Product Details

• Actors: Lou Castel, Paola Pitagora, Marino Masé, Liliana Gerace, Stefania Troglio
• Directors: Marco Bellocchio
• Writers: Marco Bellocchio
• Producers: Enzo Doria
• Format: Letterboxed, NTSC
• Language: English
• Number of tapes: 1
• Run Time: 108 minutes
• Average Customer Review: 4.2 out of 5 stars  See all reviews (8 customer reviews)
• ASIN: B00004CXDP
• Amazon Best Sellers Rank: #623,106 in Movies & TV (See Top 100 in Movies & TV)

Customer Reviews

Most Helpful Customer Reviews

25 of 26 people found the following review helpful:

4.0 out of 5 stars A forgotten gem that packs a wallop, May 6, 2006

By 

S. Kelly "dkelly26666" (Gainesville, FL United States) - See all my reviews
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This review is from: Fists in the Pocket (The Criterion Collection) (DVD)

This film, "Fists in the Pocket", is virtually forgotten here in the U.S., but is a huge cult classic in Italy. The reasons for this are that it's never really been available here on video. And ,it was so ahead of its time that it shocked audiences when it first came out. However, even though it's forgotten, it is an excellent film.

It concerns a strange bourgouise family living in a rural villa together. There is the "normal" but self absorbed oldest brother, a blind mother, a VERY weird middle brother (a brilliant Leo Castel), a manipulative sister, and a retarded youngest brother. In lieu of a (absent) father, the oldest brother is the patriarch of this eccentric clan, and somewhat tied down by it. The weirdo middle brother, Allesandro (Castel), is a hell-bent, anarchal/suicidal/homocidal maniac with epilepsy who decides to rub out the whole family, including himself, to "free" the older brother he claims to admire so much. Thus begins a disturbing, frenzied journey by him to kill his other family members.

As dark as it sounds, which it is, it's also quite darkly humorous at times, as well. It's also easy to see why it was controversial in 1965: there are murders, hints of incest, sacriligious blasphemies, the two oldest brothers sleep with street walking prostitutes ( who are a constant presence in the film), there are eplileptic seizures shown, etc.. Basically, it has all the elements that would've gotten you condemned by the Catholic church at that time.

Director Marco Bellochio made a stunning debut with this film, and it is reminiscent of the early works of Pasolini, Bertolucci, and other Italian new wavers of the time. Definitely worth seeing.

The Criterion Collection has done a wonderful, as usual, job here. The print is sterling, the sound perfect, and there is a great retrospective piece with interviews by Bellochio and Leo Castel (who reminds me of Brando). And there is a wonderful afterword by Bernardo Bertolucci. I do highly recommend this one.

12 of 14 people found the following review helpful:

5.0 out of 5 stars Still a Bombshell, May 12, 2006

By 

Randy Buck (Brooklyn, NY USA) - See all my reviews
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This review is from: Fists in the Pocket (The Criterion Collection) (DVD)

Any film that managed to anger equally the Vatican and Luis Bu?uel must be worth checking out -- and FISTS IN THE POCKET had that distinction upon its initial release. Unlike many scandals of a previous day, however, this spare, beautifully made film has lost not one whit of its power to shock. Bellochio makes an impressive debut as writer/director here, and a marvelous cast, headed by Lou Castell, create a family of fools, freaks and monsters you won't soon forget. Brilliant cinematography, wonderful early score by Morricone (who'd think it possible to ring yet another change on the DIES IRAE?), and the expected sharp transfer and informative extras/liner notes from Criterion. Difficult, spiky and essential viewing for any fan of Italian cinema.

4 of 5 people found the following review helpful:

5.0 out of 5 stars Brilliantly symbolic work, February 2, 2007

By 

Stalwart Kreinblaster "SK2008" (Xanadu) - See all my reviews

This review is from: Fists in the Pocket (The Criterion Collection) (DVD)

An epilectic family is the perfect foil for this poignant study of italian bourgeois society.. Like Renoir's rules of the game, this movie opened up new doors for cinema and found new ways to look at certain aspects of social milieu..
Amongst the italian new wave and classic neo-realism of the period it takes a new route something which is real and yet unreal.. Like the movies of Pasolini and bertolucci, Bellochio's fists in the pocket would honor italy's cinematic past while doing something new and radical..