Customer Reviews

The First Men in the Moon (Oxford World's Classics)

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The First Men in the Moon It's great to see that one of H.G.'s enduring classics is now handily produced for your Kindle or iPhone. It is a "must read" for all fans of classic sci-fi. It's a quick read so it makes a good travel book. If you haven't read it before, it will seem outdated (or even a little cheesy in some places) by today's standards. However, it is an excellent starter story for younger readers, whereas "War of the Worlds" might be a little scary. A great addition to my "free" collection.

I decided to try reading this book in order to check out the Kindle reader for iPhone. It made sense since I've always been a big fan of H. G. Wells, and the book was free. In the end I was pleasantly surprised to find that the book is quite good in its own right and makes for an engaging and gripping read. Even though the Moon does not hold the same fascination in our mind as to this day Mars does, and many of the "scientific" ideas presented in the book nowadays seem downright silly, the narrative is still very compelling and makes for a fascinating read. H. G. Wells is very good at developing an action-packed plot, and if we can somehow suspend over hundred years of new knowledge, the events and premises in the novel become very plausible. Another fascinating aspect of Wells' novels is the use of Sci-fi genre as a tool of social and political critique, and the last part of this book has a good dose of it as well. This may not be as good of a book as perhaps "The War of the Worlds" or "The Time Machine" are, but it still entertains and provokes thought after all this time has passed. I would strongly recommend it to all the classic Sci-fi fans out there.

Born in Victorian England, H.G. Wells had very strong ideas about the advantages and disadvantages of a society built on fixed social classes and endless imperialism--and these ideas would inform virtually everything he wrote over his long and distinguished career. Even in the handful of science fiction novels for which he is chiefly recalled today, Wells would return to these issues again, combining them with then-emerging scientific concepts to remarkably provocative effect.

In some respects THE FIRST MEN ON THE MOON is likely his most accessible novel to modern readers, for it is lighter in tone than such Wells novels as THE TIME MACHINE and THE WAR OF THE WORLDS, and it reads like an exceptionally well-written pulp adventure of the era. But the underpinnings are the same: class, conquest, and--as in THE WAR OF THE WORLDS--Darwin's controversial theories on natural selection and evolution.

In this novel Wells relies significantly on fantasy, presenting us with Professor Cavor, an eccentric (and quite comical) scientist determined to create a substance that is "opaque" to gravity, what we would today call an antigravity material. Cavor is interested in the work for the sake of knowledge pure and simple, but bankrupt businessman Bedford realizes the commercial implications and attaches himself to the project--and when the material is perfected the two men create a sphere that launches them to the moon!

If this is clearly the stuff of fantasy (Jules Verne sneered at it), what the two men find on the moon is not, or at least was not considered so at the time. In 1901 little was known about the moon, and many notable scientists thought it might hold life. Upon their arrival, Cavor and Bedford find an atmosphere of sorts, a host of strange plants, and ultimately an insect-like race of beings that reside inside the moon itself, beings who practice forced evolution upon their own kind in order to create a rigid, hive-like social structure.

As the nature of the "Selenite" society reflects Victorian concepts of fixed social classes taken to a logical and unpleasant extreme, so do the two humans reflect opposing points of sociopolitical view. Cavor is clearly an instrument of science, less interested in practicalities than in knowledge for its own sake--a point of view that Wells seems to hold in considerable sympathy. But for all this, Cavor is ineffectual; he must rely on Bedford's smash-and-grab imperialistic temperament to see them through. As in many Wells novels, the resulting clash of ideology is stalemate: both extremes need each other, but they are incapable of building compromise and neither is able to overcome the other to reach an outcome that will be satisfactory to any one concerned.

All of this sounds terribly dry and dusty, but the book itself isn't. THE FIRST MEN IN THE MOON is a remarkably lively novel, a fast-paced quick read that will appeal greatly to most readers as it balances its philosphical questions with great chunks of pulse-pounding adventure. And even though we know that Wells was off the mark re lunar atmosphere, flora, and fauna, it is easy to suspend our disbelief to enjoy the ride. Recommended.

GFT, Amazon Reviewer

The title seems a little strange, but the Moon as imagined by Wells is inhabited by creatures living underground--thus, the title. The plot is typical of the author--a seemingly normal man happens to meet a man with strange scientific ideas, and he quickly finds himself an active participant in the grand designs of his new acquaintance. Mr. Bedford, our narrator, escapes to as quiet and isolated a space as he can find in order to write a play. His hideaway is visited every night by a strange little man with a penchant for humming. Accosting the man for his nightly interruptions, he learns that the man, Dr. Cavor, is a scientist working to find a means by which to nullify gravity. Seeing the possibility of great profit from such a discovery, the narrator quickly enlists as a scientific assistant. The serendipitous discovery of Cavorite results in the scientist's home being destroyed and the surrounding countryside buffeted and damaged by powerful winds. With the discovery now made, Cavor embarks on a monumental quest to reach the moon by creating a huge sphere--a coating of Cavorite provides the means of locomotion, and a complex system of blinds serves as the means for controlling the thing. With the blinds closed, all gravitational forces are blocked from the sphere; with one or more blinds open, the sphere is once again subject to the gravitational pull of the nearest large object. In this fashion, the intrepid explorers make their way to the moon.

The moon they discover is not barren; in daylight, a bevy of plants emerge from the ground only to wither and die as the lunar night returns. When the explorers lose their way, they are captured and taken underground. While Cavor wants to communicate with the Selenites, as he immediately dubs the lunar inhabitants, Bedford is more concerned with escape and eventually effects just that, having found the moon dwellers easy prey to his strong, earthgrown muscles. The two men search for the sphere, but Bedford is forced to escape the moon alone after learning that Cavor has been captured and presumably killed. Bedford returns to earth, tells his story to some incredulous beach dwellers, and then finds the sphere hijacked by a young boy (who flies off and is never heard from again). Thus, he has no way of returning to the moon, nor does he have the knowledge required to make more Cavorite. A short time later, Bedford is amazed to learn that Cavor is not dead and is in fact sending radio signals from the moon to the earth. The rest of the novel relates the story of Cavor's stay on the moon, culminating in a description of his interview with the Grand Lunar. In lunar society, each individual is assigned a certain job and is trained and even surgically altered to do that job and nothing else. Cavor's description of earthly society is a revelation to the lunar inhabitants; through his words, Wells seems to point out some of the follies of mankind, particularly war. Thus, the book ends on sort of a philosophical note, and one has to imagine that Cavor's speech reflects some of Wells' own views about humankind.

All in all, the book is interesting, well-paced, and enjoyable. The originality of Wells' idea is striking--rather than propel man to the moon by huge cannon or the like, he employs antigravity as a free, highly effective means to, in essence, repel the sphere from the earth. Of course, Wells' moon is a far cry from the moon as we now know it, but it does seem to fit well into the framework of thinking at the time, at least insomuch as Wells describes those contemporary scientific ideas. Though not the most recognized of his books, The First Men in the Moon may be the most original and visionary science fiction novel penned by this pioneering author.

Everybody knows HG Wells is a popular science-fiction writer. Most people know of him through a few of his stories that have been produced as popular movies such as "The Time Machine", and "The War of the Worlds." However HG Wells was really more of a philosopher and a quasi-scientist than he was a writer.

This is one of his lesser known science fiction stories published in 1901. However as with most science fiction the story is only a vehicle to carry HG's philosophy and commentary on his Victorian Society to the reader. The story has many false starts and stops but takes the time to comment on such subjects as can a person actually be satisfied with a one-dimensional job?

Knowing that this was pre-Einstein it may be possible to believe in the technology and theories of the time. And then again as with many science-fiction or fantasy stories HG may have just been taking liberalities with realities.

One cute touch in this story is that the characters comment on Jules Vern's story of the man in the moon.
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Bedford bankrupt businessman who is making a comeback by writing a play, through a series of circumstances, teams up with Professor Cavor a recluse scientist who does not realize his own potential. Together they build a contraption, sphere, that can cut off gravity waves. What can they do with such a device? You guessed it! Let's all traveled to the moon.

Once on the moon Bedford and Cavor find that they are not alone. After a few adventures they are detained by the Moonies referred to mostly in this story as Selenites. The daring duo is restrained with chains of gold. Cavor looks at this is a reasonable precaution and also looks forward to communicating with the strange creatures. Bedford is more practical and knows what chains mean. This means it's time to escape an escape they do.

Will they be able to make it back to Earth and warn the people of the strange creatures? Or will they be caught and who knows what may happen to them in the long run.

Keep reading and learn of the society and nature of the Selenites.

The Future in America: A Search After Realities

When the young and penniless Mr. Bedford meets an eccentric scientist, Mr. Cavor, who doesn't realize the importance of his own inventions, it seems most fortuitous. Of greatest interest is Cavor's realization that he can create a substance that shields against gravity. Together, they come to the conclusion that, with this new substance, they can make ships to take them to other planets within the solar system. And so, with Cavor dreaming of scientific breakthroughs and Bedford dreaming of wealth, the two build such a ship, and set off for the Moon.

Arriving at the Moon, the two quickly realize what a strange and amazing place it is. During the lunar day, there is a breathable atmosphere on the surface of the Moon, and their investigations soon demonstrate that the Moon is inhabited by a race of intelligent beings. An insectoid race, the Selenites (or "Moonies" as Cavor whimsically dubs them) have a highly-organized caste system much like terrestrial ants. Can our heroes escape from the Selenites and return to Earth? And, what are the long-term affects of this new meeting of societies going to be?

H.G. Wells (1866-1946) is often remembered for his late-nineteenth century science-fiction, including The Time Machine, The Invisible Man, and The War of the Worlds. This book was first published in 1900, and shows a different side of Wells. Whereas his earlier book were rather preachy, this book is more light-hearted, telling a cracking good story for its own enjoyment, rather than being a vehicle to teach a lesson.

Yep, this is a fun read, and a fascinating sci-fi book. As might be expected from such an old book, the "science" that Wells used is extremely out of date. But, if you are willing to practice a little suspension of disbelief, you will be treated to an excellent story. The story hangs together well with then current science, and shows you science-fiction from an entirely different angle. I really enjoyed this book, and highly recommend it to you.

The book starts at the end. A very unique, yet often used form of writing. The man who lands from the moon immediately is picked up by a small fishing boat. He then is transfered over to a man who has a "wireless" and is picking up signals from the moon. The man who landed tells his journey from the start all the way to the end when he recalls when he lands in the ocean. It kept me at the edge of my seat. The actors did a great job of describing and acting the characters.

What always gets me with Wells is the forcefulness of his imagination -- his ability to construct powerful, symbolically resonant setpieces based upon the scientific ideas of his time. In the final pages of "The Time Machine" he gave us one of the great apocalyptic visions in all of literature. In "The First Men in the Moon," he gives us a magnificently alien setting, full of bizarre moments -- jumping about the lunar surface in 1/6 G; the Giddy Bridge and the Fight in the Cave of the Moon-Butchers; the bizarre lunar ecology, in which all the plants die every night and are reborn each dawn.

Scientifically, much of this stuff doesn't hold up after a hundred years. And the device he comes up with to get his characters to the moon -- Cavorite -- is without basis, an arbitrary magical tool not unlike the time machine. Even when Wells' science is iffy, though, he presents it in such a clear, convincing fashion that you are only too glad to suspend disbelief while the story unfolds.

In the Selenites we have a metaphor for a different type of society -- rigidly hierarchical, with the needs of the individual sublimated to the whole. The metaphor obviously comes from social insects; though it became a sci-fi cliche, it was still fresh circa 1901. In the remarkable last section of the book (Cavor's communications from the moon), Wells describes the Selenite society with delightful attention to detail. He ends with a haunting, unforgettable image, and probably the best closing sentence of any sci-fi novel.

Cavor, a genius, invents a material that allows him to build a Gravity-Defying Sphere. Soon he and a young, and very greedy, businessman use it to go to the moon. They find not only life, but the Selenites, a culture who can change their shape to fit their jobs. In other words, form is designed for the function of their class or in this case their caste. Over them rules the Grand Lunar, a being whose large brain gives him awesome power and foresight beyond even the businessman who tells us the story. Both characters show their human merits and their very human flaws. Not science fiction as much as a book on society.

Mr Bedford, a recently bankrupt Victorian gentleman has retired to the English countryside to recover his spirit and write a play. He meets Dr Cavor, an eccentric, quaintly comical scientific genius researching the preparation of a compound he calls "Cavorite" that will be opaque to all radiation including gravity. When a laboratory error results in the wildly successful early completion of the Cavorite project, Bedord and Cavor use it to create a sphere that is capable of travel to the moon.

The science in HG Wells' "First Men in the Moon" is now known to be wildly off the mark - anti-gravity; a lunar atmosphere that freezes during the frigid lunar night and sublimates into a rarified but breathable air during the warmer day; an extraordinarily fecund flora that seeds itself, germinates, grows, blooms and completes its life cycle during the brief sunlight hours; and a civilized but strictly class structured lunar insect-like people living under the moon's surface that Bedord and Cavor called "Selenites".

Despite its failings in the light of current scientific knowledge, "First Men in the Moon" is still an enjoyable adventure written in typical late Victorian style that gives us an early taste of 20th century science fiction space opera to follow. Just as he did in his better known novel "The Time Machine", Wells successfully uses his protagonists, Bedord and Cavor, as tools to discuss, satirize and critique deeply and dearly held British notions of class and imperialism.

Suspending your belief and accepting the science in terms of what was known and understood at the turn of the century will allow you to whisk yourself away on a space-faring adventure for an enlightening, enjoyable few hours. Recommended.

Paul Weiss