Milhaud was the most versatile, resourceful, and accomplished French composer of his time. These 5 chamber symphonies — dissonant, lightweight, anti-symphonic in their brevity, yet well crafted and charmingly lyrical — include Le printemps (Spring), written in 1917; Pastorale, 1918; Serenade, 1921; Dixtuor a cordes, 1921; and Dixtuor d'instruments a vent, 1922.
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