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13 of 14 people found the following review helpful:
3.0 out of 5 stars
More like three and a half stars, October 23, 2001
This review is from: Fish, Blood, and Bone (Hardcover)
"Fish, Blood and Bone" by Leslie Forbes is one of the more creative books I have encountered this year, and it proves that her first effort "Bombay Ice" wasn't just a flash in the pan. That said, this novel labors under what can only be described as a pretension of being literature. That's not to say that Forbes isn't a talented writer Quite the contrary; in fact, she has an excellent grip on the English language and her characterizations are superb. Unfortunately, these gifts are shrouded by frequent changes in voice, confusing use of fonts, and poorly delineated flashbacks. It is almost as if Forbes is trying too hard to write something "important" rather than just telling the story to the best of her obvious ability. That said, there is an excellent story at the heart of this novel, and in spite of the flaws outlined above I did enjoy it. The reader follows the rootless Claire Fleetwood to London, and then the Indian Sub-Continent, as she searches for a personal history shrouded in the mysteries of an earlier age. Part Michael Crichton, part travelogue; Forbes weaves a remarkable trail of murder, adultery, botany, etc. while delving into the nature of "self", and how our past (and our forebears' past) determines our future. I have enjoyed both of Forbes' books, and I look forward to her future endeavors. However, I think that she will make great strides as a writer when she abandons her tendency of trying to write "literature" and gives free reign to her creativity. In the end, "Fish, Blood and Bone" is a flawed, but nonetheless enjoyable work by a writer whom I firmly believe is on the cusp of greatness.
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10 of 11 people found the following review helpful:
4.0 out of 5 stars
Ambitious adventure, June 7, 2001
This review is from: Fish, Blood, and Bone (Hardcover)
"Fish, Blood and Bone" takes off rapidly enough with a murder soon after photographer Claire Fleetwood moves into her unexpected legacy. She inherits Eden Dwellings from a great-aunt of whom she wasn't aware. However, the house has a few problems -- a basement full of macabre artifacts and an intimidating tennant with friends who are bad news. The tennant's daughter, Sally, befriends Claire, but is soon murdered, for reasons unknown, right before Claire's eyes. Claire meets long-lost cousin, Jack Ironstone, who briefly -- very briefly -- explains the family's heritage in botany -- specifically, opium in India. Offered a chance to accompany a team of scientists, cousin Jack included, on a hunt in India for a mysterious green poppy, which may provide a cure for cancer, Claire accepts. Thus begins a personal journey into her past. The girl whose roots were once non-existant, suddenly has her hands full of relatives and skeletons. The plot is vast and takes off quickly at the start, and everything ties up interestingly at the end. However, the in-between is sometimes tedious. There is so much sprawl, you're worn out trying to follow it. And too, the scientific lingo bogged me down (i.e., teratology, cinchona.) This novel obviously required a tremendous amount of research on the author's part. It was good, but I wish I had enjoyed it more.
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7 of 7 people found the following review helpful:
3.0 out of 5 stars
What's going on here?, December 16, 2002
This is a somewhat interesting book that I feel lost its way somewhere along the way to the conclusion. The plot was murky, although the writing is generally excellent, and the characters finely drawn. The reader tends to lose the sense of the book, and there's many times when you have no idea where the plot is heading. I had the feeling that the author was as confused at times herself, which is what made the book so unusually odd. There are too many strands of plot lying around, and they really don't tie up neatly, or even close to neatly, at the end, which is not so much a termination as a petering-out of the storyline. You get to the point where you don't really care about the characters and what happens to them, and that's deadly in any work.
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