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As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon
Beyond Flags of Our Fathers
![]() Other World War II DVDs | ![]() Essential DVDs by Director Clint Eastwood | ![]() Flags of Our Fathers by James Bradley |
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Most Helpful Customer Reviews
75 of 83 people found the following review helpful:
5.0 out of 5 stars
Read the Book FIRST!!!,
By Susan Palmbach (Northeastern Wisconsin) - See all my reviews
59 of 65 people found the following review helpful:
4.0 out of 5 stars
Flawed But Still Powerful,
By Clint Eastwood's new film `Flags of Our Fathers' does not try to `debunk' this story. It gives human face to these flag-holing soldiers without over-glorifying them, showing what happened to these heroes John "Doc" Bradley (Ryan Phillippe), Rene Gagnon (Jesse Bradford) and Ira Hayes (Adam Beach) before, during, and after the Battle of Iwo Jima. Familiar actors like Jamie Bell, Paul Walker, Robert Patrick and Barry Pepper appear, but the three above play the pivotal roles here. Remember this is a war movie, and the battle scenes on the beach are often disturbing. (One of the film's producers is Steven Spielberg). Though the fight scenes are less bloody and brutal than those of `Saving Private Ryan,' they are still honest, often shocking, not only because of the bullets and grenades, but because of the confusion and total chaos of the grey-colored battlefield. Eastwood refuses to soften or sensationalize anything, but the results are riveting. Though the film's theme is clear, its narrative requires our patience a little. The film's story goes back and forth (screenplay part done by Paul Haggis, `Crush'), and this only makes the film look slightly detached from us. The disjointed story requires us to reconstruct, not follow, the experiences of the soldiers. The emotions are certainly there on the screen (thanks to the effective acting), but I am not sure that this is the best way to visualize them. But as I said, the three actors did a fine job as three soldiers who travel around the country for Bond rallies where they have to face another reality during wartime - they are war heroes and people expect them to behave as such. Finally, some people, not without good reason, say this film is dull. It is true that Eastwood's films tend to be slow, and he takes time to show certain things about the characters. He avoids melodramatic storytelling and showy camerawork, and that does not change in this film. If the battle scenes look confusing, it is perhaps because the war is confusing. If the descirtios of their life as war hero look boring, that is because it is really boring; they were required to do the same thing again and again before finally being forgotten. We just share their feeling, but perhaps too much of it. This is Clint Eastwood's most ambitious film (and there is "Letters from Iwo Jima" still waiting), and maybe too ambitious as far as its screenplay is concerned. I am impressed with the film, however, with the sincere message from the director who realized the one of the saddest events in history for both people in America and Japan with his touch subtle and powerful at the same time.
32 of 34 people found the following review helpful:
5.0 out of 5 stars
I Don't Even Like War Movies, But This Was Great...,
By
This review is from: Flags of Our Fathers (Widescreen Edition) (DVD)
In 2006, Clint Eastwood launched one of his most inspired projects; Two war movies, set during World War II on the Japanese island of Iwo Jima. "Flags of Our Fathers" was the first. It received generally good reviews, but had a lukewarm reception from audiences. Then came the 2nd one, the Japanese language "Letters from Iwo Jima." That film received great reviews, was embraced by audiences, and was nominated for Best Picture. Having said that, "Flags of Our Fathers" definitely falls into the category of underrated. I don't particularly like war movies, but this is a great film and I think it's one of the best films of 2006. The cast is made up of mostly young actors, often called "pretty-boys" such as Ryan Phillippe, Jesse Bradford, and Paul Walker.
It also features an Oscar worthy supporting performance by Adam Beach and some great supporting work by Jamie Bell, Barry Pepper, and others. Phillippe plays John "Doc" Bradley, a Navy Corpsman. Bradford plays Rene Gagon, a runner. Beach plays Ira Hayes, an Indian. These three men go from mere soldiers to American heroes after a picture is taken of them raising the flag. Thrust into the spotlight, the men cope with being considered heroes when they point out that the real heroes are the men lying dead on the island of Iwo Jima. Eastwood uses cinematography with a heightened visual reality that makes the film a wonder to behold. Now, as I said, audiences haven't received this movie in the same way they did say "Saving Private Ryan." I will say that out of the last few films Eastwood has directed (Mystic River & Million Dollar Baby), this one is the weakest. But it's an inspired project with a great script, terrific cinematography, wonderful performances, and great direction. Beach (a relative newcomer) delivers the best performance in the movie, really getting under the skin of the most troubled of the characters. Phillippe and Bradford are also very good, although hardly Oscar worthy. A lot of people complain that the film doesn't make you care enough about the characters and that is partly true. It's certainly not as character-driven as "Saving Private Ryan" or "The Deer Hunter," but I liked the characters and did care about them so I guess it's just a matter of perspective. Even if you're hesitant to see this film because you don't like war movies or something, I urge you to see it. It's a great film. GRADE: A-
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