't.

From a pickled penis, in the first story; to childhood incestuous rape, in the second; to a third story (perhaps the best of all) with the least amount of sexual innuendo; to the fourth, depicting uncontrollable on-stage public sexual intercourse; to the fifth, sexually motivated murder; to the sixth, about a masturbatory recluse; to the seventh, the "art" of which, eluded me almost entirely; to the eighth, involving what I consider child abuse brought on by a self-obsessed, cross-dressing caregiver.

Are the stories written well? Hell yes.

McEwan is exquisite (present tense) and this book (1975) proves that "exquisiteness" is not just a recent development with him. It is the subject matter that I find objectionable. And not so much in an "immoral" sense as much as in an "unappealing" sense. In these stories he is dealing with such grotesque imagery, that I find it difficult to find these particular stories applicable. For the most part, they are about the kind of stuff that even the newspapers omit from their most disturbing back pages.

Maybe I don't want to look that close. Perhaps I don't want to read about how some guy "tosses himself off" in the closet of some attic somewhere, or how in a shadowy tunnel along a river, a young girl is sexually victimized and then slid into the river, like a fish that no one wanted, because it was too small for a good meal.

They are fairly brutal stories, I'm not kidding.

But McEwan is SUCH a great writer. If I have caught you in time, read him elsewhere, and then come back here when you are in love with him. And trust him.

6 of 6 people found the following review helpful:

4.0 out of 5 stars Early McEwan, promising but patchy, September 12, 2003

By A Customer

This review is from: First Love, Last Rites: Stories (Paperback)

"First Love, Last Rites (FLLR)" is Ian McEwan's first short story collection and while I love virtually every novel he has written so far - "Enduring Love", "Black Dogs" and "Atonement" are truly modern classics - FLLR is very early McEwan, showing promise but lacking the assured confidence of his later works. In this Somerset Maugham Award winning book, McEwan displays all the qualities that have come to characterise his style. Unafraid to break taboos or upset social conventions, he forces the boundaries of acceptability and occasionally goes for the jugular when he employs shock tactics to awaken our natural instinct for the dark and the macabre that lies dormant beneath our consciousness.

The opening vignette "Solid Geometry" is fascinating sci-fi-cum-horror fare. I couldn't help stifling a chuckle at the inventive way in which the protagonist finally "got rid" of his wife. "Homemade" about the awakening of a boy's sexuality via the only means available to him is another winner, both terrifying and funny. "Butterflies" and "Conversations With A Cupboard Man" are more conventional stories about loners and the devastating effect of repression. "Last Day Of Summer" is a gentle reminder that "still waters run deep" with grotesques. I don't think I got the essence of "Cocker At The Theatre" though it seems to be about sexuality and control and how they don't mix. The last two stories are to me the weakest in the collection. The title story seems tame and listless, ie, it goes nowhere, while the closing vignette "Disguises" is too befuddling to make any sense of. Is the aunt just mad or is she a closet cross dresser and a dominatrix in her little mad house ? Too much of a mindbender for me.

"First Love, Last Rites" is a qualified success. The highs are truly excellent but be prepared for a couple of disappointments.