From School Library Journal
Grade 3-5–In the spring of 1945, U.S. troops marched into the Mauthausen concentration camp in Austria to liberate surviving prisoners and were given an American flag that had been secretly made by a group of detainees there. This is an inspiring account of the camp, its survivors, and its liberators. Using scraps and whatnot found at the camp, the prisoners secretly worked to create a gift for their American heroes. A photograph shows a carefully hand-stitched and well-thought-out flag. Although it has the correct 13 stripes, the prisoners overestimated the number of stars needed. Nazi atrocities are muted here, but the sorrow, hunger, hopelessness, and, finally, optimism shine through in the pictures and in the text. Large type is set in boxes on softly hued backgrounds. Full-page illustrations intensify the text, and an afterword explains that it is unknown exactly who made the flag. This heartening, unique volume makes a fine introduction to the Holocaust for students just beginning to learn about the evils of the era. The impressive bibliography includes books, videos, interviews, letters, and Internet sites.–
Anne Chapman Callaghan, Racine Public Library, WI Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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From Booklist
Gr. 4-6. When the Americans liberated Austria's Mauthausen concentration camp, a group of survivors presented the commander with an American flag they had secretly sewn from scraps, a symbol of their hope and gratitude. Now that flag (which the prisoners inadvertently made with an extra row of stars) hangs in Los Angeles' Simon Wiesenthal Center and Library Archives, named in honor of the famous Mauthausen survivor. Through the story of that flag, this stirring picture book for older children tells the history of the brutal labor camp and its liberation. There is none of the festivity of Margaret Wild's
Let the Celebrations Begin! (1991). Rubin draws on eyewitness accounts and extensive interviews with liberators and prisoners, including Wiesenthal, to document the suffering, the resistance, and, finally, the hope. Farnsworth's somber, dark, unframed paintings show the camp and the marching laborers as well as close-ups of emaciated people sewing in the shadows--and then, free at last.
Hazel RochmanCopyright © American Library Association. All rights reserved
--This text refers to the
Hardcover
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