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2 of 2 people found the following review helpful:
4.0 out of 5 stars Children's theater people take note!
It is difficult for us adults to judge how effective a children's show will be. First of all, they come in two types: those designed for children but featuring adults and those featuring children. In the first case , the quality of the music does not have to be down-market, so to speak, as in "Hansel und Gretel," which is quite approachable on any age-level...
Published on September 3, 1999 by F. Behrens

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0 of 1 people found the following review helpful:
1.0 out of 5 stars Very Disappointed
I purchased this CD because I was one of the original "towns people" when it debuted at Manhattan School of Music in 1969-70. The website said that all of the cast members were listed on the CD. I was NOT listed, however, I still have the original handout, where I am listed as a cast member.

Needless to say, I am very disappointed.

A...
Published on October 30, 2008 by Medical Student


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2 of 2 people found the following review helpful:
4.0 out of 5 stars Children's theater people take note!, September 3, 1999
This review is from: Flagello: The Piper of Hamelin (Audio CD)
It is difficult for us adults to judge how effective a children's show will be. First of all, they come in two types: those designed for children but featuring adults and those featuring children. In the first case , the quality of the music does not have to be down-market, so to speak, as in "Hansel und Gretel," which is quite approachable on any age-level. In the second case, the composer has to tread lightly. Nicolas Flagello's <The Piper of Hamelin> never quite rises to the level of Humperdinck at his best, but it is quite acceptable on its own terms, and most of the score is sung by Grownups. As performed "live" on a Newport Classic release (NCD 60153), it has convinced me that every person involved in juvenile dramatics should have a copy. The narration of Bob McGrath is the spoonful of sugar that makes the opera go down along with the personable voice of Brace Negron's Piper. The story is the familiar one but the ending has been changed so as not to upset the Tiny Tots; but I fear the metaphysics of the new ending might be a bit above their heads: the Piper reveals himself as the Spirit of Music! This works when Nicklausse in "Tales of Hoffmann" is so transformed, but here it seems a bit unnecessary and might prove confusing to the target audience. Still, we do what we can when it comes to Children's Theater. At moments there is a lot going on onstage, but we only hear the clumping and scenery being moved. However the enclosed libretto is quite liberal in letting us know what is going on (and is the Triumphal March in "Aida" really that less effective on a sound recording as long as it is well played?). Jonathan Strasser conducts the Manhattan School of Music Preparatory Division Opera Orchestra and the Cynthia Auerbach Children's Opera Theater, and the huge cast (they are all named in the booklet) is well drilled and lively.
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0 of 1 people found the following review helpful:
1.0 out of 5 stars Very Disappointed, October 30, 2008
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This review is from: Flagello: The Piper of Hamelin (Audio CD)
I purchased this CD because I was one of the original "towns people" when it debuted at Manhattan School of Music in 1969-70. The website said that all of the cast members were listed on the CD. I was NOT listed, however, I still have the original handout, where I am listed as a cast member.

Needless to say, I am very disappointed.

A "Townsperson from the Piper of Hamelin"
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Flagello: The Piper of Hamelin
Flagello: The Piper of Hamelin by Nicolas Flagello (Audio CD - 1999)
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