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Five and Eighty Hamlets
 
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Five and Eighty Hamlets [Hardcover]

J.C. Trewin (Author)
2.0 out of 5 stars  See all reviews (1 customer review)


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Hardcover, November 5, 1987 --  
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Book Description

November 5, 1987
Hamlet is probably the most famous play in the world. The distinguished English critic, J. C. Trewin, saw his first performance of it in 1922, and thereafter, professionally, as drama critic successively of the Observer, Punch, and the Illustrated London News, he saw it repeatedly through sixty years of theatrical history. In this most unusual book of theatrical criticism he discusses all the leading Hamlets, including John Barrymore, John Gielgud, Maurice Evans, Michael Redgrave, and Laurence Olivier. He reflects on how the play has sounded through its many productions, how it has looked to audiences, how the critics reacted, what were the backstage arguments and the changing mores of theatrical life. Trewin's criticism is not only judicious. It is impassioned: "In March 1924, I had my first overwhelming theatrical experience. "Great," often implying no more than a night's enthusiasm, is a word like "marvellous" and "wonderful," to use sparely; but after sixty years I use it for the Hamlet of Ernest Milton...an American actor of Jewish descent who had settled in England, and who had conquered the Old Vic with his romantic passion and the surge of his verse-speaking.... On seeing the Ghost he had indeed a supernatural visitation; he became a man possessed. "Angels and ministers of grace defend us!" was breathed, barely audible, as he swung round from Horatio. When he was left alone on the battlements the haunting cry, "Hillo! ho! ho! boy! Come, bird, come!" rose as I would never know it again. From the distant night I think still of throat-tightening excitement, of an emotional force sometimes almost demonic. Speech after speech he double-charged. I cannot say at this distance how many Hamlet problems he answered, though the voice speaks unblurred. For me, with his felicities and faults, his leaping across every chasm, he governed the stage as the man himself, of "the courtier's, soldier's, scholar's, eye, tongue, sword." A joy of a book.
--This text refers to an alternate Hardcover edition.

Editorial Reviews

From Library Journal

This is a footnote to the history of modern theater by a British critic who has seen every Hamlet of note since 1916, and a good many not so notable ones. He has a prodigious memory for details of staging, reading, and voice that make him a repository of Hamlet-playing in the 20th century. His survey shows us a microcosm of the history of modern theater: the shift from actor-centered to director-centered performance, reverence for the "classics" to a determined proletarianization of Shakespeare, and the gradual return to the text for inspiration. This is a book for theater lovers and Hamlet watchers. It is graceful, witty, personable, and honest, not a work of formal criticism, but a vigorous shake of a finely tuned memory which allows a kaleidescope of Hamlets to parade by. Recommended.
- Thomas E. Luddy, Salem State Coll., Mass.
Copyright 1989 Reed Business Information, Inc. --This text refers to an alternate Hardcover edition.

Review

These memories are insightful, informed, and always elegantly expressed. (Choice )

[Trewin’s] survey shows us a microcosm of the history of modern theatre…a book for theater lovers and Hamlet watchers. (Library Journal ) --This text refers to an alternate Hardcover edition.

Product Details

  • Hardcover: 244 pages
  • Publisher: Hutchinson (November 5, 1987)
  • Language: English
  • ISBN-10: 0091709008
  • ISBN-13: 978-0091709006
  • Product Dimensions: 9.6 x 6.5 x 0.8 inches
  • Shipping Weight: 1 pounds
  • Average Customer Review: 2.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #8,724,622 in Books (See Top 100 in Books)

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1 of 2 people found the following review helpful:
2.0 out of 5 stars More matter, less art....., July 7, 2000
I wanted to like this book. I wanted to get swept up in Trewin's remembrances of five and eighty Hamlets. Instead, I found myself struggling through all sorts of "trivial fond recall," just to mine a few nuggets. As a much more satisfying book, I recommend Michael Pennington's "Hamlet: A User's Guide."
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