16 of 17 people found the following review helpful:
5.0 out of 5 stars
Move over, Carmen--no mere chick-lit here!, June 7, 2006
Not since Prosper Merimee has any novelist even begun to do justice to the world of flamenco, gypsies, and obsession with the passionate perfection that Sarah Bird applies to it here. This book, a beautifully truthful study of a skewed pairing and an entire way of being, brings both Merimee's Seville and his multiple themes into the new world and the present day, and only gains resonance and depth in the process. Instead of a smitten Don Jose, we have a poignant young woman who longs for her gypsy lover as much as she longs for the flamenco rhythms driving her heartbeat; instead of Carmen's betrayal, we have the duplicity of a painful friendship; instead of romantic Seville, we get both twentieth-century Spain AND contemporary Albuquerque. This brilliantly imagined, deeply felt, and well-crafted novel should be tops on everyone's summer reading list.
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13 of 14 people found the following review helpful:
5.0 out of 5 stars
Beating Hearts, June 6, 2006
To do "The Flamenco Academy" justice one should dance a review, not write it. Not "one" as in me, because I can't dance. Sarah Bird's book deserves a more perfect homage than I can write, much less perform en compás, so to speak.
This is a book about obsession, sex, flamenco, gypsies, art, celebrity, broken families, the Spanish Civil War, and contemporary American life with all its brutal selfishness and redemptive possibilities of freedom. Most of all, like all great stories, it is about -- it lives in and is written from -- the human, all too human heart.
It's a romance, but it's a postmodern romance. That is, "Flamenco" is about anything but escape. It follows the first commandment of flamenco puro: give me the truth. I ached for young Rae, the Albuquerque teenage girl who falls deeply in love with the tortured musical prodigy, Tomás, after a single magical (and chaste) encounter. Hell, I ached for Tomás, too, and Didi, Rae's narcissistic friend. (Didi deserves a new literary category, neither protagonist nor two-dimensional antagonist, but, maybe, pantagonist.)
I was captivated by the cave-dwelling gypsies of the tales within the tale. They are ugly, earthy, carnal, lice-ridden angels who, perversly, remain pariahs and enemies-of-states because of their fierce beauty. Then there is Federico García Lorca, the martyred Spanish poet whose cameo in the book is written with a touch the poet himself would have admired.
Bird writes with a thoroughly contemporary sensibility. This is a romance, but it's not retro. Its daring reminds me of G.B. Edwards' "Book of Ebenezer LePage", which is handy, because the late novelist John Fowles described Edwards' book in words that fit Bird's accomplishment very well. Edwards' book risked "things that no trend-conscious novelist today would care to risk his reputation on, just as in some ways it had to stay resolutely old-fashioned and simple-tongued." Edwards' book was "an act of courage," Fowles said, and that's exactly what I think of Bird's "Flamenco Academy".
This book makes me want to dance.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
terrific contemporary tale, June 7, 2006
When her family relocated to Albuquerque, New Mexico, seventeen years old Cyndi Rae Hrncir feels like a stranger in a strange land as her Czech backgrounds sticks out. The loner soon suffers another blow when her father dies from cancer. Reputed "bad girl" Didi Steinberg suffers the same misfortune when her dad also dies from cancer. The paternal tragedies lead to the two disparate teens forging a special bond as they have no one to turn; both their moms are busy grieving..
After meeting rising flamenco playing guitarist Tomas Montenegro, Cyndi develops a passion for the music. She and Didi study under Tomas' legendary great aunt and guardian daunting Doña Carlota Anaya de Montenegro. As the two young females learn the demanding flamenco requirements, each makes a play for Tomas while also learning much about the Doca's past in war ravaged Spain.
This is a terrific contemporary tale that focuses on two intriguing scenarios. First the obvious romantic triangle between the students; this is well written and holds the audience attention as they wonder if friendships will end and who if either of the girls will gain the boy. However, even more interesting and refreshing is that the novel is the story of Doca; that grips the reader as few subplots can. Fans will appreciate this strong tale that pay homage to the art of flamenco music and dancing.
Harriet Klausner
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