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The First Part of King Henry VI (The New Cambridge Shakespeare) (Pt.1)
 
 
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The First Part of King Henry VI (The New Cambridge Shakespeare) (Pt.1) [Paperback]

William Shakespeare (Author), Michael Hattaway (Editor)
4.7 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

The New Cambridge Shakespeare May 25, 1990
Shakespeare's plays about the reign of Henry VI were for a long time undervalued, but a recent series of outstanding productions by the Royal Shakespeare Company and others has demonstrated their theatrical vitality. This is the first major edition in over twenty-five years. It takes account of recent discoveries concerning Shakespeare's early career and the problems of authorship, and pays particular attention to recent theatrical history. This textually authoritative edition reveals King Henry VI as a dramatically innovative and politically radical account of key events in the Hundred Years War.

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The First Part of King Henry VI (The New Cambridge Shakespeare) (Pt.1) + King Henry IV, Part 1 (Arden Shakespeare: Third Series) (Pt. 1) + King Richard III: Third Series (Arden Shakespeare)
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Editorial Reviews

Book Description

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary. --This text refers to an out of print or unavailable edition of this title.

About the Author

John D. Cox is the DuMez Professor of English at Hope College, Michigan. He is the author of Shakespeare and the Dramaturgy of Power and The Devil and the Sacred in English Drama, 1350-1642, and co-editor with David Scott Kastan of A New History of Early English Drama.
 
Eric Rasmussen is Associate Professor of English at the University of Nevada, Reno. He is joint editor with David Bevington of Doctor Faustus in the Revels Plays series and the World's Classics edition of Christopher Marlowe's plays, author of A Textual Companion to 'Doctor Faustus', and co-editor of the forthcoming Norton Anthology of English Renaissance Drama. He writes the annual review of "Editions and Textual Studies" for Shakespeare Survey.
--This text refers to an alternate Paperback edition.

Product Details

  • Paperback: 228 pages
  • Publisher: Cambridge University Press (May 25, 1990)
  • Language: English
  • ISBN-10: 052129634X
  • ISBN-13: 978-0521296342
  • Product Dimensions: 9 x 6 x 0.5 inches
  • Shipping Weight: 12 ounces (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #2,340,503 in Books (See Top 100 in Books)

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Customer Reviews

3 Reviews
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Average Customer Review
4.7 out of 5 stars (3 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

1 of 3 people found the following review helpful:
5.0 out of 5 stars A myopic of a king done in play format., May 26, 2007
The three books that cover the life Henry VI are each masterpieces in their own right. They are each important parts of the multi-facted life of Henry VI. Wonderful history lesson.
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6 of 12 people found the following review helpful:
5.0 out of 5 stars Not A Single Complaint!, April 26, 2000
This was one of Shakespeare's earliest plays. (possibly his third) Yet, there is nothing to indicate he was only starting out. Right away he grabs our attention with the funeral of King Henry V. Henry V's brothers Bedford and Gloucester help us to see the virtues and strengths of the deceased king. The Bishop of Winchester is well drawn as a comical villain who plots and plans, but never succeeds in doing any real damage. (Not until the next play anyway.) Talbot is memorable as the selfless hero of the play. York is memorable as the hero who defeats Joan of Arc. King Henry VI himself is interesting. First we see him as a helpless infant. By the third act, we see that he has both strengths and weaknesses. He makes the mistake of dividing the command between the rivals Somerset and York. But also, we see that he does not tolerate treason or neglect of duty. There are also many memorable scenes. The garden scene that foreshadows the War of the Roses is well drawn. The scene where York comforts his dying uncle is tragic beauty. Bedford's death in 3.2 has almost a divine tone. The death of Talbot and his son is very lamentable. York's sudden rise to power is captivating. Perhaps Shakespeare's greatest achievement in this play is that he simultaneously shows us England's war with France and the dissension with England itself.
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1 of 4 people found the following review helpful:
4.0 out of 5 stars Part 3 and still running strong!, March 23, 2000
This is not quite as good as 1 or 2, but it is still excellent! Shakespeare grabs us with the dispute between Henry VI and York. While it seems to end peacefully it does not, and the war goes on! York's death in 1.4 is another landmark in Shakespeare's writing. The scene (2.5) where Henry finds true terror is horror, sorrow, and yet beauty and yet another moving part of the play. (The son that hath killed his father and the father that hath killed his son.) The war pauses in disaster for Henry and some comic relief is offered. But the horror starts all over again when Edward IV and Warwick have a falling out. The war starts over again, and the King of France gets involved! The scene where King Henry VI is reinstated is a scene of beauty and hope. While all of this is happening, Shakespeare carefully prepares the monstrously satanic character of Richard III. From here, the play just gets more and more bloody. A final moment of horror is offered when the eventual Richard III proudly compares himself to the one who betrayed Christ. In part 4 "Richard III," the real terror begins!
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Inside This Book (learn more)
First Sentence:
Rather than describing the 'transgressions against history' that Shakespeare was guilty of in his Henry VI plays - his account, that is, of the period from the funeral of Henry V in 1422 to the battle of Tewkesbury in 1471 - or rehearsing arguments over what parts of the text Shakespeare may or may not have written, let us first consider what might have drawn him to his complicated chapter in the history of fifteenth-century England. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
aristocratic factionalism, dead march
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Duke of York, Lord Talbot, Richard Plantagenet, Strange's Men, First Folio, Joan la Pucelle, Joan of Arc, Duke of Gloucester, Lord Strange, Wars of the Roses, Dover Wilson, Duke of Burgundy, John Talbot, Textual Companion, Bishop of Winchester, Countess of Auvergne, Duke of Clarence, Earl of Cambridge, Edmund Mortimer, Henry the Fifth, Sir John Fastolf, Duke of Bedford, Duke of Somerset, Financial Times, John Beaufort
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