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106 of 113 people found the following review helpful:
5.0 out of 5 stars
A great artist, a noble soul!, February 19, 1999
This review is from: Flannery O'Connor : Collected Works : Wise Blood / A Good Man Is Hard to Find / The Violent Bear It Away / Everything that Rises Must Converge / Essays & Letters (Library of America) (Hardcover)
This is perhaps the most beautiful edition of the collected works of Flannery O'Connor. And it contains not only her incomparable stories--with those unforgettable characters!--but her magnificent letters. Her stories can both shock and shine. Her letters have made me both laugh and cry. Her stories never grow old--I've read them over many years now and am always finding something new and fresh and am always in awe of her consummate artistry. And her letter reveal, at least in part, the secret of her art and the power of her stories: they reveal a noble soul. Humble, honest, caring, suffering, and always, a valiant woman of faith. Her lupus stimied her activity; but it deepened her spirit and heart. I am sure those peacocks she loved so much missed her. And they're not fortunate enough, like us, to be able to read her relatively slim, but always enriching, literary legacy. GET THIS BOOK!
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97 of 108 people found the following review helpful:
3.0 out of 5 stars
brilliant stories in a flawed edition, April 8, 2004
This review is from: Flannery O'Connor : Collected Works : Wise Blood / A Good Man Is Hard to Find / The Violent Bear It Away / Everything that Rises Must Converge / Essays & Letters (Library of America) (Hardcover)
The stories themselves easily get a five. O'Connor was a genius, combining her Catholicism, her Southern-ness, and the grotesque in stories that explore the nature of revelation, grace (or the lack thereof), and redemption. The stories have characters who are often "freaks"-physically (legless, armless, fat, pock-marked) and psychologically. Frequently, the stories are violent, shockingly so; and if not violent, then they still surprise or shock us in some way. My jaw has hit the floor reading each story. But they are meant to startle us into our own revelation. It requires patience and careful reading and re-reading to get to the heart of O'Connor's writing, but it's well worth the effort. The collection itself gets, at best, a two. It is very poorly organized, as others have mentioned. Rather than a table of contents listing every story, the main table of contents lists only "major" works-that is, the novels (Wise Blood and The Violent Bear It Away) and the collections (A Good Man Is Hard To Find and Everything That Rises Must Converge). To find a particular story, one must either know what collection it appears in or must check separate tables of contents within the book. I'm probably nitpicking, but it can be frustrating, especially for someone new to O'Connor. The included essays are O'Connors most well-known and provide important and interesting insights into her writing and themes. Many of the letters are intriguing, but many others consist of a few lines and are not extremely useful (there's a two-line letter to Walker Percy, congratulating him on an award, which tells us virtually nothing at all; include it in a book of O'Connor's letters but not in a sampling of her best and most important). Beyond that, the letters are very poorly indexed. Sometimes, an index entry refers the reader to a page with no reference to the topic; other times, an entry lists, say, two references, whereas there are actually three or four among the letters. It's wonderful to have all this under one cover, but I wish they'd have taken just a bit more time to produce a better volume.
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26 of 28 people found the following review helpful:
5.0 out of 5 stars
Just Read It All, September 1, 2004
This review is from: Flannery O'Connor : Collected Works : Wise Blood / A Good Man Is Hard to Find / The Violent Bear It Away / Everything that Rises Must Converge / Essays & Letters (Library of America) (Hardcover)
The complaints about the poor organization of the collection can be overcome by simply reading it from front to back. Surely it is that good.
My foray into the works of Flannery O'Connor, a southern, gothic author of darkly humorous novels and short stories came via a recommendation in Harold Bloom's, "What to Read and Why." As it turned ot, I had read one of her short stories, "A Good Man is Hard to Find," in a collection somewhere and had been surprised and shocked, by the turn of events and ending of the story, so much so, that I remembered it instantly, even though it has to have been thirty years since I read it. I enjoyed everything, short stories, novellas, and even her letters. She writes about southern Christ-haunted people, most backward, all damned, but many redeemed. Bloom says that according to her, we are all damned but one should put that aside and simply enjoy her beautiful, grotesque, and wonderful comedic stories. Her protagonist is often a woman, forced to take on a role and duties she didn't sign up for but resignedly and with no illusions playing and discharging both out of a sense of morality or necessity; those women are usually the most superior beings in her stories.
Many of her insights stick with me months afterwards. For example, O'Connor says in one of her letters, "...Hazel's integrity lies in his not being able to do so. Does one's integrity ever lie in what he is not able to do? I think that usually it does, for free will does not mean one will, but many wills conflicting in one man. Freedom cannot be conceived simply. It is a mystery and one which a novel, even a comic novel, can only be asked to deepen." That brought tears to my eyes -- perhaps because it is so beautifully put.
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